HERMANN HESSE AND THE DIALECTICS OF TIME Salvatore C. P. ...

Bullivant, Roger, Fugue, Hutchinson University Library (London: Hutchinson, 1971)
Cross, Jonathan et al., Identity and difference: Essays on music, language and time
(Leuven: Leuven University Press, 2004)
Currid, Brian, National acoustics: Music and mass publicity in Weimar and Nazi Germany
(Minneapolis: Minnesota University Press, 2006)
Da Ponte, Lorenzo, Don Giovanni, libretto (Prague: 1787); also in Tutti i libretti di
Mozart, ed. by M. Beghelli (Milan: Garzanti, 1999)
Einstein, Alfred, 'Bach through the Ages', Music & Letters 16(3) (July, 1935), pp. 230-
237
Fawkes, Richard, The history of classical music: A musical history - with 150 musical
excerpts (London: Naxos Audio Books, 1997)
Hans, Corrodi, 'Othmar Schoeck's songs', Music & Letters 29(2) (April, 1948), pp. 129-
139
Herbert, Trevor, Music in words: A guide to researching and writing about music
(London: Associated board of the Royal School of Music, 2001)
Kafka, Franz, Die Verwandlung (1915) (Frankfurt a. M.: Suhrkamp, 1946)
Kater, Michael H., Different drummers: Jazz in the culture of Nazi Germany (Oxford;
New York: Oxford University Press, 1992)
Kater, Michael H., The twisted muse: Musicians and their music in the Third Reich
(Oxford; New York: Oxford University Press, 1997)
Lange, Horst Heinz, Jazz in Deutschland: die deutsche Jazz-Chronik bis 1960
(Hildesheim: G. Olms, 1996)
Lange, Victor, The classical age of German literature, 1740-1815 (London: Edward
Arnold, 1982)
Lidov, David, Is language a music? Writings on musical form and signification
(Bloomington, Ind.; Chesham: Indiana University Press, 2004)
McParland, Robert (ed.), Music and literary Modernism: Critical essays and comparative
studies (Newcastle-upon-Tyne: Cambridge Scholars, 2005)
Nielsen, Riccardo, Le forme musicali (Bologna: Bongiovanni, 1961)
Sadie, Stanley (ed.), The New Grove dictionary of music and musicians, 2nd edn (London:
Macmillan Reference, 2001)
217