HERMANN HESSE AND THE DIALECTICS OF TIME Salvatore C. P. ...
HERMANN HESSE AND THE DIALECTICS OF TIME Salvatore C. P. ... HERMANN HESSE AND THE DIALECTICS OF TIME Salvatore C. P. ...
Bishop, Paul, 'Beads of Glass, Shards of Culture, and the Art of Life: Hesse's "Das Glasperlenspiel"', in A companion to the works of Hermann Hesse (see Cornils 2009), pp. 215-56 Boulby, Mark, Hemann Hesse: His mind and art (1967) (Ithaca; London: Cornell University Press, 1972) Bruhn, Siglind, '«Sie entsteht aus dem Mafi und wurzelt in dem grofien Einen»: Musik als Inhalt, Form und Metapher in Hesses Kastalischer Utopie', in Hermann Hesse Jahrbuch (see Brusniak), pp. 95-119 Brusniak, Friedhelm, '«Wege zu Mozart»', in Hermann Hesse Jahrbuch, ed. by M. Ponzi, 4 vols (Tubingen: Niemeyer, 2004-2009), III (2006), pp. 81-93 Chadwick, Nick, 'From "Freund Hein" to Hermann Hesse: Hermann Watznauer and his Friendship with Alban Berg', Music & Letters 79(3) (August, 1998), pp. 396- 418 Cornils, Ingo 'Introduction: From Outsider to Global Player Hermann Hesse in the Twenty-First Century', in A companion to the works of Hermann Hesse, ed. by I. Cornils (Rochester; N.Y.: Camden House, 2009), pp. 1-16 Diirr, Werner, Hermann Hesse: Vom Wesen der Musik in der Dichtung (Stuttgart: Silberburg, 1957) Durrani, Osman, 'Rofialde (1914): A Portrait of the Artist as a Husband and Father', in A companion to the works of Hermann Hesse (see Cornils 2009), pp. 57-79 Field, George W. Hermann Hesse (New York: Twayne, 1970) 'Chapter 1: Origins and Early Years' , Literature Resource Center [accessed 22 April 2010] 'Chapter 2: Romanticism and Rebellion' , Literature Resource Center [accessed 22 April 2010] 'Chapter 3: The Artist Novels: Gertrud and Rosshalde' , Literature Resource Center [accessed 22 April 2010] 'Chapter 4: Demian and Symbols of Transformation' , Literature Resource Center [accessed 22 April 2010] 'Chapter 5: Three Novellen: Klingsor' . Literature Resource Center [accessed 22 April 2010] 205
'Chapter 6: Siddhartha: The Way Within7 . Literature Resource Center [accessed 22 April 2010] 'Chapter 7: Der Steppenwolf: Crisis and Recovery' . Literature Resource Center [accessed 22 April 2010] 'Chapter 8: Narziss und Goldmund: Mind, Matter and Art . Literature Resource Center [accessed 22 April 2010] 'Chapter 9: Poet and Critic' . Literature Resource Center [accessed 22 April 2010] 'Chapter 10: Die Morgenlandfahrt and Das Glasperlenspiel: In the Service of Geist and Leben' , Literature Resource Center [accessed 22 April 2010] 'Chapter 11: Conclusion' , Literature Resource Center [accessed 22 April 2010] Field, George W., 'Music and Morality in Thomas Mann and Hermann Hesse', in Hesse: A collection of critical essays, ed. by T. Ziolkowski (Englewood Cliffs [N.J.]: Prentice-Hall, 1973), pp. 94-111 Field, George W., 'Hermann Hesse: Polarities and Symbols of Synthesis', Queen's Quarterly 81 (1974). pp. 87-101 Freedman, Ralph, 'Hermann Hesse und Rainer Maria Rilke: vereinbar oder unvereinbar', in Hermann Hesse Jahrbuch, ed. by M. Ponzi, 4 vols (Tubingen: Niemeyer, 2004-2009), II (2005), pp. 81-92 Freedman, Ralph, '"Klingsors Letzter Sommer" and the Transformation of Crisis', in A companion to the works of Hermann Hesse (see Cornils 2009), pp. 139-47 Freedman, Ralph, 'Person and Persona: The Magic Mirrors of Steppenwolf', in Hesse: A collection of critical essays, ed. by T. Ziolkowski (Englewood Cliffs [N.J]: Prentice-Hall, 1973), pp. 153-79 Freedman, Ralph, 'Romantic Imagination: Hermann Hesse as a Modern Novelist', PMLA 73(3) (June, 1958), pp. 275-84 Freedman, Ralph, Hemann Hesse: Pilgrim of crisis (London: Jonathan Cape, 1979) 206
- Page 161 and 162: Glasperlenspiel). Clearly, 'authori
- Page 163 and 164: spread very rapidly to the human sc
- Page 165 and 166: poetic world: the metaphor of the s
- Page 167 and 168: Verwandlungen, Goethe and Mozart-Pa
- Page 169 and 170: und die Worte waren kleine schwarme
- Page 171 and 172: After dealing with the rather probl
- Page 173 and 174: greater foe than emotion' (Bergson,
- Page 175 and 176: of experience may be arbitrary and
- Page 177 and 178: identified by Ziolkoski (see Chapte
- Page 179 and 180: Rad (1905-1906) is a noticeable exc
- Page 181 and 182: however, the dualism of 'ideal' and
- Page 183 and 184: 'Witzbold und frechen Bettler' (SW
- Page 185 and 186: from their own creation through an
- Page 187 and 188: observed in Chapter 3 (section 2),
- Page 189 and 190: works, and the motif (the mirroring
- Page 191 and 192: hinein: Kindergesichter sufi und er
- Page 193 and 194: As noted above (6.1) that the last
- Page 195 and 196: Mozart play practical jokes on Harr
- Page 197 and 198: superior wit. Furthemore, Mozart's
- Page 199 and 200: The various sections do not [...] r
- Page 201 and 202: Modernist distance from the norms o
- Page 203 and 204: concludes that what might seem a sh
- Page 205 and 206: Jahren war ich nicht mehr in dem sc
- Page 207 and 208: irths and deaths, as portrayed in '
- Page 209 and 210: Salvages' V; 1944, 30), as one of h
- Page 211: HERMANN HESSE, Bibliography Betrach
- Page 215 and 216: Kilchenmann, Ruth J., 'Hermann Hess
- Page 217 and 218: Theodorou, Panagiota, '«Das leiden
- Page 219 and 220: Debord, Guy, The society of the spe
- Page 221 and 222: Mann, Thomas, Doktor Faustus: das L
- Page 223 and 224: Volkmann-Schluck, Karl H., 'Novalis
- Page 225: Schmidt, Richard A.; Lee, Timothy D
'Chapter 6: Siddhartha: The Way Within7<br />
. Literature Resource Center [accessed 22 April 2010]<br />
'Chapter 7: Der Steppenwolf: Crisis and Recovery'<br />
. Literature Resource Center [accessed 22 April 2010]<br />
'Chapter 8: Narziss und Goldmund: Mind, Matter and Art<br />
. Literature Resource Center [accessed 22 April 2010]<br />
'Chapter 9: Poet and Critic'<br />
. Literature Resource Center [accessed 22 April 2010]<br />
'Chapter 10: Die Morgenlandfahrt and Das Glasperlenspiel: In the Service of Geist<br />
and Leben'<br />
, Literature Resource Center [accessed 22 April 2010]<br />
'Chapter 11: Conclusion'<br />
, Literature Resource Center [accessed 22 April 2010]<br />
Field, George W., 'Music and Morality in Thomas Mann and Hermann Hesse', in<br />
Hesse: A collection of critical essays, ed. by T. Ziolkowski (Englewood Cliffs [N.J.]:<br />
Prentice-Hall, 1973), pp. 94-111<br />
Field, George W., 'Hermann Hesse: Polarities and Symbols of Synthesis', Queen's<br />
Quarterly 81 (1974). pp. 87-101<br />
Freedman, Ralph, 'Hermann Hesse und Rainer Maria Rilke: vereinbar oder<br />
unvereinbar', in Hermann Hesse Jahrbuch, ed. by M. Ponzi, 4 vols (Tubingen:<br />
Niemeyer, 2004-2009), II (2005), pp. 81-92<br />
Freedman, Ralph, '"Klingsors Letzter Sommer" and the Transformation of Crisis', in<br />
A companion to the works of Hermann Hesse (see Cornils 2009), pp. 139-47<br />
Freedman, Ralph, 'Person and Persona: The Magic Mirrors of Steppenwolf', in Hesse:<br />
A collection of critical essays, ed. by T. Ziolkowski (Englewood Cliffs [N.J]:<br />
Prentice-Hall, 1973), pp. 153-79<br />
Freedman, Ralph, 'Romantic Imagination: Hermann Hesse as a Modern Novelist',<br />
PMLA 73(3) (June, 1958), pp. 275-84<br />
Freedman, Ralph, Hemann Hesse: Pilgrim of crisis (London: Jonathan Cape, 1979)<br />
206