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HERMANN HESSE AND THE DIALECTICS OF TIME Salvatore C. P. ...

HERMANN HESSE AND THE DIALECTICS OF TIME Salvatore C. P. ...

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only creep into his life when he is in his early puberty: 'bald wiirde auch mir die<br />

Stunde schlagen' ('Kindheit des Zauberers' in TF, GSIV, 467). 9 At that time, the<br />

clashes with his parents and conflicts with the external reality of everyday life began<br />

and, like many adolescents, Hesse found himself maladjusted and cast away from<br />

the paradise of his childhood. 10<br />

Despite the problematic and traumatic path from childhood to adolescence,<br />

Hesse's early years remained a continual source of inspiration and a vital centre of<br />

his creativity:<br />

Ich habe diesem Gedachtnis zeitlebens oft gehuldigt und ihm kleine<br />

Denkmaler errichtet, es ist in vielen meiner Erzahlungen und Gedichte etwas<br />

von jenem Marchen festzuhalten versucht worden. 11 (KF, 329)<br />

As noted in Chapter 2 (see especially section 1), Hesse's appreciation of music<br />

began in his childhood. Later on in his life, music is able to bring Hesse back to his<br />

juvenile and all-embracing enthusiasm for life. As he records in 1928, recalling the<br />

performance of a virtuoso and the ecstatic response of the audience: 'wieder waren<br />

wir Knaben und kamen aus der ersten Violinstunde, wieder traumten wir uns selig<br />

iiber die Berge der Schwierigkeiten hinweg' ('Virtuosen-Konzert' in Musik, 55). The<br />

'Matthaus-Passion', which he first listened to as a child, would trigger a train of<br />

memories that would bring him back to his childhood: 'Es war schon und<br />

herzbewegend und brachte wie jedes Mal eine Flut von Erinnerungen heran, bis in<br />

die Knabenzeit zuriick' (Musik, 214)<br />

The centrality of childhood is mirrored in virtually all his works, where it<br />

features as a theme. 12 Peter Camenzind frequently refers to the idyllic quality of life<br />

in his Alpine hometown. Unterm Rad focuses on the difficult passage from a carefree<br />

childhood to the suffocating world of adults. As mentioned above, Kuhn's destiny is<br />

shaped by the accident which cripples him as a child and by his early fascination<br />

9 'Als ich dreizehn Jahre alt war, und jener Konflikt eben begonnen hatte' ('Kurzgefasster Lebenslauf, SW 12<br />

49).<br />

10 As observed in 3.1, Hesse was to experience a similar situation during the First World War; a time when he<br />

felt an outcast, in spite of his success as a writer.<br />

11 'The call of childhood sounds through memory, which in Hesse's work has an intense and active function to<br />

perform' (Boulby, 7).<br />

'Knabe' and its compounds is one of the words which occur most often in his works.<br />

113

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