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Avenches – Roman Museum – Permanent Exhibition

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First Floor Rome and Aventicum<br />

The Emperor, the Imperial Family and the Province<br />

and busts throughout the town. However, only a few examples have survived.<br />

While certain portraits can clearly be identified (Marcus Aurelius, Agrippina the<br />

Elder), this is not the case for others (display case 17, nos. 1-5). The emperor could be<br />

represented naked like a god, wearing a toga like a philosopher or in armour as the<br />

most senior general in the army.<br />

The image of the emperor was omnipresent on coins and medallions thus<br />

guaranteeing their authenticity (display case 17, nos. 11-23). Coins were a means<br />

of propaganda not only to convey the portrait of the ruler, but also to remind the<br />

population of political or family events as well as to spread moral and political<br />

values (display case 17, nos. 24-33).<br />

The imperial family also played a role in the economy. They owned quarries,<br />

vineyards and estates producing olive oil, for instance. The lead medallion bearing<br />

the portrait of Antonia the Younger (display case 17, no. 7), mother of the emperor<br />

Claudius, probably belonged to a seal from a shipment of goods that was under<br />

imperial protection.<br />

Display case 16<br />

1. Dedication to the educator of an emperor:<br />

[D(is)] M(anibus)<br />

Pomp(eiae)Gemell[(ae)<br />

Pomp(eia) Dic[a]ea l(iberta)<br />

et Primu[l]ia s(erva)<br />

educat(ricis) [A]ug(usti)n(ostri)<br />

« To the Manes Gods. The manumitted Pompeia Diacaea and slave Primulia (erected this<br />

monument) to Pompeia Gemella, educator of our Emperor »<br />

This is probably a funerary inscription for the educator of the emperor Titus (AD 70 <strong>–</strong> 81).<br />

Second half of the 1st century AD. Catalogue of inscriptions: no. 3.<br />

Display case 17<br />

1-5. Fragments of a bronze statue probably representing the emperor Hadrian (AD 117 <strong>–</strong><br />

138) wearing armour. First half 2nd century AD.<br />

6. Votive bronze plaque dedicated to Mars Caisivus:<br />

Mart[i] Caisiv[o]<br />

Pomp(onius or -eius ? ) Optatus<br />

fl(amen)Aug(usti) {e}x stip(e)<br />

« To Mars Caisivus. Pomponius (?), Optatus, priest of the imperial cult, had this (statuette?)<br />

made after having collected funds »<br />

This plaque was certainly linked to an offering dedicated to Mars Caisivus by a priest of<br />

the imperial cult. 1st <strong>–</strong> 3rd centuries AD. Catalogue of inscriptions: no. 23.<br />

7. Portrait of Antonia the Younger (36 BC <strong>–</strong> AD 37), mother of the emperor Claudius<br />

(AD 41 <strong>–</strong> 54). Lead plaque.<br />

8. Portrait of the emperor Hadrian (AD 117 <strong>–</strong> 138). <strong>Roman</strong> period reworking of a bronze<br />

coin into a medallion (1).<br />

9. Portrait of the emperor Commodus (AD 180 <strong>–</strong> 192). Bronze medallion (2).<br />

10. Portrait of a princess? Medallion in cast glass (3).<br />

1<br />

2<br />

3<br />

34<br />

First Floor<br />

16<br />

17

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