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Avenches – Roman Museum – Permanent Exhibition

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Ground Floor The Gallo-<strong>Roman</strong> Population of Switzerland and Their View of Death<br />

Funerary Urns<br />

5. Tombstone of Decimus Iulius Iunianus (1)<br />

Erected by his wife.<br />

Limestone. West gate necropolis.<br />

1st <strong>–</strong> 3rd centuries AD. Catalogue of inscriptions no. 11.<br />

6. Tombstone of Flavia Severilla<br />

Erected by her husband. She passed away at the age of 36 (?).<br />

Limestone. West gate necropolis.<br />

Probably 3rd AD. Catalogue of inscriptions no. 12.<br />

7. Tombstone fragment<br />

Bust of a couple with only the head of the man preserved. The names of the deceased<br />

were inscribed on the base, which, however, was lost.<br />

According to the hairstyle and stylistic features of the head, the tombstone dates from<br />

the beginning of the 2nd century AD.<br />

Limestone. West gate necropolis.<br />

8. Funerary monument of a family<br />

Limestone block with sculptures. Originally the funerary monument of a family consisted<br />

of three blocks placed on top of each other in a pilaster-framed niche. Only the badly<br />

preserved top block still remains. The sculpture depicted a couple facing each other. This<br />

type of representation is not rare and, a child was often placed between the man and the<br />

woman. In this instance, only the top of the child’s head is still visible. The mother has put<br />

her right hand on her son’s head while the father, in a similar gesture, is holding a scroll in<br />

his left hand. The pose of the couple is reminiscent of the gesture of uniting right hands<br />

(dextrarum iunctio) symbolising marriage. In a funerary context, this gesture symbolises<br />

the couple being united in life and death.<br />

Second half of the 2nd century AD.<br />

Funerary Urns (2)<br />

(Display case and drawer 1)<br />

1. Urn with ceramic cover<br />

Ceramic cooking pot covered with a mortarium and turned into an urn.<br />

En Chaplix necropolis. AD 100/150 <strong>–</strong> 200.<br />

2. Cover of a marble urn (?)<br />

This probably came from a child burial. In fact, figurines of the child-like God Eros on<br />

tombs for children symbolised their becoming god-like. Sleeping Amor or Somnus (the<br />

god of sleep) on a lion skin are images of Hellenistic origin. Sleep, usually interrupted by<br />

waking up, was set in close context with death and resurrection.<br />

Late 1st century AD.<br />

3. Lead urn<br />

Hammered lead vessels are rather rare finds; most of them were made of several pieces.<br />

West gate necropolis.<br />

4. Glass urn<br />

This bellied pot originally served as a storage vessel.<br />

En Chaplix necropolis. AD 150 <strong>–</strong> 200/250.<br />

5. Glass urn with lid<br />

En Chaplix necropolis. AD 70 <strong>–</strong> 100/120?<br />

1<br />

2<br />

9<br />

Ground Floor<br />

1

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