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Spike Magazine

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<strong>Spike</strong> | 15 YEARS OF BOOKS, MUSIC, ART, IDEAS | www.spikemagazine.com<br />

actually! So in some way we behaved properly. There<br />

was a contract and the contract said we own nothing,<br />

the musicians own everything, That was a mistake, but<br />

it was very nice at the time and very idealistic, but looking<br />

back on it fuck the musicians I say.<br />

We actually I’d say, were responsible for removing<br />

the world’s greatest rock’n’roll writer for about 15<br />

years, which is Greil Marcus, from rock’n’roll. He got<br />

a copy of our first record and stuck a Durutti Column<br />

sticker on his deck and looked at it for two years thinking<br />

‘What the fuck is this?’, and finally discovered it<br />

was a Strasbourg (Andre Bertrand) political cartoon at<br />

the end of which he got completely involved in it and<br />

became buried in it and became the world expert on<br />

Situationism. Which is bit of a shame because it took<br />

him away from writing until he wrote his Elvis Presley/<br />

Bill Clinton book which I adore that he really came<br />

back to the fold. The greatest book on rock’n’roll is<br />

Mystery Train by Greil Marcus by a million miles.<br />

What’s your involvement in the upcoming Joy<br />

Division film?<br />

I’m a producer on the movie and in a way I think<br />

that’s because it makes it more official having me involved,<br />

(stupidly) and it does reflect to a degree what<br />

was their concern about the rival film. The rival film<br />

has now completely fucking gone, thank god. There’s<br />

always only been one project, the film which is based<br />

on Debbie Curtis’s book (Touching From A Distance)<br />

BUY Tony Wilson books online from and<br />

and that always been how it’s approached. The people<br />

making the film are two American guys; there was an<br />

American man and woman from New York that were<br />

making the film called Double A Films, however they<br />

fell out and also the woman fell out with Debbie Curtis.<br />

An option on a book has to be renewed, and they didn’t<br />

renew the option otherwise they’d be still be making<br />

the film, but I presume they kept promising Debbie they<br />

were renewing it. Some of these Americans have so<br />

much money they don’t know what it’s like for us over<br />

here. No money was paid, the option ceased at which<br />

point these two guys Todd Eckert and Orian Williams,<br />

who had been friends from school years decided to step<br />

in and take up the option. Todd is a Pittsburgh guy, and<br />

Orian works out of Los Angeles, so it’s a Pittsburgh/Los<br />

Angeles pairing that are doing this. They had actually<br />

talked to Sophia Coppola who is a Joy Division fan,<br />

there was interest from her, but in the end they chose<br />

Anton Corbijn which I think is a great idea.<br />

So their choice of Anton mirrored my own choice<br />

because I realised that when I had to make a video<br />

for ‘Atmosphere’ in 1988 I would have to use the old<br />

photographs, and therefore it seemed logical to use<br />

either Kevin Cummins or Anton. There was only two<br />

photographers who took the great photographs of Ian<br />

and for whatever reason I chose Anton even though<br />

I’ve just recently done a photo shoot with the beloved<br />

Mr Cummins, who moaned at me. He said ‘If I do a<br />

562<br />

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