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<strong>Spike</strong> | 15 YEARS OF BOOKS, MUSIC, ART, IDEAS | www.spikemagazine.com<br />

they found a wonderful lead singer, but they became<br />

Simian which are not my cup of tea. I went to see The<br />

Music in Leeds: I was taken out by their manager and<br />

fell in love with them and I spent six months arranging<br />

the new label around The Music, and at the last minute<br />

their two managers who were friends of mine brought<br />

a third manager in who was a complete twat, he wanted<br />

a bidding war and in the end signed for lots of money<br />

to Hut. It was very depressing and I was outraged for<br />

about two years.<br />

The Music weren’t that good though Tony.<br />

No, The Music were that good and they had that<br />

potential, but the way their managers took them was<br />

completely fucking wrong and ended up taking them<br />

nowhere. If we’d have put them in the right environment<br />

then they’d have created a far more important<br />

second album. So the wrong environment has just<br />

fucked them. In fact I heard someone within their camp<br />

say that to some one the other week, so yes that’s what<br />

I think about them.<br />

And as I say it’s never stopped, it’s always if I ever<br />

see a great band. When I saw Raw-T live at In The<br />

City I was blown away, there were several major labels<br />

there who were also blown away. I presumed that<br />

my job with Raw-T would be to bash them around<br />

the head when they started behaving like twats, and<br />

instead the majors all offered them crap singles deals,<br />

no one offered them a real album deal and suddenly<br />

BUY Tony Wilson books online from and<br />

the rest is history.<br />

Who’s designing the imagery for F4?<br />

I have a graphic designer who I’m very fond of<br />

called Jason Nichols who does In The City’s stuff<br />

and in it’s great having him move on from that to<br />

do the record sleeves. He did the F4 thing and I’m<br />

very happy with that. We were originally going to<br />

be called Red Cellars and there was a very clever<br />

designer called John Walsh designed a Red Cellars<br />

logo and was doing the whole thing. I took him to<br />

meet Raw-T and he met them and experienced them<br />

and got a logo from one of their boys, took it away<br />

to work on and a month later had been too busy to<br />

do it because he had more important work on. To<br />

which after a few days I exploded in a very unpleasant<br />

manner and said, ‘Fine, the most important thing<br />

in the fucking world is Raw-T so you can fuck off!’<br />

Strangely the reason it’s not called Red Cellars is<br />

not just that my partner thinks it’s a good idea cos it<br />

relates to Factory and it avoids a 15-minute explanation<br />

of why it’s called Red Cellars. But it was when I was<br />

lying in my bunk in the Amazon rainforest doing drugs,<br />

the very night Raw-T’s first single had to go to press,<br />

and I thought if I call it Red Cellars I’m going to have<br />

to use John’s logo and I’m so angry at John for being<br />

too busy to do Raw-T, and so utterly outraged I refused<br />

to use his logo. So I needed to think up a new name,<br />

and finally thought F4. That was out of a fit of anger<br />

560<br />

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