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Spike Magazine

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<strong>Spike</strong> | 15 YEARS OF BOOKS, MUSIC, ART, IDEAS | www.spikemagazine.com<br />

information even easier. Ask him something as simple<br />

as the time and you’d receive a cultural pontification<br />

about the lines of the Meridian and the way it effects<br />

the Northern psyche. Respectively finding himself<br />

lost in Swindon and taking his nutcase New Order<br />

dog for a walk on the two occasions we spoke, he was<br />

distracted many times during the conversation. But due<br />

to the sharp thinking of the man, he managed to keep<br />

a solid thread through out and spouted long, detailed<br />

soliloquies about his iconic past, his hip-hop present<br />

and things that’ll kick off in the future.<br />

What do you say to people that shout “Wilson you<br />

wanker!”?<br />

I just keep walking and have always ignored it.<br />

Funnily enough I’ve got to go to Chorlton in about an<br />

hour, because Harry Goodwin the original rock’n’roll<br />

photographer of the 60s has a show which he asked me<br />

to go to. But Chorlton I despise with a passion. I come<br />

from Salford, then lived in Marple, went to school in<br />

Salford, went to university when I was 18, went to<br />

London when I was 21 and aged 23 came back home.<br />

I’m on television as a local reporter and putting music<br />

on television, just soundtracks really. I thought my<br />

generation will love this, we children of the 60s, but<br />

who in the early 70s were all solicitors, young teachers<br />

and trainee accountants in Chorlton and it turned out<br />

they utterly despised me. Just like all those people who<br />

shout ‘wanker’.<br />

BUY Tony Wilson books online from and<br />

I remember going to a Rory Gallagher gig in 1975<br />

at the Free Trade Hall and there was 2,000 people and<br />

1,199 people fucking hated me. And I just thought<br />

‘What the fuck have I done to these fuckin’ people?<br />

What shits they are.’ And then about a year and a half<br />

later along came punk and suddenly I’m at The Circus<br />

and all these kids are like ‘Hey Tone, thanks for putting<br />

Costello on, thanks for putting Iggy Pop on.’ I realised<br />

I found my generation and they weren’t my fucking<br />

generation. So people shouting abuse has happened<br />

for a very long time and I find it kind of amusing and<br />

irrelevant.<br />

What sort of bands are you looking for to add to<br />

the F4 roster?<br />

A band that’s going to sell a lot of records because<br />

they’re important. The most innovative is always the<br />

most commercial at the end. The Mondays did sell a lot<br />

of albums, they sold a couple of million albums which<br />

I think is reasonably good, but if they hadn’t had the<br />

self-destruction they might of sold some more.<br />

What made you want to start a new label?<br />

I’d never really stopped I suppose. I had a two year<br />

layoff between the bankruptcy which led to London<br />

Records buying Factory, that awful period of Factory<br />

Too ended and I had to walk away, and when I finally<br />

got tired of the Space Monkeys we stopped again. It was<br />

always a question of the next time we sign a good band<br />

we’ll start again. We started again with King Rib and<br />

559<br />

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