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Spike | 15 YEARS OF BOOKS, MUSIC, ART, IDEAS | www.spikemagazine.com David Thomas [Pere Ubu]: “I never volunteer information” 513 Hunter S. Thompson: A Real American Patriot 517 Hunter S. Thompson: Fear And Loathing 519 Colm Tóibín: The Story Of The Night 523 Amos Tutuola: The Palm-Wine Drinkard 525 T-Z Stuart Walton: Out Of It 529 Alan Warner: Existential Ecstasy 531 Belinda Webb: Justified Anger 535 Irvine Welsh 538 Irvine Welsh / Harry Gibson: Expletives Deleted 539 Irvine Welsh: You’ll Have Had Your Theatre 541 Irvine Welsh / Alan Warner: Queerspotting 545 Irvine Welsh: Filth 554 The White Stripes: Elephant 556 Tony Wilson: Fourth Time Lucky 558 512 More Spike email RSS Facebook Twitter A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Spike | 15 YEARS OF BOOKS, MUSIC, ART, IDEAS | www.spikemagazine.com Interview [published March 2005] David Thomas [Pere Ubu]: “I Never Volunteer Information” Craig Johnson talks to Pere Ubu’s David Thomas Think of alternative rock in the 1970s and we immediately think of The Ramones, Talking Heads, Television as the major musical forces in those heady times. An under-rated band of that much pillaged and productive scene were underground rockers Pere Ubu – subterranean innovators of the new-wave/post-punk elementary division. Along with new-wave band Devo, Pere Ubu had thrashed on the fringes of Cleveland, Ohio’s music circuit for a few years in the guise of Rocket From The Tombs. Lead singer David Thomas had formed RFTT in 1974 with guitarist Peter Laughner, who died of acute pancreatitis or the plain ravages of rock’n’roll in 1977. After a few years of finely tutoring their school of garage nihilism via Stooges covers, RFTT had distanced themselves from the usual industry career path. With the addition of bass player Tom Herman, drummer Scott Krauss and keyboardist Allen Ravenstine, RFTT metamorphosed into Pere Ubu. Something sets Pere Ubu apart from other bands. For a start how many bands name themselves after a BUY Pere Ubu music online from and character created by 19th-century French playwright Alfred Jarry? How many bands before them insisted on having no group photos on their record sleeves? And however unshocking, an early Rocket From The Tombs tune mouthed the word “cunt” on ‘Ain’t It Fun’. Not many bands did that in 1974. But it’s something other that sets Pere Ubu apart; something alien, almost dangerous, ironic and fascinating that lurks within their out-of-shape yet tight as metal song structures; those purely dynamic slabs of fury that present apocalyptic landscapes, stellar production and emotions of insanity that burn your ears out. They dealt in human extremes but were never unlistenable. Singles ‘30 Seconds Over Tokyo’ (1975) and ‘Final Solution’ (1976) are songs years ahead of their time with an inventive attitude that current heavyweights like Radiohead and Franz Ferdinand have just about caught up with a quarter of a century later. First album The Modern Dance (1978) now stands as a landmark album in that the dubby, droned out bass-lines and off-kilter sounds were unlike anything hitherto produced. (Well, except perhaps Captain Beefheart.) 513 More Spike email RSS Facebook Twitter A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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