Spike Magazine

Recommendations

Info

Spike | 15 YEARS OF BOOKS, MUSIC, ART, IDEAS | www.spikemagazine.com I left Can after being there for 3 years. It was enough for me to leave after Future Days. We’re getting well known band, TV’s there, interviews here. I was only 23 years old and much more curious about another life. Are there any new musical releases this year? Very soon comes a double CD called HollyAris … I mean I’m going to release only doubles in future, except one CD I edited already. It’s nice to have more than two hours of pure instant composed music which will never be performed again. HollyAris has two location recorded live. One is in Hollywood another is Paris. As I perform with local sound carriers. CD 1 called ‘Hollywood’ is performed by sound carriers from Los Angeles and Japanese guitarist Mandog. CD 2 called ‘Paris’ is performed by sound carriers from France. After they formed a band called FRENCH DOCTORS as they found chemistry between them. And they are recording their first record. After this next one is also waiting to hit … which comes about a couple of months later. This is named SUOMI. This is completely different… ’Hollywood’ brings you a much more Californian air. ‘Paris’ brings you male perfume. But this is hard rock in Sauna. Suomi means Finland. This double CD is one is recorded at Turku, I guess the second large city in Finland. And an another recorded in Helsinki. Sound Carriers are two German, an American, a Ukrainian and a Japanese (me!!!) You bring together many musicians via your Net- BUY Damo Suzuki music online from and work. It must be a huge worldwide collective? How do you find that experience? Yes, the list of sound carriers are getting long. Some big cities like London or New York … is really long list that I have to perform there for every month some years long. And sound carriers who performed once, they like to make it again … I’m crying for happiness. No matter which musical field they belongs to. Ages, male or female, Nationality whatsoever. Or long experience as a professional or who’ve never played since 20 years. For sound making is not that important all those information you are carrying … .most important is ambition which brings positive energy. And we become one unit. Then we can create time and space of the moment. Do you write lyrics, do you map out ideas or is it all pure spontaneity? All is spontaneity. What are the many languages in your music? Words has no meaning in sound making. I don’t like to sing messages while WE are creating together. I’m not leader of the moment creating. Everybody in that room is involved and everybody have own function, that I don’t have to force their creativity with my words. All music instruments has own words, why vocal must be middle of all? I use my own language mostly … which is non-documented language. My word of the moment which is used as music instruments. What channels do you take to get to the place you 504 More Spike email RSS Facebook Twitter A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Spike | 15 YEARS OF BOOKS, MUSIC, ART, IDEAS | www.spikemagazine.com reach inside when you create your music? When sound carriers are on the stage, there works a magnet field between us and we get chemistry and it works. Sound creating is limitless world of time and space. You can go to any direction as we find information at the moment … one can make one music, two can make three music. I mean. It’s our conversation and understanding. Are you aware of the huge influence you’ve had on bands like The Fall in the UK? Do you get much contact from any UK bands? I say it’s not bad they found something about us, they had good tastes. I have many contact with UK bands as I perform every time with different sound carriers in different cities. Mostly young unknown but ambitious bands. To make contact is easy today with internet access. Internet is the greatest development for years. In May you are playing major UK cities. How do you find the UK? UK is something special. It works well with instant composing. Even small places there’s always carriers who like to perform with me and their quality of play- BUY Damo Suzuki music online from and ing is high. Audience is honestly … if they like it they like it. They are not shy to travel for long distances to visit and be in our event. Sound carriers who performed with me mail me to perform with them again and some of them organise shows with themselves. Fancy witnessing a musical legend in close motion then? An icon of the psychedelic-punk age? The man who taught most of our musical masters to sing? To be able to see the whites of his wise eyes sing out sweet and formidable odes. “This is the moment” says Damo, “we are together with audience in trance.” We’re not talking Phil Collins here. The venue’s Damo and his Network will be playing are intimate in size, and should capture a certain incomparable atmosphere if you’ve never seen his performance before. Don’t exactly walk on glass to see this one-off underground superstar, but you could try crawling. It might be worth it. And if you wanna join him for a psychedelic freakout session then you can always have a word with this guy. He’s cool. He’s approachable. He’s Damo Suzuki. � 505 More Spike email RSS Facebook Twitter A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Page 1 and 2:
hris Abani Peter Ackroyd Douglas Ad
Page 3 and 4:
Spike | 15 YEARS OF BOOKS, MUSIC, A
Page 5 and 6:
Page 7 and 8:
Page 9 and 10:
Page 11 and 12:
Page 13 and 14:
Page 15 and 16:
Page 17 and 18:
Page 19 and 20:
Page 21 and 22:
Page 23 and 24:
Page 25 and 26:
Page 27 and 28:
Page 29 and 30:
Page 31 and 32:
Page 33 and 34:
Page 35 and 36:
Page 37 and 38:
Page 39 and 40:
Page 41 and 42:
Page 43 and 44:
Page 45 and 46:
Page 47 and 48:
Page 49 and 50:
Page 51 and 52:
Page 53 and 54:
Page 55 and 56:
Page 57 and 58:
Page 59 and 60:
Page 61 and 62:
Page 63 and 64:
Page 65 and 66:
Page 67 and 68:
Page 69 and 70:
Page 71 and 72:
Page 73 and 74:
Page 75 and 76:
Page 77 and 78:
Page 79 and 80:
Page 81 and 82:
Page 83 and 84:
Page 85 and 86:
Page 87 and 88:
Page 89 and 90:
Page 91 and 92:
Page 93 and 94:
Page 95 and 96:
Page 97 and 98:
Page 99 and 100:
Page 101 and 102:
Page 103 and 104:
Page 105 and 106:
Page 107 and 108:
Page 109 and 110:
Page 111 and 112:
Page 113 and 114:
Page 115 and 116:
Page 117 and 118:
Page 119 and 120:
Page 121 and 122:
Page 123 and 124:
Page 125 and 126:
Page 127 and 128:
Page 129 and 130:
Page 131 and 132:
Page 133 and 134:
Page 135 and 136:
Page 137 and 138:
Page 139 and 140:
Page 141 and 142:
Page 143 and 144:
Page 145 and 146:
Page 147 and 148:
Page 149 and 150:
Page 151 and 152:
Page 153 and 154:
Page 155 and 156:
Page 157 and 158:
Page 159 and 160:
Page 161 and 162:
Page 163 and 164:
Page 165 and 166:
Page 167 and 168:
Page 169 and 170:
Page 171 and 172:
Page 173 and 174:
Page 175 and 176:
Page 177 and 178:
Page 179 and 180:
Page 181 and 182:
Page 183 and 184:
Page 185 and 186:
Page 187 and 188:
Page 189 and 190:
Page 191 and 192:
Page 193 and 194:
Page 195 and 196:
Page 197 and 198:
Page 199 and 200:
Page 201 and 202:
Page 203 and 204:
Page 205 and 206:
Page 207 and 208:
Page 209 and 210:
Page 211 and 212:
Page 213 and 214:
Page 215 and 216:
Page 217 and 218:
Page 219 and 220:
Page 221 and 222:
Page 223 and 224:
Page 225 and 226:
Page 227 and 228:
Page 229 and 230:
Page 231 and 232:
Page 233 and 234:
Page 235 and 236:
Page 237 and 238:
Page 239 and 240:
Page 241 and 242:
Page 243 and 244:
Page 245 and 246:
Page 247 and 248:
Page 249 and 250:
Page 251 and 252:
Page 253 and 254:
Page 255 and 256:
Page 257 and 258:
Page 259 and 260:
Page 261 and 262:
Page 263 and 264:
Page 265 and 266:
Page 267 and 268:
Page 269 and 270:
Page 271 and 272:
Page 273 and 274:
Page 275 and 276:
Page 277 and 278:
Page 279 and 280:
Page 281 and 282:
Page 283 and 284:
Page 285 and 286:
Page 287 and 288:
Page 289 and 290:
Page 291 and 292:
Page 293 and 294:
Page 295 and 296:
Page 297 and 298:
Page 299 and 300:
Page 301 and 302:
Page 303 and 304:
Page 305 and 306:
Page 307 and 308:
Page 309 and 310:
Page 311 and 312:
Page 313 and 314:
Page 315 and 316:
Page 317 and 318:
Page 319 and 320:
Page 321 and 322:
Page 323 and 324:
Page 325 and 326:
Page 327 and 328:
Page 329 and 330:
Page 331 and 332:
Page 333 and 334:
Page 335 and 336:
Page 337 and 338:
Page 339 and 340:
Page 341 and 342:
Page 343 and 344:
Page 345 and 346:
Page 347 and 348:
Page 349 and 350:
Page 351 and 352:
Page 353 and 354:
Page 355 and 356:
Page 357 and 358:
Page 359 and 360:
Page 361 and 362:
Page 363 and 364:
Page 365 and 366:
Page 367 and 368:
Page 369 and 370:
Page 371 and 372:
Page 373 and 374:
Page 375 and 376:
Page 377 and 378:
Page 379 and 380:
Page 381 and 382:
Page 383 and 384:
Page 385 and 386:
Page 387 and 388:
Page 389 and 390:
Page 391 and 392:
Page 393 and 394:
Page 395 and 396:
Page 397 and 398:
Page 399 and 400:
Page 401 and 402:
Page 403 and 404:
Page 405 and 406:
Page 407 and 408:
Page 409 and 410:
Page 411 and 412:
Page 413 and 414:
Page 415 and 416:
Page 417 and 418:
Page 419 and 420:
Page 421 and 422:
Page 423 and 424:
Page 425 and 426:
Page 427 and 428:
Page 429 and 430:
Page 431 and 432:
Page 433 and 434:
Page 435 and 436:
Page 437 and 438:
Page 439 and 440:
Page 441 and 442:
Page 443 and 444:
Page 445 and 446:
Page 447 and 448:
Page 449 and 450:
Page 451 and 452:
Page 453 and 454: Spike | 15 YEARS OF BOOKS, MUSIC, A
Page 503: Spike | 15 YEARS OF BOOKS, MUSIC, A
Page 555 and 556:
Page 557 and 558:
Page 559 and 560:
Page 561 and 562:
Page 563 and 564:
Page 565 and 566:
Page 567 and 568:
show all

Spike Magazine

Create successful ePaper yourself

Delete template?

Save as template?