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Spike | 15 YEARS OF BOOKS, MUSIC, ART, IDEAS | www.spikemagazine.com The sound of exasperation and anger in Ralph’s voice was genuine, a real rage about the dubious world order of our times. Whatever his age, this guy still has the growling edge and essential punch that makes him the greatest caricaturist of the modern era. We tied up our conversation with talks about wine, the fact that the British government wanted to eradicate the use BUY Ralph Steadman books online from and of the Welsh language, polite regrets that we hadn’t conversed over a pint and an imploration that I follow and woo a woman who had mistakenly opened the door to the phone-box; sagacious sounds drowned out by passing road sweeps tidying the days litter from the floor of Manchester’s premier street of designer shops and parasitical employment agencies. � 498 More Spike email RSS Facebook Twitter A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Spike | 15 YEARS OF BOOKS, MUSIC, ART, IDEAS | www.spikemagazine.com Review [published April 2006] Suicide: David Nobakht: No Compromise Chris Mitchell Just finished the top notch hardback edition of David Nobakht’s biography of synth-rock pioneers Suicide. I would have loved to have written this book. Very much a band biography rather than a personal history of Suicide’s two members, Alan Vega and Martin Rev, Nobakht assembles a wealth of material that traces Suicide’s genesis. From the first tinkerings with primitive electronics in the early 1970s, endless confrontational, blood-smeared gigs, through to the release of their seminal self-titled debut album – “up there with the first Stooges or Velvet Underground album” – the extreme reaction they provoked touring with The Clash at the height of punk in the UK (one night someone threw an axe at the stage. A fucking axe!), the involvement of Ric Osacek from The Cars who spent a good chunk of his own popstar earnings on them, through to their gradual acceptance during the 1990s and their triumphant string of gigs that they’ve been playing since 1997 to an increasingly enamoured audience – Nobakht covers it all, and it’s one of the strangest and most fascinating pop history stories I’ve read. Over 30 years, Suicide have not simply survived, BUY Suicide music online from and they’ve thrived, and now they are getting as much acclaim as they used to get abuse. It’s just as well, given that both Rev and Vega must be getting on towards 60 now – and having seen them live twice at London’s Garage, it’s evident that age won’t stop them from generating some of the most beautiful and vicious noise you can ever hope to hear. For all their supposed influence on industrial music, Suicide have an intense warmth and humanity to their music – even when they’re sonically scaring the crap out of you – which is wholly absent from the more po-faced knobtwiddlers that came after them. Suicide are still as vital as ever within an increasingly moribund music scene, still outside it even as they become accepted and assimilated into it. What’s interesting from Nobakht’s book is how aware of their own position in pop history Vega and Rev are – much of the book is written in their own words, and they are reluctant rock stars. Clearly they’re quite thrilled at finally getting some recognition and earning some money to support themselves – because despite being hugely influential, no one actually bought 499 More Spike email RSS Facebook Twitter A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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