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<strong>Spike</strong> | 15 YEARS OF BOOKS, MUSIC, ART, IDEAS | www.spikemagazine.com<br />

Interview [published September 2005]<br />

Ralph Steadman: Gonzo: The Art<br />

Craig Johnson talks to Ralph Steadman about the death of Hunter S. Thompson,<br />

paranoid flashes and the “terrible betrayal” of modern politics<br />

“One of the reasons he’s fun to work with – he has a<br />

really fine, raw sense of horror. By way of exaggeration<br />

and selective grotesquery. His view of reality is<br />

not entirely normal. Ralph sees through the glass very<br />

darkly.” – Dr Hunter S. Thompson, June 1974<br />

One of the many facets that sets Hunter S. Thompson’s<br />

70s works apart from other forms of classic<br />

American literature are the growling, snarling, punchbetween-the-eyeballs<br />

illustrations of Ralph Steadman.<br />

Roaring from the pages, his pictures visualise the horrors<br />

of corporate America, ripping the surface to reveal<br />

the political greed and other grotesqueries that contort<br />

and degrade the human forms within his pictures. With<br />

his method of isolating and focusing on a physical idiosyncrasy,<br />

he explodes his subjects, capturing a hidden<br />

truth that was hitherto unseen; it’s as if Steadman sees<br />

with the naked eye of a schizophrenic.<br />

Bloodsucking business men, venal politicians, dollar<br />

drugged gamblers, archetypal beholders of negation<br />

and power transmogrified into grinning reptilia,<br />

squarking sharp-beaked birds, gorgons of sheer inhuman<br />

greed. In the ferocious stroke of a few simple lines<br />

BUY Ralph Steadman books online from and<br />

he trans-atlantically expresses all the negative facets of<br />

the human condition to a terrifyingly hilarious degree.<br />

If we think of the old metaphor of the artist’s pen being<br />

a sword, then Steadman’s scribe is nuclear.<br />

Below is an almost verbatim conversation I conducted<br />

with Mr Steadman via a phonebox on Kings<br />

Street in Manchester city centre. His rumbling Welsh<br />

accent was full of charisma, his personality very accommodating,<br />

meditatory, thoughtful and warm. When<br />

talking about the death of Hunter S. Thompson a real<br />

sense of bereavement -the only sort that can be when<br />

a real friend passes by- was prevalent in the tone in<br />

which he talked about him. Amidst rush hour traffic<br />

and passing packets of suit-encased, office imprisoned<br />

flesh, the conversation went thus…<br />

You must have been gutted when Hunter S.<br />

Thopmson committed suicide.<br />

I always knew he’d do it, but I didn’t know when.<br />

It was always the case of I always knew that one day<br />

I would take this journey but I did not know yesterday<br />

that it would be today. That’s how it felt and it was<br />

way too soon. So upset about it. And I knew he’d do<br />

490<br />

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