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Spike Magazine

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<strong>Spike</strong> | 15 YEARS OF BOOKS, MUSIC, ART, IDEAS | www.spikemagazine.com<br />

You still aim to transcend the ‘usual’ with your standard<br />

rock format; “uh-huh”, and a guitar is still not just<br />

a guitar right? “Of course”.<br />

So, I push on encouraged by such a wonderful, and<br />

compliant beginning to the ‘difficult Thurston Moore<br />

interview’, overlooking Moore’s cruelly un-ironic<br />

streak: …and what has been your greatest ‘rock’n’roll<br />

moment’ of recent times?<br />

“Well, I was watching the Spice Girls movie” Moore<br />

recalls, turning unpredictable all of a sudden “and when<br />

they cover Gary Glitter’s ‘You Wanna Be In My Gang”<br />

I got goose-bumps. It was chilling. When they came<br />

out in those costumes with all the dancers I thought to<br />

myself, this is as great as the first time I saw Blondie at<br />

Max’s. This is as exciting as sitting behind Sid Vicious<br />

at CBGB’s right after he lost his mind. I could just see<br />

being an eight-year-old girl, and wanting to be that.”<br />

“At the same time, there was something freakish<br />

about it, and it struck me as this completely total rock<br />

thing. God bless them all, that’s what I say.<br />

You’ve often exalted music as a ‘magic’ medium of<br />

information, one which is often more than just the sum<br />

of it’s parts, does that apply to what happened between<br />

you and the Spice Girls, in that plane somewhere over<br />

the Atlantic?<br />

“Hmmm, yeah, it kind of relates to my attitude to<br />

music other people call ‘clichéd’ or ‘recycled’. In my<br />

eyes you don’t need to be so spiritually involved with<br />

BUY Sonic Youth music online from and<br />

music to be considered a valid musician in my eyes.<br />

Some of the most wonderful moments for me musically<br />

were machine made and plastic.”<br />

“You ask me about Matchbox 20, and bands like that,<br />

and I say what about Matchbox 20? I don’t know much<br />

about them, but they seem to me to exemplify a group<br />

of people getting off on the sudden rush of making<br />

rock’n’roll music, and I think that’s wonderful. Maybe<br />

I’m wrong, maybe they are something put together by<br />

a machine and then plugged in, I don’t know, but they<br />

don’t offend me.”<br />

Surely corporate punk bands like the Offspring who<br />

resort to plagiarising themselves to make hits must offend<br />

you…<br />

“It does, they do, and you know what? Forget the<br />

Spice Girls, it’s American Alternative radio stations,<br />

not mainstream rock and pop stations that bug me.<br />

We’re considered, in a broader sense, ‘Alternative’,<br />

but don’t expect us to be played next to Blink 182 and<br />

Offspring. Those bands cater to people their age, and<br />

we’re hardly of that generation. We’re parent rock in<br />

a way. Musically we’re a lot more extreme and radical<br />

than a lot of those bands that seem to cater to the safest<br />

aspect of Nirvana the verse/chorus/verse thing, which I<br />

always found kind of disappointing.”<br />

“That was an aspect of Nirvana’s music that Kurt told<br />

me he wanted to get away from. So I find it discouraging<br />

to see all these bands taking this really simplistic<br />

487<br />

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