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<strong>Spike</strong> | 15 YEARS OF BOOKS, MUSIC, ART, IDEAS | www.spikemagazine.com<br />

Review [published November 1999]<br />

Michael Marshall Smith: One Of Us<br />

Antony Johnston<br />

One of Us. A powerful phrase – belonging, kinship,<br />

camaraderie. Familiar concepts, though this book deals<br />

with them in ways you may not expect.<br />

Initially our protagonist, Hap Thompson, seems anything<br />

but ‘One of Us’. An outsider, a loner with no life,<br />

an ex-wife, forced to live in exile from his hometown.<br />

The reader begins to think that perhaps Smith means<br />

‘Us’ in the more intimate, author-reader sense. Everyone<br />

can identify with the character who feels his life<br />

has been wasted, his best years are behind him and he<br />

will never again live as fully as he once did.<br />

Hap is a REMTemp, an occupation whose legalities<br />

are still being wrangled out in court. He receives other<br />

people’s dreams, so that they may sleep untroubled.<br />

The process leaves him tired but wealthy, though the<br />

grey legal aspect means he must move from town to<br />

town, trusting no-one. Nevertheless, Hap has little<br />

reason to complain. He knows he screwed his own<br />

life up, and this is the best-paying job he’s ever had.<br />

Mustn’t grumble.<br />

Until, that is, his boss ‘persuades’ him to move into<br />

another, even more dubious area – memory receival.<br />

And one particular memory contains a murder, committed<br />

by a woman who has now disappeared. The<br />

murder of a police lieutenant.<br />

The book starts, like all good thrillers, in the middle.<br />

It is only through lengthy but natural exposition that<br />

we realise what has befallen Hap, about a quarter of<br />

the way through the book. Though by that time, after<br />

having discovered he is also being pursued by what<br />

can best be described as Men In Black for reasons<br />

unknown, we are so snowed under with questions,<br />

concepts and plot twists that we have far more on our<br />

plate to worry about.<br />

Spares, Smith’s previous novel, was a similar ‘one<br />

man’s quest to find the truth’ affair, but to compare<br />

further would be unfair. What we have here is an altogether<br />

more mature work, with less desire to shock<br />

and more emphasis on keeping the reader turning the<br />

pages, which Smith does admirably. His previously<br />

shown talent for a good plot and deft character is<br />

shown to full potential here in a story that contains<br />

more twists than any given John Grisham novel has<br />

in its little finger. Metaphorically speaking.<br />

BUY Michael Marshall Smith books online from and<br />

484<br />

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