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Spike Magazine

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<strong>Spike</strong> | 15 YEARS OF BOOKS, MUSIC, ART, IDEAS | www.spikemagazine.com<br />

be employed today, though some remain infallible.<br />

For one brilliantly executed scam, Swan spent days<br />

perfecting a technique for imperceptibly removing and<br />

replacing the seals on jars of coffee. Finally satisfied,<br />

he deposited a leaflet in a sealed jar, sneaked it back<br />

into a store and waited. Days later, he received a call on<br />

a phone that couldn’t be traced to him from an elderly<br />

couple who’d found that they’d just won a free trip to<br />

Colombia courtesy of the coffee company.<br />

Posing as executives from the company, a heavily<br />

disguised Swan and his sidekicks dispatched the couple<br />

from the airport having extracted an agreement that<br />

they would be photographed on their return with the<br />

gifts they’d been given. Down south, still-disguised<br />

Swan made a great show of handing over the souvenirs,<br />

which were, needless to say, stuffed with the<br />

finest toot. Abundant witnesses and the couple’s bogus<br />

signed agreement – not to mention their genuine innocence<br />

– meant they stood no chance of being convicted<br />

if caught. Back home, the souvenirs were discreetly<br />

swapped for identical if somewhat less valuable ones<br />

during the photographic session and the contented<br />

oldsters went on their way none the wiser.<br />

BUY Robert Sabbag books online from and<br />

Should you be naughty enough to read it as a handbook,<br />

Snowblind boasts plenty of hints and tips for the<br />

aspiring drug smuggler. (If you’re going to conceal your<br />

stash inside that old favourite the hollowed-out ethnic<br />

wooden ornament, choose something like medeira<br />

wood, which has a high specific gravity.) But armchair<br />

adventurers who’d prefer not to risk spending the rest<br />

of their lives being sodomised by large South American<br />

gentlemen in third world jails will enjoy it just as much<br />

for the racy prose, period charm – the description of the<br />

drug scene in 70s Harlem reads like the script for one of<br />

those big-Afro Blaxploitation flicks – and terrific cast<br />

of characters.<br />

Sabbag’s rich turn of phrase brings brilliantly to<br />

life such dramatis personae as the psychopathic Jago<br />

(“There was always a look in his eye which seemed<br />

to indicate that his body was metabolising raw flesh”),<br />

Michel Bernier (who “embodied all those individual<br />

characteristics that Americans find distasteful in a<br />

man – he was French”), and the aptly named Billy Bad<br />

Breaks, who was so inept that he achieved the singular<br />

distinction of being jailed for attempting to smuggle a<br />

joint into Mexico. �<br />

421<br />

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