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<strong>Spike</strong> | 15 YEARS OF BOOKS, MUSIC, ART, IDEAS | www.spikemagazine.com<br />

Chainsaw’. One of my personal favourites, ‘Jenny,<br />

Jenny Jenny & Babette The Siamese Quadruplets’ puts<br />

a new spin on the impetuousness of droll humour.<br />

Peer group pressure (aka ‘The Debbies’), ‘Sibling<br />

Rivalry And Happy, Happy, Happy Sammy’ examines<br />

universes populated by hormones, pathological urges<br />

and by childhood optimism that has to be stamped<br />

out at all costs. It’s one big, happy, alienated family in<br />

Oblong Town.<br />

This is a marriage between Edgar Allan Poe and<br />

David Lynch. A tango through the bizarre. And to think<br />

that Oblong spent a slab of his youth languishing away<br />

behind the grinding machine at the Royal Ground<br />

Coffee Shop at Polk and Vallejo while pumping out<br />

underground comics on the side. His personal bio states<br />

that he then “ended up in California after five years of<br />

living on the streets and taking it in the butt by ugly old<br />

men for heroin money”. A stint as a clown for a fastfood<br />

restaurant quickly alerted him to his true calling.<br />

Oblong is a mysterious creature whose art screams<br />

“This is Vaudeville”. He idolises his cartoon children<br />

and just as his book showcased the talents of ‘Cross-<br />

Dressing Charles’, ‘Janet’s Butt’ and ‘Carl & The<br />

Crippled Black Kid With An Eye Patch’, his sitcom<br />

debut, The Oblongs, continues the theme by choosing<br />

to both empathise and poke fun at the ‘physically<br />

challenged’ (or if you prefer, mutant children). As<br />

Oblong confessed to the Sacramento Bee’s David<br />

BUY Angus Oblong books online from and<br />

Barton, “I always had a fascination with deformities.<br />

The Oblongs was a show about the kids, it was based<br />

around Milo’s clubhouse and all the ugly deformed<br />

kids who can’t otherwise get friends.”<br />

This book is original. It’s horrifying. It’s morbid.<br />

It’s Halloween for 365 days a year. In a world where<br />

animation is gradually eating into the psyche of<br />

public consumption and where cartoon-strip-style<br />

graffiti is hot, Oblong has carved a beautiful niche.<br />

So what if he fantasised that his father “were a sword<br />

swallower and mother a prostitute”. And so what if<br />

his humour is gallows all the way. It’s time to stop<br />

being prejudiced about first impressions folks; it’s<br />

time to let the freaks in, to celebrate them and their<br />

own unique Olongesque charm.<br />

If you are looking for criticism then you won’t find<br />

any here. I’ve tried. God knows. I hang my head in<br />

shame at the thought that humour can be so sacrilegious.<br />

Look – if American giant NBC can swallow Oblong’s<br />

appeal (and secure his creative vision for cable) – then<br />

so can we. Okay, so home may be the local toxic waste<br />

dump but let’s be fair, these kids are partially human<br />

after all, and as such, deserve our support…<br />

A mock children’s book called Mommy Is Going To<br />

Die is apparently in the test tube. It’s possible that that<br />

small and assorted clubhouse of human oddities will be<br />

raising its semi-amputated arms with empathy and joy<br />

at the mention of more siblings … Freaks rule! �<br />

381<br />

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