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Spike Magazine

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<strong>Spike</strong> | 15 YEARS OF BOOKS, MUSIC, ART, IDEAS | www.spikemagazine.com<br />

an image of a kind of entrepreneurial mesmerist who<br />

also happens to be mentally ill. However, we also have<br />

Richard Ford’s “Frank Banscombe”, a name redolent<br />

of Updike’s great tragicomic figure Harry ‘Rabbit’<br />

Angstrom: thus a more naturalistic name could be said<br />

to suit the subtler pastiche and ironic métiers of Ford<br />

and Updike.<br />

Names become their strangest when the demarcations<br />

between fiction and reality begin to merge into<br />

one another . Umberto Eco is a case in point. His nonfictional<br />

name is almost too literary, too good, to be<br />

the real name of an author. One of Eco’s short stories<br />

BUY books online from and<br />

from Misreadings is entitled ‘Granita’ and is a twist<br />

upon Lolita, where the subject of desire is an old lady.<br />

In the Nabokovian version the central protagonist is, of<br />

course, Humbert Humbert, the name once again being<br />

indicative of a double or split image. The similarity<br />

of Umberto to Humbert is striking, and “Eco” sounds<br />

like an allusion to the fact that the first name is an echo<br />

of the first. Before knowing any better I found myself<br />

thinking that perhaps Will Self was a sly allusion to one<br />

of his mentors (and mates) Martin Amis. But that would<br />

be to confuse art with life. And we all know where that<br />

gets us… �<br />

362<br />

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<strong>Spike</strong><br />

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