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Spike | 15 YEARS OF BOOKS, MUSIC, ART, IDEAS | www.spikemagazine.com just not worth the risk – to either person. Saying ‘no’ to sex should be just as acceptable as saying ‘yes’, in my opinion. Lastly, having an open mind, a willingness to learn, being giving, and being considerate, are much more important qualities to have in bed, than attempting to be the world’s greatest lover. Talking about what you want with your lover, expressing how you feel, being safe in what you do, will all contribute to a good time – so have fun! � BUY Abby Lee books online from and 318 More Spike email RSS Facebook Twitter A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Spike | 15 YEARS OF BOOKS, MUSIC, ART, IDEAS | www.spikemagazine.com Review [published April 2010] Wyndham Lewis: Blast Ben Granger First published in 1914, Wyndham Lewis’ Blast has just been republished by Thames And Hudson. For centuries, when the Great British reading public scanned the covers of their journals, from Blackwoods through to the Edinburgh Review , the only words they saw were in Roman typeface, crowded and tiny. Imagine their thoughts on encountering this shock pink punch, this blinding black statement of intent, forcing the eye to flinch in its wake. Most would find it abhorrent, as people do with genuinely new ideas. But these ideas tend to find a way. This cover was an electric flash, heralding a storm threatening to engulf the formal pastoral of before. The aftershock of this storm still reverberates. What was Blast? Ostensibly, the first “journal of the Vorticist movement”, published in 1914, which only ever made it to issue two. In effect, the warped premature brain-child of one Percy Wyndham Lewis, a spiky spiteful self-styled Enemy of the Art establishment, and Vorticism (“of the Vortex”) was his vehicle for unleashing a crusade against them. Each word and image is heavy with the scent of his venom, slashing at those who wouldn’t accept his self-proclaimed BUY Wyndham Lewis books online from and genius. The one truly original British art movement of the first half of the 20th century was animated almost single-handedly by one man’s bile. But what was in it? Blast includes examples of Vorticist art by Lewis and his contemporaries, his own art and literary criticism, his unstage-ably extreme two man play Enemy Of The Stars, poetry by Ezra Pound, and short stories by Rebecca West and Ford Maddox Brown. Most notable however was its first section, and most unique construct, the Blast Manifesto. This manifesto is printed in the typography of contemporary posters, those advertising gaudy entertainments such as the circus or boxing match, and cascades forth in aphorism heavy bombast: ”We start from opposite statements of a chosen world / Set up violent structure of adolescent clearness between two extremes … We only want Tragedy if it can clench its side muscles like hands on its belly, and bring to the surface a laugh like a bomb…” Deliberately overwrought, powered by excess as if by rocket fuel, ready to declare war on art and the world, “BLASTing” and “BLESSing” the world as if 319 More Spike email RSS Facebook Twitter A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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