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Spike Magazine

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<strong>Spike</strong> | 15 YEARS OF BOOKS, MUSIC, ART, IDEAS | www.spikemagazine.com<br />

particularly high quality global magazine.<br />

It begins by cataloguing ‘urbicide’ – violence in urban<br />

environments – from the “subversion by mass transit”<br />

of Los Angeles to “cyclical construction, restriction,<br />

and destruction” in Jerusalem; West Bank and Gaza<br />

settlements. The articles here are urgent, sometimes<br />

playful, always serious. Koolhaas finds “the greatest<br />

concentration of Utopias ever known” in Moscow; the<br />

idea and practice of a museum is challenged in articles<br />

on LACMA (LA’s big all-round gallery) and the<br />

Hermitage in relation to the market influence; Prada is<br />

seen askance in ‘Prada Yada’ and other pieces. There’s<br />

a long and excited, er, presentation (full of maps and<br />

figures and ideas about the need to build a “Eurasian<br />

arc”) on the EU and its political possibilities. Koolhaas<br />

has designed a new flag which consists of all the EU<br />

national flags squashed into strips and presented from<br />

west to east: a kind of United Colors bar-code, a strong<br />

‘ID’ to stand next to the US Stars and Stripes and the<br />

blue and white of the UN. Britain’s tabloids got hold of<br />

that one and The Sun soon launched an attack: “nutty”,<br />

“batty”, they said while reporting how “expert opinion”<br />

had deemed the flag to be “a deckchair.”<br />

Elsewhere, we look forward to Expo 2010 in<br />

‘Shanghai Exponential’ and consider what makes<br />

a successful World Expo. London’s 1851 Great<br />

Exhibition showcased the advances of industrial<br />

revolution in all nations, and made a mark on popular<br />

BUY Rem Koolhaas books online from and<br />

imagination as did New York’s World Fair of 1939<br />

and Osaka’s 1970 Expo: tying into Content’s theme<br />

of ‘going East’, the forthcoming Expo 2010 is seen<br />

as an opportunity to reorient the world’s idea of itself<br />

and its designs for the future. I particularly enjoyed<br />

a piece on libraries and the search for civic space –<br />

“The library represents, maybe with the prison, the<br />

last of the uncontested moral universes. The moral<br />

goodness of the library is intimately connected to the<br />

conceptual value of the book” – and the Koolhaas<br />

solution, in Seattle, is a large honeycombed building<br />

of huge spaces and screens showing the arrival and<br />

exit of books complete with a new “continuous ribbon”<br />

numbering system from 000 to 999 to replace<br />

the “much-compromised” Dewey Decimal.<br />

Whether one likes the idea of a central Mixing<br />

Chamber and a Book Spiral or not, the energy and<br />

scope of his plans and ideas are exhilarating. Every<br />

regular user of public libraries can relate to the search<br />

for biblio perfection. My personal favourites are the<br />

beautifully lit Berlin City library and the pod-interior<br />

at Peckham. Turn the page and Content moves on to<br />

plywood minimalism, perfume flasks to mix your own<br />

male-female smells while on the go, and a short history<br />

of post-Berlin wall world politics (‘The Second<br />

Empire’).<br />

That’s not to mention the 1km high Hyperbuilding<br />

or ‘Red Radio’, the story of how Communists in the<br />

306<br />

More<br />

<strong>Spike</strong><br />

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