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<strong>Spike</strong> | 15 YEARS OF BOOKS, MUSIC, ART, IDEAS | www.spikemagazine.com<br />

Interview [published January 2004]<br />

J.G. Ballard: Entertaining Violence<br />

Chris Hall talks to J.G. Ballard about Millennium People, the middle classes<br />

and mail order Kalashnikovs<br />

It’s been 70 years since H.G. Wells published The Shape<br />

Of Things To Come but there has been a far more astute<br />

chronicler of our contemporary reality living among us<br />

in the suburbs for more than half a century. J.G. Ballard’s<br />

gimlet eye for the psychopathology of everyday<br />

life has never deserted him. Instead of characters with<br />

emotions, a history and a moral compass, Ballard’s<br />

fictional landscape is peopled with affectless casualties<br />

of the nihilistic, over-mediated consumer landscape,<br />

searching for meaning in a meaningless universe. This<br />

is fiction as biopsy, and its results are devastating.<br />

Millennium People is the last in a trilogy of detective<br />

thrillers – along with Cocaine Nights and Super-<br />

Cannes – to examine what might happen when all<br />

we have left as an ideology is consumerism. “People<br />

resent the fact that the most moral decision in their<br />

lives is choosing what colour the next car will be,” he<br />

says witheringly. “All we’ve got left is our own psychopathology.<br />

It’s the only freedom we have – that’s a<br />

dangerous state of affairs.”<br />

I meet Jim Ballard at the Hilton International hotel<br />

on Holland Park Avenue. “I used to come here a lot<br />

BUY J.G. Ballard books online from and<br />

because there was a Japanese restaurant called the Hiroku<br />

for many years. It would be impossible to identify<br />

your location,” he says approvingly, looking around<br />

the virtually deserted lounge we’re sat in with its palm<br />

trees and low-level skylight.<br />

Despite reports, Ballard does not permanently reside<br />

in the suburbs – he spends two or three days a week in<br />

London visiting his girlfriend, Claire. “But living out in<br />

Shepperton gives me a close-up view of the real England<br />

– the M25, the world of business parks, industrial<br />

estates and executive housing, sports clubs and marinas,<br />

cineplexes, CCTV, car-rental forecourts … That’s<br />

where boredom comes in – a paralysing conformity<br />

and boredom that can only be relieved by some sort of<br />

violent act; by taking your mail-order Kalashnikov into<br />

the nearest supermarket and letting rip.”<br />

Millennium People begins with a bomb attack at Heathrow<br />

airport, which kills three people. The proposition<br />

of the novel is that “the middle-classes are the new proletariat”,<br />

with the residents of Chelsea Marina, another<br />

gated community of his, so sick of school fees, private<br />

healthcare costs, stealth taxes and parking meters that<br />

027<br />

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