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<strong>Spike</strong> | 15 YEARS OF BOOKS, MUSIC, ART, IDEAS | www.spikemagazine.com<br />

Feature [published May 2001]<br />

Bill Hicks: Bad Mood Rising<br />

Even though he’s been dead for seven years, the savage political satire of<br />

Bill Hicks makes more sense than ever. Chris Hall spreads the word<br />

If you mention to any intelligent individual under the<br />

age of 25 that you saw Nirvana and The Pixies live<br />

you’ll get a response along the lines of “you lucky<br />

bastard”. However, if you say that you saw Bill Hicks<br />

live, the reaction is qualitatively different. There is a<br />

crestfallen look. For those fans who have come to worship<br />

him from his albums and videos, it only reinforces<br />

the knowledge that they will never see this late and<br />

very great comedian for as long as they live. He died in<br />

February 1994 from pancreatic cancer at the pitifully<br />

young age of 32.<br />

I only saw Hicks play the once but the memory of<br />

that evening is as seared into the cerebral cortex as so<br />

much steak on a griddle. I still have the fading ticket:<br />

“Bill Hicks. Brighton Festival. Sun 10 May 1992. 8pm.<br />

Comp”. Complimentary because this was also my first<br />

review for the university magazine I wrote for. The expectancy<br />

of that evening was immense. There had been<br />

a Channel 4 programme on him and we had picked up<br />

snippets from time to time from the NME and Montreal<br />

Comedy Festival clips. Here was someone taking an<br />

interest in the outside world again, not ploughing a fur-<br />

BUY Bill Hicks books online from and<br />

row of flim-flam – Is It Me Or Is Airline Food Really<br />

Bad? For my friends and me, just on the evidence of<br />

that evening, Hicks was the greatest comedian there<br />

ever had been, or ever would be.<br />

For some, humourless PC types, his ‘goat-boy’<br />

persona threw them off track. It was the side of Hicks<br />

that mined personal, rather than political, obsessions<br />

(of course, not necessarily his own obsessions). It was<br />

difficult for some to square the Marxist, sub-Chomsky<br />

perspectives with a man who would talk about renting<br />

Clam Lappers and Anal Entry volume 500 from his<br />

local video store. Live, Hicks was more extreme in all<br />

directions. The time I saw him, people in the front row<br />

must have been deafened by his screams of admonition<br />

to boy pop bands of the day to “Play with your fucking<br />

heart!” (How perceptive I was in noting in my review,<br />

with what I obviously thought of as devastating understatement,<br />

that Hicks was “more Lenny Bruce than<br />

Lenny Bennett”). He also had a peculiar air of physical<br />

omniscience over the spatio-temporal coordinates of<br />

the room, where he cadged a Silk Cut from someone at<br />

the front of the audience and dropped it only to catch it<br />

266<br />

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