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<strong>Spike</strong> | 15 YEARS OF BOOKS, MUSIC, ART, IDEAS | www.spikemagazine.com<br />

of both his art, and the bilious, bitter anger that never<br />

left him.<br />

In Britain we have the paradox that Catholicism<br />

– in the wider world so very often the creed of the<br />

oppressor over the centuries – is the religion of the<br />

persecuted underdog. This has led to the most bizarre<br />

and schizophrenic political allegiances and alliances.<br />

In 30s Lancashire, unemployed Communist marchers<br />

would doff their caps when passing Catholic churches,<br />

at the same time as senior clerics were backing Franco.<br />

Orwell wrote of visiting workers’ houses with “the<br />

crucifix on the wall, and the Daily Worker on the table”.<br />

There has never been a shortage of left-wing British<br />

writers of Catholic background, but seems fair to say<br />

this has usually stemmed from their ‘outsider’ nature,<br />

their working class and/or Irish background, rather than<br />

the religion itself. With Anthony Burgess – in later life<br />

a bitter rival of Greene’s – we have a descendant of<br />

the Irish diaspora, his childhood in Manchester’s Moss<br />

Side influenced the Left perspective of his early writing,<br />

his Catholicism informing his later conservative slant.<br />

The upper and middle-class converts to the Faith<br />

of the 30s however, were far more often doing so for<br />

reasons which became reactionary by default, even if<br />

that was not the initial intention. In this sense Waugh<br />

was the more typical figure. In 1937, when Nancy<br />

Cunard sent a survey to leading novelists of the UK<br />

asking which side they took in the Spanish Civil war,<br />

BUY Graham Greene books online from and<br />

Waugh was one of the tiny minority who declared<br />

their support for the Falange. A minority view among<br />

authors, but not among the kind of dyspeptic saloon bar<br />

Tory he came more and more to exemplify and signify<br />

as both his age and drinking increased. The Blimpish<br />

caricature he succumbed to by the end was probably<br />

an extreme rather than a typical example however, and<br />

by a sublime irony was mirrored in the similar decline<br />

into self-parody of Kingsley Amis a generation later, a<br />

writer Waugh lambasted as “lower-middle-class scum”<br />

at the beginning of the latter’s career.<br />

Amongst the 30s converts, the Left-radicalism of<br />

Greene therefore must be seen as a great exception.<br />

Once again though, the tale is more complicated. Greene<br />

started out on the Right. Along with many youths of<br />

his class, he acted as a strike-breaker during the 1926<br />

General Strike. After his conversion, he wrote for the<br />

right-wing Spectator magazine and took the side of the<br />

put-upon Mexican clergy following the revolution in<br />

that country. His earlier novels contained numerous<br />

mildly anti-Semitic asides (excised on republishing at<br />

his behest). In many ways therefore, he seemed destined<br />

to trudge down a classic Conservative path.<br />

But Greene was one of those converts, a minority<br />

amongst the Blimps of his class, who heard the message<br />

of social justice ring louder than that of defence of<br />

hierarchical tradition in the call of the Faith. Greene’s<br />

vision of Catholicism stirred him to side with the<br />

253<br />

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