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<strong>Spike</strong> | 15 YEARS OF BOOKS, MUSIC, ART, IDEAS | www.spikemagazine.com<br />

Sisyphean task but one that desperately needs to be<br />

completed and of course, will never be completed. The<br />

truth for many people is hidden in those mountains of<br />

fragments of paper.<br />

In her approach to writing Stasiland, Funder also<br />

pieces together a portrait of life in the East German state<br />

from the personal stories of those who tried to escape it<br />

by crossing the Wall, those who fell victim to the secret<br />

police and those whose relatives never returned from<br />

the Stasi’s interrogation cells. These are not isolated<br />

anecdotes, Cold War stories, but recollections of how<br />

the Stasi years have impacted on individuals’ lives<br />

through to the present day. In each of those recollections,<br />

the fragility of humans is made bleakly apparent;<br />

the ease with which the Stasi could destroy lives not<br />

just through physical torture but by much more intangible<br />

mindgames. The state quite literally brutalised<br />

its citizens with its relentless untruths, its reshaping of<br />

reality through rhetoric and hermetically sealing East<br />

Germany off from the rest of the world; the psychological<br />

and psychiatric fallout of that brutalisation is still<br />

felt today, just as the eventual US exit from Iraq will be<br />

felt for years to come.<br />

The scope of the book widens with each passing<br />

BUY Anna Funder books online from and<br />

chapter, Funder feeling compelled to understand more<br />

about the mechanics of the Stasi’s repression and surveillance<br />

in order to do justice to the stories she has been<br />

entrusted with. This extends to interviewing ex-Stasi<br />

men about their previous jobs, which provides a critical<br />

counterpoint as Funder recounts East Germany’s brief<br />

history. The sense of Funder’s own widening interest<br />

and accumulation of knowledge carries the narrative<br />

forward effortlessly, whilst her prose is almost stark in<br />

its simplicity, as if to ensure that she does not interfere<br />

with the recounting of the stories she has been told.<br />

There is no luridness, melodrama or sentimentality<br />

here, and the compound effect of reading Stasiland is<br />

the same as Nineteen Eighty Four – one of rage and<br />

helplessness, that people’s lives should be so casually<br />

ruined for nothing.<br />

For all the bleakness of its subject matter, Stasiland<br />

is not a difficult or miserable read, thanks to the quiet<br />

bravery of the people whose stories this book documents.<br />

Powered by Funder’s precise prose, Stasiland<br />

is an essential insight into the totalitarian regime and,<br />

whether intended or not, is also a warning about the<br />

manipulation of truth, the erosion of civil liberties and<br />

the consequences of perpetual surveillance. �<br />

231<br />

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