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<strong>Spike</strong> | 15 YEARS OF BOOKS, MUSIC, ART, IDEAS | www.spikemagazine.com<br />

his as-yet unrequited love by “Telling Terry Wogan<br />

how I made it / But what I ‘made’ is unclear now / But<br />

his deference is / And his laughter is”. ‘Michael’ is an<br />

impressively leery foray into the world of seedy boyon-boy<br />

glamour, following boldly in the footsteps of<br />

the genre’s forbears Ziggy, Iggy, Marc, Moz and Lou.<br />

But really its not the lyrics that make this record so<br />

memorable; it’s the fact that these must be some of<br />

the most danceable indie tunes EVER, be it the primal<br />

surge of ‘Jacqueline’, the imperious bounce of ‘Dark<br />

Of The Matinee’, the schizoid pogo of ‘Cheating On<br />

You’ or the wraith-like beauty of ‘Auf Asche’. The hit<br />

single ‘Take Me Out’ must be the first hit single since<br />

Radiohead’s ‘Paranoid Android’ to manage the tricky<br />

job of melding two completely different tunes together<br />

to make one classy song, even if the second part does<br />

bear a disturbing similarity to the old Genesis hit ‘That’s<br />

All’ (can I really be alone in noticing this blatant rip-off<br />

BUY Franz Ferdinand music online from and<br />

from Collins’ rightly maligned crew? I sense a cover up<br />

of Kennedyesque proportions…) There’s only one dud<br />

on the whole album, the insipid ‘This Fire’.<br />

I’ll temper my real enthusiasm here, and put my<br />

sourpuss head on the block by predicting that while<br />

this is a great record, Franz Ferdinand will not become<br />

one of the all time greats. Its not the music that will<br />

prevent immortality, but Alex’s delivery being just that<br />

too mannered, the enigmatic lyrics not quite grabbing<br />

you enough.<br />

I really do hope to be proved wrong about that, and<br />

that this album will prove a springboard to even higher<br />

zeniths for the fey young lads. Is this the future of rock?<br />

Maybe, maybe not. But in the meantime you really<br />

must accept that some things are true even though the<br />

NME and The Telegraph say they are, and lap up the<br />

most exciting band in aeons, tailor made like all the<br />

best for the young but old at heart. �<br />

227<br />

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