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<strong>Spike</strong> | 15 YEARS OF BOOKS, MUSIC, ART, IDEAS | www.spikemagazine.com<br />

thinking it may not be that bad.<br />

That’s not the only time on this record that the grouchiest<br />

sod recording today shows an uncharacteristically<br />

warm side. In ‘Breaking The Rules’, a wonderfully<br />

light uplifting backing carries a mockingly bemused<br />

tale of a man “who tried to break his mind breaking the<br />

rules”. Probably the closest Smith will ever come to a<br />

wry self-mocking acceptance of his popular image. A<br />

sign of the comfort-zone probably unthinkable just a<br />

few years ago, during the sorry days of on-stage punchups<br />

in New York. It seems his fourth (or is it fifth?)<br />

marriage, this time to keyboardist Eleni has brought<br />

forth something at least bordering on contentment.<br />

I’ve found most Fall albums in the past decade,<br />

however many gems in the first half, tend to run out<br />

of steam a bit on side two. Fall Heads Roll bucks this<br />

trend more than any other. Even the sillier ones like ‘Bo<br />

Demmick’ (a drum-based-track with a concentrated<br />

stream of abuse against one hapless individual – main<br />

refrain – ”Hey fat-eh!” while conceding “He was called<br />

BUY The Fall music online from and<br />

… a lot of things”) make you actually want to listen<br />

all the way through. The first track is the worst track,<br />

and there is not one silly piece of crap on the whole<br />

product. Lover that I am, that is rare. (Put it this way:<br />

would you like to listen to a compilation album consisting<br />

of ‘WMC Blob 59’, ‘Bug Day’, ‘And This Day’,<br />

‘Fireworks’, ‘Mollusc In Tyroll’? Half of the Levitate<br />

album? Well, not me.) There’s a fantastic sound going<br />

on all the way though here. I thought I’d forgotten it,<br />

but here it is again. That others may hear it for the first<br />

time is a minor miracle.<br />

If you wanted to turn a friend on to The Fall you’d be<br />

just as well playing this to them as the early rockapunkabilly<br />

days or the mid-80s Brix poppier rockier period.<br />

That in itself is an incredible achievement. Its not just<br />

that you couldn’t imagine another band being anything<br />

like The Fall ever again, you couldn’t really imagine<br />

anything being like The Fall ever again. The blooded<br />

moon goes on shining, and is no less respected, and nor<br />

should they be. �<br />

212<br />

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