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<strong>Spike</strong> | 15 YEARS OF BOOKS, MUSIC, ART, IDEAS | www.spikemagazine.com<br />

One reviewer in Manchester said the book was all old<br />

hat to him because his mother had produced a thesis on<br />

Paul Michel!”<br />

Some of the novel’s most memorable and disturbing<br />

scenes centre around the narrator’s entry in the asylum<br />

to find Paul Michel. “I have a friend in France who’s<br />

worked with schizophrenics for the last 30 years,”<br />

Duncker says. “She’s seen the different ways that<br />

schizophrenia has been perceived during that time –<br />

because even now, no one really understands it, no one<br />

knows where it comes from. She holds an open clinic,<br />

so I visited her there with some trepidation and it was<br />

absolutely incredible. You always think that people<br />

who are off their heads are going to be just a little bit<br />

eccentric, but these people were absolutely mad – raving!<br />

But there was such a sense of community there; it<br />

was harrowing but quite beautiful, in a way.<br />

“Paul Michel knows he’s mad and that’s common –<br />

mad people are completely aware that they’re raving,<br />

that they slide between sanity and insanity. I wanted<br />

BUY Patricia Duncker books online from and<br />

the madness in Hallucinating Foucault to do justice<br />

to what I’d seen. It’s incredibly difficult to represent<br />

people who are living in a different time zone from you<br />

with respect and generosity – because you don’t want<br />

to present them as curiosities or freaks, which is what<br />

Foucault also strove to challenge in his work.”<br />

The love between reader and writer is evident<br />

from Duncker’s enthusiasm when she talks about the<br />

French philosopher: “Foucault once said, ‘I wrote all<br />

my books to make boys fall in love with me.’ And I<br />

think there’s an element to that in all writing – books<br />

are messages in bottles. There was something about<br />

Foucault – his vanity, his shaved head, his looming<br />

presence – that indicated that he desperately<br />

wanted to be a writer rather than a philosopher. So<br />

the character of Paul Michel is the embodiment of<br />

some of Foucault’s unfulfilled desires. It’s my present<br />

to Foucault, in a way. I made the character of Paul<br />

Michel as handsome as James Dean and in love with<br />

him – what more could he want?!” �<br />

206<br />

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