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Spike Magazine

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<strong>Spike</strong> | 15 YEARS OF BOOKS, MUSIC, ART, IDEAS | www.spikemagazine.com<br />

an epilogue (a bit like a biography of Fred West which<br />

focussed more on his earlier career as an ice cream<br />

salesman.) This is a fascinating story, both for anyone<br />

interested in British political history of the last century,<br />

and anyone intrigued by the tragic tale of a truly<br />

diabolical man. Dorril has done an unfaultable job on<br />

the research, and brings the narrative to life well with<br />

his grotesque menagerie of characters. There are flaws<br />

to the book. The author has a background as an analyst<br />

of the machinations of the intelligence services of<br />

Britain and abroad, and while this eye for detail has<br />

undoubtedly made this work the powerhouse of research<br />

it is, the endless recanting of certain details, the<br />

exact nature of how the BUF obtained its funding for<br />

example, can sometimes drag the story’s flow. More<br />

directly, he concentrates a little too much on the nature<br />

of MI5’s observation of the movement, when this is<br />

very much a side-show to the main narrative. This dry<br />

style can sometimes cloy over such a long length. Further,<br />

while Dorril is great on the detail, actual analysis<br />

is very thin on the ground. The one time Dorril does<br />

attempt an analytical overview, it is with some rather<br />

tenuous observations about Messianic leaders toward<br />

the end, claiming that one Tony Blair shares the traits<br />

of this style. Maybe so, but the point is made clumsily<br />

and without satisfactory justification.<br />

Ultimately however, Dorril’s stance in going for the<br />

BUY Stephen Dorril books online from and<br />

research style, dispassionately observant, pays off into<br />

a great narrative by nature of the sheer dramatic scope<br />

of the story he so meticulously examines. Scene after<br />

scene and figure after grotesque figure linger on the<br />

psychic retina. The drawing room parties of the man<br />

playing host to every major political figure of the early<br />

part of the century, one by one falling away as he fell<br />

into disrepute. Mosley’s seaside frolics with his patrician<br />

pals, offset against the pogrom style excesses of<br />

his nastiest East End thugs, breaking into Jewish houses<br />

and attacking children within. Mosley’s relentless psychological<br />

torture of his first wife, the most poignant of<br />

his bullying victims. Diana fending off the accusations<br />

of sister Nancy that she had supported a movement that<br />

murdered six million Jews with the remark “But darling,<br />

it was the kindest way.” The London BUF headquarters<br />

that doubled up as a knocking-shop, underlying with<br />

grim humour the movement’s crossover with organised<br />

crime. The UM hijacking the teddy-boy youth cult just<br />

as the NF did with skinheads two decades later. The<br />

sheer gall and lack of self-awareness in Mosley’s latelife<br />

attempts to rehabilitate himself, attempting a ‘truce’<br />

with Jewish leaders without any pretence of apology.<br />

This is a grim tale that needs only clear explanation<br />

and examination to be one of fascination. This is a task<br />

Dorril has performed with enormous success with this<br />

eye-opening and exhaustive work. �<br />

204<br />

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