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Spike Magazine

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<strong>Spike</strong> | 15 YEARS OF BOOKS, MUSIC, ART, IDEAS | www.spikemagazine.com<br />

font sizes. If you attempt to read this book in the bath,<br />

you’ll probably drown.<br />

The book’s ambition is also its downfall. The crazy<br />

typography and constant interjections from Truant (and<br />

others) make it difficult to follow parts of the story and,<br />

in the early sections especially, you’ll be sorely tempted<br />

to throw the book out of the window. Many of the tangents<br />

– psychological theories, local history, analysis<br />

of photographs, lists of camera equipment – overstay<br />

their welcome, and the ending is curiously flat, as if<br />

the writer suddenly ran out of ideas. Some scenes jar<br />

with the rest of the book; in particular, Truant’s description<br />

of his trip to a bar, where he talks to a band and<br />

BUY Mark Danielewski books online from and<br />

discovers they’ve read the book he’s still writing. This<br />

is either an unintentional error or – even worse – a hamfisted<br />

“it was all a dream” scenario lifted straight from<br />

an episode of Dallas.<br />

House Of Leaves is a brave attempt to do something<br />

different, updating Burroughs’ cut-up technique<br />

for a new generation of readers. At over 700 pages,<br />

however, the novel would have benefited from some<br />

judicious editing, and the overall impression is one<br />

of a writer too enamoured with typographical tricks.<br />

Nonetheless, House Of Leaves is an original and<br />

unique novel; for all its faults, it’s unlike anything else<br />

you’ll read this year. �<br />

191<br />

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