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Spike Magazine

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<strong>Spike</strong> | 15 YEARS OF BOOKS, MUSIC, ART, IDEAS | www.spikemagazine.com<br />

to England to promote the book. I have not refused, because<br />

I never say no, but I have said I will be extremely<br />

reluctant. I am too old for aeroplane travel. Whenever I<br />

arrive, they say, ‘Oh, you must be so tired.’ But I sleep<br />

the whole way on the plane. They seem to expect the<br />

excitement of flying to last the entire journey. What am<br />

I supposed to do for five hours, sit there saying, ‘Oh<br />

hooray! I’m in the air!” However, when I mention my<br />

home town of Brighton, Quentin fondly remarks of his<br />

time there at the Pavilion Theatre, shortly before moving<br />

to the States. “Brighton is very nice, but I’m not<br />

sure about the sea. I think the sea is a mistake. I mean,<br />

what does it want, banging and crashing away on the<br />

shore like that all day?”<br />

The last time Quentin returned to the UK was a<br />

couple of years ago to play Queen Elizabeth the First<br />

in the film Orlando. “It’s the sort of film I wouldn’t<br />

watch myself in a hundred years.” Movies are much<br />

more to Quentin’s taste than books: “Books are for<br />

writing, not reading. But I am most definitely a fan of<br />

Mr Tarantino. Reservoir Dogs and Pulp Fiction are<br />

absolutely wonderful. The previous day he had seen<br />

<strong>Spike</strong> Lee’s new comedy flick, Girl 6. “It was a miserable<br />

film because of its subject matter. Who could find<br />

phone sex remotely interesting?” Quentin’s fascination<br />

with the silver screen recently led him to take part in a<br />

Calvin Klein advert. “I knew it was important because<br />

this enormous limousine purred up outside the house<br />

BUY Quentin Crisp books online from and<br />

to collect me. It was so big inside that the first time it<br />

turned a corner I fell off the seat. We drove to a huge<br />

warehouse and I thought, ‘How fabulous! We’re going<br />

to remake The Charge Of The Light Brigade!’ But then<br />

we were told to stand on a piece of paper about twice<br />

the size of this table while a half-naked man writhed<br />

between our legs. I looked at Mr Klein and I said, ‘But<br />

what does it all mean?’ And that was what they used in<br />

the advertisement…”<br />

Quentin has often asked himself the same question<br />

about gay militancy, a position which has caused him<br />

problems in the past. During a performance of his show<br />

An Evening With Quentin Crisp in California, Quentin<br />

relates how “several young men were very angry with<br />

me. When I asked why, they said, ‘You haven’t once<br />

directly asserted that you’re gay this evening.’” Quentin<br />

arches a neatly pencilled eyebrow. “You’d think to<br />

look at me would be enough. Obviously not. And that is<br />

why I do not march. I have realised I represent nothing<br />

grander than my own puny self. I am first and last an<br />

individual, not a spokesman for any group. I have lived<br />

my life with my sexuality clearly apparent. I cannot do<br />

any more.” The provocation of Quentin’s attire should<br />

not be underestimated, even in these supposed liberal<br />

times. With a mixture of incredulity and relish, Quentin<br />

relates a story from the Edinburgh festival several years<br />

ago: “A young man was performing a show where he<br />

impersonated me on stage, complete with clothes,<br />

187<br />

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