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<strong>Spike</strong> | 15 YEARS OF BOOKS, MUSIC, ART, IDEAS | www.spikemagazine.com<br />

Interviews [published June 1996]<br />

Quentin Crisp: An Englishman In New York<br />

Chris Mitchell goes for lunch with Quentin Crisp<br />

This month sees the publication of Resident Alien,<br />

the selected diaries of Quentin Crisp. It is difficult to<br />

surmise whether this man needs an introduction or not,<br />

such is his longevity as a cult figure of quintessential<br />

Englishness, “a stately old homo of England”, to quote<br />

one of his most famous phrases. Quentin Crisp is, after<br />

all, the man who first personified the concept of ‘camp’.<br />

“If I have a talent for anything,” he states, “it is not for<br />

doing but for being.” It was not until the 1960s, when<br />

he already over 50 years old, that Quentin first rose to<br />

fame with the TV adaptation of his autobiography, The<br />

Naked Civil Servant. In it, Quentin documented his<br />

early, life-changing decision that “instead of hiding my<br />

sexuality, I would announce it.”<br />

With his henna’d hair, “gravity-defying” makeup and<br />

inch-long fingernails, the young Quentin Crisp cut a<br />

brave and audacious figure in 1930s London. Indeed, it<br />

is hard to imagine the outrage he must have provoked.<br />

As he notes in his book Manners From Heaven:<br />

“During my Edwardian youth and Georgian middleage<br />

the world (I mean Britain) stayed exactly where<br />

it was, aggressively conformist and conservative; I<br />

BUY Quentin Crisp books online from and<br />

stayed exactly where I was, a blithe spirit revelling in<br />

androgynous anarchy, and there was a battle.”<br />

This battle frequently became physical as well as<br />

psychological; Quentin’s accounts of the numerous<br />

attacks he endured on the streets of London lend a<br />

disturbing pathos to The Naked Civil Servant’s blend of<br />

pithy insight, amused self mockery and biting sarcasm.<br />

Indeed, the luminescence of Quentin’s prose soon won<br />

accolades which proclaimed him as a modern day Oscar<br />

Wilde, a comparison he has always refused. “When<br />

I was young, I thought Oscar Wilde was so noble. I<br />

thought he sacrificed everything for love. Then, when I<br />

became older, I realised this was complete nonsense. In<br />

the charnelhouses of London, Wilde only knew most of<br />

his lovers by Braille. It was utterly sordid.”<br />

Tired of England’s pernicious and parochial character,<br />

Quentin moved to New York in the early 1980s.<br />

By this time he was over 70 years old. After running<br />

various skirmishes with the US immigration authorities,<br />

Quentin succeeded in keeping his British passport<br />

and becoming a resident alien. “The English always<br />

say that the Americans are so false. But I don’t spend<br />

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