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Spike Magazine

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<strong>Spike</strong> | 15 YEARS OF BOOKS, MUSIC, ART, IDEAS | www.spikemagazine.com<br />

can be explored from a multitude of entry points.<br />

The book is arranged into themes such as London<br />

as theatre, crime and punishment, London as crowd,<br />

London’s radicals, and for every main thoroughfare of<br />

London: The Biography there are scores of delightful<br />

or macabre side streets to wander down. Take the following<br />

list of synonyms for prostitutes, which reads<br />

like a bizarre incantation: “…smuts, cracks, mawkes,<br />

trulls, trugmoldies, bunters, does, punchable nuns,<br />

molls, Mother Midnights, blowzes, buttered buns,<br />

squirrels…”<br />

Within each theme we have Ackroyd’s compendious<br />

learning tripping the switches between past and<br />

present. He is no Eric Hobsbawm or Asa Briggs, he is<br />

neither ideologue nor pedagogue, instead it is through<br />

anecdote and vivid description that we are led through<br />

labyrinthine London.<br />

Of course, any thesis that London, as it were, imprints<br />

itself on its citizens is going to occasionally sound<br />

BUY Peter Ackroyd books online from and<br />

overblown: “London drives some of its citizens mad. A<br />

psychiatric survey in the 70s revealed that cases of depressive<br />

illness were three times higher in the East End<br />

than in the rest of the country”. But these criticisms,<br />

like pointing out lacunae, miss the point, for in a very<br />

real sense, as he himself says at one point, there are 7<br />

million versions of London being written everyday.<br />

This is very much the book that Ackroyd has been<br />

building up to, or even the one that he was born to<br />

write, prefiguring it in his biographies (Blake, Dickens)<br />

and fiction (The Great Fire of London, Hawksmoor).<br />

London: The Biography doesn’t just have sources,<br />

it has an essay on sources, and at over 800 pages you<br />

might be forgiven for buying the audio version read by<br />

Simon Callow (who is also, incidentally, appearing as<br />

Dickens in Ackroyd’s The Mystery of Charles Dickens).<br />

Ackroyd has put in a heroic amount of research, and it<br />

would be churlish indeed to disabuse his book of its<br />

definite article. �<br />

013<br />

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