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Spike Magazine

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<strong>Spike</strong> | 15 YEARS OF BOOKS, MUSIC, ART, IDEAS | www.spikemagazine.com<br />

really don’t we? No. They’re not harmless fun; they’re<br />

slapdash trash. H is not a lovable scamp: he’s a blank<br />

eyed glove puppet with half the charisma of a discarded<br />

ping-pong bat rotating slowly in a pig trough full of<br />

rainwater. This represents untertainment at its finest<br />

and will be warmly welcome by anyone who regularly<br />

sits in front of the box with a loaded shotgun in their<br />

mouth, trying to pluck up the courage.”<br />

And, more obscurely, on finding a DVD boxed<br />

set of Planet Of The Apes with Charlton Heston disconsolate<br />

before the Statue of Liberty on the cover:<br />

“What next? A special edition of Seven in a commemorative<br />

case mocked up to resemble Gwynneth<br />

Paltrow’s severed head?”<br />

Childish? Yes. Hilarious? Well I think so. If it was all<br />

fantasy disembowelling of nob-ends in colourful language<br />

Brooker could be dismissed as a one-trick pony,<br />

even if that trick is astonishingly amusing. But there’s a<br />

real vision at work here; stinging, jaded eyes surveying<br />

a Boschean hellscape of demonic coke-crazed execs<br />

ladling poisonous gruel down the mouths of uncomplaining<br />

dribble-mouthed buffoons.<br />

And yet for all the apparent misanthropy there’s a<br />

cornered and bruised altruism at work here too. Brooker<br />

recently wrote Nathan Barley with the immortal<br />

Chris Morris (the best thing on telly despite what the<br />

nay-sayers nay-say) but while the latter is the greater<br />

comedic and satirical talent (not just of Brooker, but<br />

BUY Charlie Brooker books online from and<br />

of everyone) Brooker actually has a humanity about<br />

him seemingly absent in our latter-day Swift. For all<br />

his violent imagery, a longstanding vein in his work is a<br />

contempt for the kind of sniggering nihilists who watch<br />

genuine suffering for kicks. This can perhaps be seen<br />

best in his dissection of some feeble ‘comedy awards’<br />

programme door-stepping Les Dennis about his breakup<br />

with his wife:<br />

“Perhaps I’m a wuss but I think harassing the<br />

heartbroken for funnies is disgraceful. Clearly the<br />

producer, Dan Clapton, believes that human suffering<br />

equals big guffaws, so if anyone has any first-hand<br />

accounts of him having his heart broken, send me the<br />

juicy details and I’ll reprint them here so we can have<br />

a good hearty ho-ho together. After all, it’s just a bit of<br />

fun, right Dan? Right?”<br />

Of course it helps that I agree with most of what<br />

he says but even when describing his affection for<br />

David Dickinson (ugh!), Monarch Of The Glen (gah!)<br />

and, worst of all Friends (arrrggghhhhhhhhh!) he’s<br />

still funny. I dare say he’d have a few words to say<br />

about my soft spot for Judge John Deed too. We’re<br />

all entitled to like some shite in our lives. Indeed,<br />

it’s Brooker’s recognition of this, the simultaneous<br />

fascination and revulsion he has for the likes of Pop<br />

Idol and Big Brother that makes it very far from some<br />

highbrow denunciation of TV as a whole. This is a<br />

guy who loves the possibilities of what television has<br />

113<br />

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