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<strong>Spike</strong> | 15 YEARS OF BOOKS, MUSIC, ART, IDEAS | www.spikemagazine.com<br />

Review [published December 2001]<br />

Angela Bourke: The Burning Of Bridget Cleary<br />

Robin Askew<br />

Enjoyed The Blair Witch Project? Then immerse yourself<br />

in this engrossing and exhaustively researched true<br />

story from late 19th-century Ireland. The facts of the<br />

case are relatively straightforward: in 1895, 26-year-old<br />

Bridget Cleary disappeared from her house in rural Tipperary.<br />

Local rumour claimed that she had been taken<br />

by fairies to their fort of Kylenagranagh, from where<br />

she would eventually emerge riding a white horse. But<br />

when her badly burned body was recovered from a shallow<br />

grave a week later, her husband Michael, father,<br />

aunt and four cousins were arrested. The subsequent<br />

trial made headlines even in the London press.<br />

According to contemporary newspaper reports,<br />

it emerged in court at nearby Clonmel that Michael<br />

Cleary had believed his ailing wife was a witch. He<br />

gave her herbs from a local herb doctor and then, with<br />

the aid of other male members of the household, held<br />

her over the kitchen fire and called upon her to say, in<br />

the name of God, that she was not his wife. Finally,<br />

she was stripped of her clothing, knocked to the floor,<br />

covered in paraffin oil and allowed to burn to death<br />

while being watched by eight relatives – six men and<br />

BUY Angela Bourke books online from and<br />

two women. Some of them remonstrated with the husband,<br />

who insisted that it was not his wife who was<br />

burning but a witch, whom he confidently expected to<br />

disappear up the chimney. When this didn’t happen, he<br />

wrapped a sheet around the charred body and buried it<br />

in a dyke near the family home.<br />

There is, of course, a great deal more to this tragic<br />

tale than these stark details convey. Dublin-based<br />

academic Angela Bourke brilliantly sets the case in its<br />

social and political context, revealing its significance<br />

at the cusp of change between an older world of folklore<br />

and fairy-belief and the new age of literacy and<br />

industry. While Bridget and her husband were childless<br />

and newly prosperous, their jealous peers were not, and<br />

the instigator of her unpleasant demise was a toothless,<br />

limping, increasingly isolated patriarch whose waning<br />

power over the fearful countryfolk derived from<br />

his ample knowledge of fairy-forts, ghosts, and other<br />

supernatural malarkey.<br />

Equally significant in the reporting of the Cleary<br />

case was the ongoing Home Rule movement. The<br />

Unionist press seized on this outbreak of ‘barbarism’<br />

107<br />

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