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<strong>Spike</strong> | 15 YEARS OF BOOKS, MUSIC, ART, IDEAS | www.spikemagazine.com<br />

edge and learning which pepper his writing, while the<br />

subject of the fantastic complements completely the<br />

strange insights which inform his vision.<br />

The expected exotic are all here, the dragons, the<br />

unicorns, the nymphs, the phoenix and the salamander.<br />

What Borges brings to his description of these<br />

creatures, which many readers may think themselves<br />

already familiar with, is the learning which marks much<br />

of his best work (‘research’ is somehow an inadequate<br />

word) immense, profound, yet somehow worn lightly.<br />

European medieval manuscripts, the scrolls of ancient<br />

Greeks, Egyptians and Persians, the musings of esoteric<br />

Victorians, and the lore of all world religions casually<br />

surface and recede as the moment demands.<br />

Thus we learn that eastern dragons are associated<br />

with both emperors and Confucius and have saliva of<br />

medicinal qualities: “Buddhists affirm that Dragons<br />

are no fewer in number than the fishes of their many<br />

concentric seas; somewhere in the universe a sacred<br />

cipher exists to express their exact number.”<br />

The Phoenix, we see was conjured of by the Ancient<br />

Egyptians in their dreams of eternal life, and alluded<br />

to by Tacitus and Pliny hundreds of years later as they<br />

fixed the intervals of the fiery bird’s visits as once every<br />

1,461 years. We learn that in England once Christianity<br />

vanquished the older Norse gods that they didn’t just lie<br />

down and die, but instead corrupted and withered into<br />

Trolls, while the beautiful Valkyries became witches.<br />

BUY Jorge Luis Borges books online from and<br />

These witches were also known as Norns or Fates, grim<br />

augurs of the future the memory of which survives in<br />

the weird sisters of Macbeth.<br />

References to Tacitus, Pliny, Terulius, Propertius,<br />

and St Ambrose remind us that the most learned men<br />

of the day considered all these ‘imaginary beings’ as<br />

‘real’, believed in every bit as much we today accept<br />

the existence of exotic fauna we have only seen on television<br />

screens. These beings informed the landscape<br />

of the mind, which in turn became the landscape of<br />

history, and therefore the world. The Nordic Elves who<br />

shoot the invisible arrows which cause common itches,<br />

their Scottish counterparts the Brownies, who rather<br />

more winsomely turn up and tidy around the house,<br />

the Harpies, who we learn “wielded weapons of gold<br />

– lightning – and milked the clouds” , all these dwelt<br />

in the minds of our ancestors in a more profound sense<br />

than the mundane insects, cats and cattle which walked<br />

among them.<br />

While descriptions of these more familiar fiends and<br />

fairies are captured marvellously (in both senses) and<br />

show us far more of the subjects than we could have<br />

imagined, Borges comes still more into his own with<br />

narrations of the more outlandish creatures. Here is<br />

Kujata, a huge bull from Islamic folklore, with 4,000<br />

eyes, ears, nostrils, mouths and feet. Kujata stands on<br />

the back of the great fish Bahamut, “All the seas in the<br />

world placed in one of the fish’s nostrils would be like<br />

104<br />

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