Download PDF - Kidscreen

Download PDF - Kidscreen Download PDF - Kidscreen

kidscreen.com
from kidscreen.com More from this publisher
02.01.2013 Views

Technicolor takes on original toons For the first time in its 100-year history, international production services and distribution firm Technicolor has set up an animation development and production division. VP of animation Steven Wendland says experience gained in operating Technicolor’s animation studio in Bangalore, India over the past five years convinced the company that the time was right to get into original production. Husband-and-wife team Aly Jetha and Shabnam Rezaei knew they were tapping into an under-served market when they created their first Farsi-language direct-to-DVD feature Babak and Friends: A First Narooz in 2006. The animated movie about the Persian New Year sold 30,000 units in the US and Canada and was particularly popular with Persian immigrant families. The proceeds from the DVD helped to raise the money needed to build the couple’s Big Bad Boo animation studio in Vancouver, Canada. Five years later, the idea is to further tap into the appetite for multicultural content by appealing directly to consumers. (The US Census Bureau recently reported that 82% of the country’s population growth between 2005 and 2050 will come from immigration. Currently 44% of US kids are from a minority ethnicity, and that number is expected to reach 62% by 2050.) “Those niches together make a sizable market and we are creating a brand around this multicultural platform,” says Jetha. To that end, the pair launched Oznoz.com globally in November as an online sales and distribution platform à la Amazon and iTunes to offer content in six languages (Arabic, Chinese, Indian, Korean, Persian and Spanish) and ship products worldwide. At this early stage, most sales come from Canada and the US, with business also 20 JANUARY 2011 Comedy Atomic Puppet is the 100-year-old company’s latest series in development Having worked in animation at Vancouver, Canada-based Mainframe Entertainment for 10 years, Wendland says he was happy to have his role at Technicolor evolve from overseeing service work to straddling both the service and production businesses. The company has set up a dedicated original development team based in L.A. and hired two industry vets to join Wendland and lead development and production efforts—Jean MacCurdy, former president of Warner Bros. Animation and Fonda Snyder, co-founder and former president of Storyopolis Productions and former VP of original movies with Disney Channel. And heading up the team is Technicolor Digital Productions president Tim Sarnoff, former president of Sony Imageworks. To kick off the slate, the Technicolor team convinced Pulitzer Prize-winning editorial cartoonist Berkeley Breathed of Bloom County fame to let the company produce his first-ever TV series, based on his picture book Pete & Pickles. So far, a bible and initial scripts have been worked up for the 26 x half-hour CGI series for six- to 10-year-olds about a friendship between two mismatched characters—an easily-embar- picking up in Japan, Australia and the UK. The site sells DVDs, as well as books and games, and is looking to beef up the offering with original content and non-English dubs of preschool and core kid brands that are already well-known in the territory. So a producer who has dubbed a series into Arabic for the Middle Eastern market, for example, can resell that same dub in a totally different territory through Oznoz.com, potentially increasing the brand’s merchandise sales because it would help popularize the IP among niche minority groups. Reznaei says price-points compare to other online retail stores, with DVDs going for US$14 each and a newly launched comic book tagged at US$4.95. At press time, the company had signed a deal with Al Jazeera Children’s Channel to distribute its Arabic content on Oznoz.com and is contacting other producers. In terms of driving awareness, Big Bad Boo is reaching out to different immigrant communities through their cultural publications and partnering with different cultural organizations—such as the Arab Cultural Center in Michigan, the Asia Society in New York and more than 60 other museums, libraries and schools in North America and the UK—to build awareness and traffic for the site. KC rassed pig named Pete, and a giant runaway circus elephant named Pickles. Hilarious situations ensue as Pete and his new fugitive roomie navigate day-to-day life in close quarters and use their imaginations to enhance their largerthan-life adventures out in the world. Second up is Atomic Puppet, a fast-paced, action-comedy for six to 12s about 11-year-old Joey and his superhero sidekick, a magical puppet that comes to life every time Joey puts it on his hand. Initial plans for the series are set to produce 52 x 11-minute eps. The series was created and is being penned by Mark Drop, whose credits include Dinosaur Train and Kick Buttowski, and Jerry Leibowitz who created and exec produced The Mouse and the Monster. Though the first two series out of the gate are comedic, Wendland says the team plans to take on a wide range of genres and has roughly seven fledgling concepts in the incubator, though he added that the company only plans to develop a few at a time. KC LINKS Technicolor > www.technicolor.com Multilingual dubs make money State-side LINKS Oznoz > www.oznoz.com

A can-do attitude abounds in Ella the Elephant Toronto, Canada-based Cookie Jar optioned picture book Ella the Elephant, created by Seattle’s Carmella and Steven D’amico, and quickly turned to writer Sheila Dinsmore. Her job was to spin the story about the helpful young elephant into a full-fledged 52 x 11-minute series that echoes the artwork of the book property with its 2-D backgrounds and toon-shaded CGI characters. This series for preschoolers is “really about child empowerment and depicting Ella’s quiet self-confidence on-screen,” says VP of development Jilliane Reinseth. You see, Ella has a floppy red hat, which she believes can transform into whatever object she might need to assist someone in trouble. So in one instance, she imagines her hat turning into a basket with which she can collect an errant bunch of apples that her friend has dropped. In another, it inflates to the size of tent that Ella can use to place over the heads of her pals and shelter them from a rainstorm. Cookie Jar has a bible, educational curriculum, scripts and a three-minute trailer ready to go and is working with a budget of US$9.5 million for a fall 2011 delivery. Finding the funny side of science New preschool animated series Rose & Timothy from Paris-based Millimages follows the adventures of a happy-go-lucky, kindhearted cow named Rose and tenacious, hot-tempered little chick Timothy. The pair also happen to be investigative journalists assigned to discover all they can about the outside world on behalf of their fellow barnyard friends back on the farm. Its through this lens that the 52 x 11-minute series is aiming to instill an interest in science and experimentation in young viewers through the hilarious antics of the enthusiastic, yet hapless characters. The duo sets out promising to faithfully report their findings each day, while their research requires them to do things like scour the desert to find a mirage or eat spinach to determine whether or not it really makes you stronger. Along the way, know-it-all manipulator Timothy often tries to take advantage of Rose’s naivety. For example, he gets Rose to traipse around a precarious mountaintop to assess the risk of an avalanche. However, Rose has unerring luck and after she completes her perusal of the snowy peak without incident, it’s Timothy who sets off the avalanche. Still in development, the series has no firm delivery date, but Millimages has a bible and scripts on-hand and is seeking presales and possible co- production partners with an approximate budget of US$7.9 million. KC Child empowerment is a key theme for Cookie Jar’s Ella the Elephant, while Millimages’ Rose & Timothy (bottom) sparks an interest in science through comedy LINKS Cookie Jar > www.cookiejarentertainment.com Millimages > www.millimages.com JANUARY 2011 21

Technicolor takes on original toons<br />

For the first time in its 100-year history, international<br />

production services and distribution<br />

firm Technicolor has set up an animation<br />

development and production division.<br />

VP of animation Steven Wendland says<br />

experience gained in operating Technicolor’s<br />

animation studio in Bangalore, India over the<br />

past five years convinced the company that the<br />

time was right to get into original production.<br />

Husband-and-wife team Aly Jetha and Shabnam Rezaei knew<br />

they were tapping into an under-served market when they<br />

created their first Farsi-language direct-to-DVD feature Babak<br />

and Friends: A First Narooz in 2006. The animated movie about the<br />

Persian New Year sold 30,000 units in the US and Canada and was<br />

particularly popular with Persian immigrant families.<br />

The proceeds from the DVD helped to raise the money needed<br />

to build the couple’s Big Bad Boo animation studio in Vancouver,<br />

Canada. Five years later, the idea is to further tap into the appetite<br />

for multicultural content by appealing directly to consumers. (The<br />

US Census Bureau recently reported that 82% of the country’s<br />

population growth between 2005 and 2050 will come from immigration.<br />

Currently 44% of US kids are from a minority ethnicity,<br />

and that number is expected to reach 62% by 2050.)<br />

“Those niches together make a sizable market and we are creating<br />

a brand around this multicultural platform,” says Jetha.<br />

To that end, the pair launched Oznoz.com globally in November<br />

as an online sales and distribution platform à la Amazon and iTunes<br />

to offer content in six languages (Arabic, Chinese, Indian, Korean,<br />

Persian and Spanish) and ship products worldwide. At this early<br />

stage, most sales come from Canada and the US, with business also<br />

20 JANUARY 2011<br />

Comedy Atomic Puppet is the 100-year-old<br />

company’s latest series in development<br />

Having worked in animation at Vancouver,<br />

Canada-based Mainframe Entertainment for<br />

10 years, Wendland says he was happy to<br />

have his role at Technicolor evolve from<br />

overseeing service work to straddling both the<br />

service and production businesses.<br />

The company has set up a dedicated original<br />

development team based in L.A. and hired<br />

two industry vets to join Wendland and lead<br />

development and production efforts—Jean<br />

MacCurdy, former president of Warner Bros.<br />

Animation and Fonda Snyder, co-founder and<br />

former president of Storyopolis Productions<br />

and former VP of original movies with<br />

Disney Channel. And heading up the team is<br />

Technicolor Digital Productions president Tim<br />

Sarnoff, former president of Sony Imageworks.<br />

To kick off the slate, the Technicolor team<br />

convinced Pulitzer Prize-winning editorial cartoonist<br />

Berkeley Breathed of Bloom County fame to<br />

let the company produce his first-ever TV series,<br />

based on his picture book Pete & Pickles.<br />

So far, a bible and initial scripts have been<br />

worked up for the 26 x half-hour CGI series for<br />

six- to 10-year-olds about a friendship between<br />

two mismatched characters—an easily-embar-<br />

picking up in Japan, Australia and the UK. The site sells DVDs, as<br />

well as books and games, and is looking to beef up the offering with<br />

original content and non-English dubs of preschool and core kid<br />

brands that are already well-known in the territory.<br />

So a producer who has dubbed a series into Arabic for the<br />

Middle Eastern market, for example, can resell that same dub in a<br />

totally different territory through Oznoz.com, potentially increasing<br />

the brand’s merchandise sales because it would help popularize<br />

the IP among niche minority groups. Reznaei says price-points<br />

compare to other online retail stores, with DVDs going for US$14<br />

each and a newly launched comic book tagged at US$4.95.<br />

At press time, the company had signed a deal with Al Jazeera<br />

Children’s Channel to distribute its Arabic content on Oznoz.com<br />

and is contacting other producers. In terms of driving awareness, Big<br />

Bad Boo is reaching out to different immigrant communities through<br />

their cultural publications and partnering with different cultural organizations—such<br />

as the Arab Cultural Center in Michigan, the Asia<br />

Society in New York and more than 60 other museums, libraries and<br />

schools in North America and<br />

the UK—to build awareness<br />

and traffic for the site. KC<br />

rassed pig named Pete, and a giant runaway<br />

circus elephant named Pickles. Hilarious situations<br />

ensue as Pete and his new fugitive roomie<br />

navigate day-to-day life in close quarters and<br />

use their imaginations to enhance their largerthan-life<br />

adventures out in the world.<br />

Second up is Atomic Puppet, a fast-paced,<br />

action-comedy for six to 12s about 11-year-old<br />

Joey and his superhero sidekick, a magical<br />

puppet that comes to life every time Joey puts<br />

it on his hand. Initial plans for the series are<br />

set to produce 52 x 11-minute eps. The series<br />

was created and is being penned by Mark<br />

Drop, whose credits include Dinosaur Train<br />

and Kick Buttowski, and Jerry Leibowitz who<br />

created and exec produced The Mouse and<br />

the Monster.<br />

Though the first two series out of the gate<br />

are comedic, Wendland says the team plans<br />

to take on a wide range of genres and has<br />

roughly seven fledgling concepts in the incubator,<br />

though he added that the company only<br />

plans to develop a few at a time. KC<br />

LINKS<br />

Technicolor > www.technicolor.com<br />

Multilingual dubs make money State-side<br />

LINKS<br />

Oznoz > www.oznoz.com

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!