What Did You Do in the War, Mutti? Courageous Women ... - iSites
What Did You Do in the War, Mutti? Courageous Women ... - iSites
What Did You Do in the War, Mutti? Courageous Women ... - iSites
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578 Robert G. Moeller<br />
The Contexts<br />
To illum<strong>in</strong>ate <strong>the</strong>se <strong>the</strong>mes, I want to locate this film <strong>in</strong> <strong>the</strong> context of<br />
broader postwar discussions of how best to reconstruct Germany, focus<strong>in</strong>g<br />
<strong>in</strong> particular firstly on <strong>the</strong> amaz<strong>in</strong>g vanish<strong>in</strong>g Nazi, and <strong>the</strong> ‘clean’<br />
Wehrmacht; secondly, on militant maternalism and <strong>the</strong> ‘new woman’ of<br />
<strong>the</strong> Adenauer era; and thirdly on mo<strong>the</strong>rs, fa<strong>the</strong>rs, and ‘citizens <strong>in</strong> uniform’<br />
or how rearm<strong>in</strong>g West Germany was a family affair.<br />
Context One: The Amaz<strong>in</strong>g Vanish<strong>in</strong>g Nazi and<br />
<strong>the</strong> ‘Clean’ Wehrmacht<br />
There is little to dislike about <strong>the</strong> men <strong>in</strong> uniform who appear <strong>in</strong> KMG. In<br />
some films from <strong>the</strong> mid-1950s, nasty Nazis abound, caricature cut-outs<br />
who are immediately identified by <strong>the</strong>ir fanaticism, <strong>the</strong>ir will<strong>in</strong>gness to sacrifice<br />
<strong>in</strong>nocent men, <strong>the</strong>ir ability to send o<strong>the</strong>rs <strong>in</strong>to battle while rema<strong>in</strong><strong>in</strong>g <strong>in</strong><br />
safety, and <strong>the</strong>ir complete lack of any sense of humour. 29 But <strong>in</strong> KMG <strong>the</strong>re<br />
is not a s<strong>in</strong>gle Nazi <strong>in</strong> sight. Uniformed chests are adorned with iron crosses,<br />
not swastikas. The closest <strong>the</strong> film ever comes to a true believer is Harald<br />
Asmussen, Helene’s son, who holds on to an idealistic faith <strong>in</strong> Führer and<br />
Fa<strong>the</strong>rland until <strong>the</strong> bitter end. However, even his zeal is more youthful<br />
hot-headedness than conviction, and <strong>the</strong> looks <strong>Do</strong>rnberg and his mo<strong>the</strong>r<br />
exchange at <strong>the</strong> end of <strong>the</strong> film suggest that <strong>in</strong> a reconstructed family, Harald<br />
will learn different lessons.<br />
In tell<strong>in</strong>g <strong>the</strong> war’s end <strong>in</strong> this fashion, <strong>the</strong> film did not challenge, ra<strong>the</strong>r, it<br />
confirmed, how most West Germans had come to view Hitler’s Wehrmacht.<br />
For most West Germans, putt<strong>in</strong>g soldiers on trial at Nuremberg immediately<br />
after <strong>the</strong> war was proof positive of <strong>the</strong> Allies’ misunderstand<strong>in</strong>g of National<br />
Socialism and <strong>the</strong> zealous pursuit of conceptions of German ‘collective guilt.’<br />
Post-war public op<strong>in</strong>ion polls revealed that only a handful of those Germans<br />
questioned believed that soldiers deserved any particular condemnation. 30<br />
Many had ‘served’ (gedient), and those who had not were unlikely to accuse<br />
male relatives who had worn a uniform. For postwar West Germans, <strong>the</strong><br />
Allies failed to see who was victim, who perpetrator, of crimes aga<strong>in</strong>st<br />
29 See, for example, Moeller, ‘‘‘In a Thousand Years’’’<br />
30 Jay Lockenour, Soldiers as Citizens: Former Wehrmacht Officers <strong>in</strong> <strong>the</strong> Federal Republic of<br />
Germany, 1945 1955 (L<strong>in</strong>coln, Nebraska, 2001), p. 27; also, Jörg Echternkamp, ‘Arbeit am Mythos:<br />
Soldatengenerationen der Wehrmacht im Urteil der west- und ostdeutschen Nachkriegsgesellschaft,’<br />
<strong>in</strong> Klaus Naumann (ed.), Nachkrieg <strong>in</strong> Deutschland (Hamburg, 2001), pp. 421 44; Echternkamp,<br />
‘Von Opfern, Helden und Verbrechern: Anmerkungen zur Bedeutung des Zweiten Weltkriegs <strong>in</strong><br />
den Er<strong>in</strong>nerungskulturen der Deutschen 1945 1955,’ <strong>in</strong> Jörg Hillmann and John Zimmermann<br />
(eds), Kriegsende 1945 <strong>in</strong> Deutschland (Munich, 2002), pp. 301 16; Echternkamp, ‘Wut auf die<br />
Wehrmacht? Vom Bild der deutschen Soldaten <strong>in</strong> der unmittelbaren Nachkriegszeit,’ <strong>in</strong> Rolf-Dieter<br />
Müller and Hans-Erich Volkmann (eds), Die Wehrmacht: Mythos und Realität (Munich, 1999), pp.<br />
1058 80; and on <strong>the</strong> Nuremberg trials, <strong>Do</strong>nald Bloxham, Genocide on Trial: <strong>War</strong> Crimes Trials and<br />
<strong>the</strong> Formation of Holocaust History and Memory (Oxford, 2001), pp. 21 2, 41 2.