Blood - Spike Art Quarterly
Blood - Spike Art Quarterly
Blood - Spike Art Quarterly
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�� Galerie Nächst St. Stephan —— A<br />
gallery with a long tradition. The gallery<br />
has been on the same spot since 1920,<br />
under this name since Monsignor Otto<br />
Mauer opened it in 1954 after the Second<br />
World War. The avant-garde from<br />
Joseph Beuys to Arnulf Rainer found a<br />
place here. Under the direction of<br />
artist Oswald Oberhuber, the gallery<br />
acquired the role of »information platform«<br />
in the ’70s in that it informed the<br />
scene about classic Modern and contemporary<br />
art. In 1978, Rosemarie<br />
Schwarzwälder took control and concentrated<br />
primarily on minimalism,<br />
abstraction and conceptual art, showing<br />
works by Helmut Federle, Imi<br />
Knoebel and Ernst Caramelle. For the<br />
past few years, the gallery has supported<br />
successful Polish artists Adam Adach,<br />
Agnieska Kalinowska and Aneta<br />
Grzeszykowska.<br />
Grünangergasse 1/2, (512 12 66)<br />
www.schwarzwaelder.at<br />
�� Galerie Krinzinger —— In busi ness<br />
since the ’70s, today Ursula Krin zinger<br />
still attends every important art fair in<br />
the world. Originally the gallery was engaged<br />
in Vienna Actionism (Brus,<br />
Muehl, Schwarzkogler), then focused<br />
on international performance and body<br />
related art including stars from the<br />
American West coast like Chris Burden<br />
or Nancy Rubins, and from Austria<br />
SPIKE ART GUIDE EAST 01 — 2009 Vienna<br />
Erwin Wurm. Krinzinger recognized<br />
the value of the German »enfant terrible«<br />
Jonathan Meese early on. Recently<br />
she shows more work by contemporary<br />
artists from China and India like Zhang<br />
Ding and Sudarshan Shetty. The gallery<br />
space alone is worth a visit because of<br />
its dignified, historical ambiance<br />
Seilerstätte 16, (513 30 06)<br />
www.galerie-krinzinger.at<br />
�� layr:wuestenhagen contemporary ——<br />
This gallery was grounded by Emanuel<br />
Layr und Thomas Wüstenhagen in<br />
2002; in the meantime it has become<br />
successful at international art fairs. They<br />
represent only young artists like the<br />
painter Tillman Kaiser, Fabain Seiz or<br />
the artists’ collective mahony, and cre-<br />
ate exciting curatorial projects outside<br />
of the gallery. Ateliers and residencies<br />
are available for artists and curators.<br />
This is one of the meeting place for the<br />
young art scene.<br />
An der Hülben 2, (524 54 90)<br />
www.layrwuestenhagen.com<br />
�� Galerie Grita Insam —— Grita Insam<br />
has been running this gallery since<br />
1973, and it is time and again an exciting<br />
place for theoretical discussion and<br />
experimental positions. She is respon-<br />
<strong>Art</strong><br />
271<br />
Vienna