proposal part b - The Bernstein Project
proposal part b - The Bernstein Project
proposal part b - The Bernstein Project
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CIP-ICT PSP Call 4 28<br />
Pilot B<br />
[Imperialle]<br />
<strong>The</strong> Wallraf-Richartz Museum is one of the three major museums in Cologne, Germany. It houses an art gallery<br />
with a collection of fine art from the medieval period to the early 20 th century. Part of its collection was used for<br />
the establishment of the Museum Ludwig in 1976.<br />
<strong>The</strong> print collection at the Wallraf-Richartz Museum encompasses German drawings of the 15 th and 16 th<br />
centuries and is internationally a collection of high importance. It includes: 1) early German drawings until<br />
1500; 2) the drawings of Albrecht Dürer, his contemporaries and successors, including Hans Schaufelein,<br />
Erhard Schön and Bartholomew Bruyn the Elder; 3) German drawings until 1600. <strong>The</strong> stylistic originality seen<br />
in the works of Hans von Aachen, Johann Caspar and Freisinger Rottenhammer show the European point of<br />
reference in German art around 1600.<br />
Homepage: www.wallraf.museum<br />
Key personnel<br />
Thomas Ketelsen<br />
• studies in Art History at the Universities of Hamburg and Wien (PhD)<br />
• held several positions at the University of Hamburg, the Old Masters De<strong>part</strong>ment in Kassel, the<br />
Kunsthalle Hamburg<br />
• formal curator at Kupferstich-Kabinett Dresden,<br />
• since 2010, head of the print collection at the Wallraf-Richartz Museum & Fondation Corboud.<br />
Tobias Nagel<br />
• studies in Art History and <strong>The</strong>ology (MA, Dipl.-<strong>The</strong>ologe)<br />
• worked since 1987 for the Wallraf-Richartz Museum & Fondation Corboud<br />
• since 1990, responsible for scientific documentation of museums of Cologne (Wallraf-Richartz-<br />
Museum, Museum Ludwig and Rheinisches Bildarchiv Köln)<br />
Key experience in presentation of collectors albums, digital informationssystems<br />
Thomas Klinke<br />
• accomplished as bookbinder, Studies in Restauration and Conservation Sience of art in Cologne<br />
• worked for several institutions in Germany<br />
• since 1997 restaurator on Wallraf-Richartz-Museum & Fondation Corboud<br />
• since 2005 Public appointed, sworn and qualified expert<br />
B3.1.8 Azienda U.S.L. Roma “E”- Biblioteca Lancisiana, Rome Italy (BL)<br />
Role: content provider<br />
<strong>The</strong> Lancisiana Library was founded in the years 1711-1714 by Giovanni Maria Lancisi. Housed in the Hospital<br />
Santo Spirito in Saxia in Rome, its very structure and organization mirrors the scientific and medical culture of<br />
its founder. Lancisi meant to offer to the young apprentice, either physician or surgeon, the means for a rational<br />
medical education, based on "plenty of patients" and a good choice of books. <strong>The</strong> comparison between the<br />
Library and some of Lancisi's works show his ideas about the relationship between the sciences - chemistry,<br />
natural history, mathematics and mechanics - and medicine, as well as the close relationship between medicine<br />
and surgery.<br />
<strong>The</strong> Library in the Palazzo del Commendatore Lancisiana is considered one of the most important collections of<br />
historical medical writings in general. This library is established on 21 May 1714, when, after three years of<br />
preparation by the personal physician of the Pope, Giovanni Maria Lancisi. On 25 April the following year was<br />
founded on the same site the Accademia di Medicina e Chirurgia. Here after the library changed quickly in an<br />
famous research center, <strong>part</strong>icularly in therapy of malaria -one of the most treatment of this time in Italy. Today<br />
the library includes prominent donations from Louis XIV, Cosimo III de 'Medici and Furstenberg. Special<br />
treasures are two of the Avicenna manuscripts.<br />
Homepage: http://www.lancisiana.it