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proposal part b - The Bernstein Project

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CIP-ICT PSP Call 4 25<br />

Pilot B<br />

[Imperialle]<br />

<strong>The</strong> IVCR's de<strong>part</strong>ment of graphic paper and archival material is working on the documentation and<br />

conservation of Valencia's graphic heritage in the museums, archives, libraries and churches of the Valencian<br />

Community. Since its opening, it has become the most important institution devoted to the field of<br />

conservation and restoration in Spain.<br />

Homepage: http://www.ivcr.es/<br />

Key personnel<br />

Carmen Pérez García.<br />

• Catedrática de Restauración de la Universidad Politécnica de Valencia<br />

• General Director of cultural heritage of Valencian Community until 2005<br />

• managing director of IVCR since 2005<br />

Key expertise in cultural heritage preservation, restoration<br />

Marisa Ferrando<br />

• Studies of fine arts at the Universidad Politécnica de Valencia.<br />

• member of staff of Instituto Valenciano de Conservación y Restauración de Bienes Culturales” (IVCR)<br />

at the restoration laboratory and member of the research de<strong>part</strong>ment of watermarks<br />

Key expertise in paper restoration, expertise in manuscripts and printed book restoration<br />

Pascual Mercé<br />

• Studies of Geography and History at Universidad of Valencia<br />

• professional photographer since 1986<br />

• twenty books published about Art, History and Photography<br />

Key expertise in digitization of artwork, photography<br />

B3.1.5 National Gallery of Denmark, Copenhagen, Denmark (SMK)<br />

Main expertise: <strong>The</strong> National Gallery of Denmark is Denmark’s main museum of the visual arts and has the<br />

vision of becoming a leading national gallery.<br />

Role: - data provider and WP6 leader: Monitoring and testing.<br />

<strong>The</strong> objective of the museum is to build and maintain collections of Danish and foreign art, primarily art from<br />

Western cultures from the 14 th century to the present. This task is accomplished through the collection,<br />

registration, and preservation of relevant objects, and through research and communication pertaining thereto.<br />

<strong>The</strong> strong incitement to communicate via the internet has resulted in a very proactive outreach to the<br />

museum’s main audience: the public, scholars and colleagues.<br />

Relevant for the Imperialle project is a unique collection at the SMK of prints and drawings, which comprises<br />

more than 245,000 objects. <strong>The</strong> SMK has expertise in paper technology, art historical research, photodigitisation,<br />

and the management of large amounts of data. SMK has been applying advanced IT technology for<br />

almost two decades, the most important recent projects being a contemporary open-source system developed by<br />

CollectionSpace (implementation, testing and project management), digitalisation activities (glass plates to<br />

high-resolution TIFF, library paper archives to online databases), and upgrading projects, advanced web design<br />

as well as technical skills to support the on-site state-of-the-art digital equipment. <strong>The</strong> National Gallery of<br />

Denmark is investing in a five-year developmental programme (SMK-Digital) to bring the museum to the very<br />

forefront of digital arts communication. This communications enterprise is based on the museum’s collections<br />

and the artistic knowledge and expertise that the museum represents by virtue of its position as a leading<br />

research institution. Digital representation of the museum’s collections requires these works to be digitised.<br />

SMK-Digital consists of a series of projects, including a new website for the museum (launched April 2010;<br />

www.smk.dk). <strong>The</strong> online collections give the user online access to the museum’s collections and shows how<br />

museum professionals work with the collections. Another project, “Stories of Art”, plans to add still another<br />

dimension to this dissemination process, in which the art is brought to life (to be launched at the end of 2010 –<br />

with time it will be possible to incorporate Imperialle). A planned art database will make information about the<br />

museum’s collections, research and exhibition activities available online (to be launched in 2011). <strong>The</strong>

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