Fallingwater at Twilight - Transposed Score

F A L L I N G W A T E R
a t T w i l i g h t
James M. David
Commissioned by the North Hills High School Bands
Leonard Lavelle and Lucas Beaver, directors
© 2023, Oakdale Road Music/James M. David, ASCAP, all rights reserved

FALLINGWATER at TWILIGHT
for wind ensemble
Instrumentation:
Piccolo
2 Flutes
Oboe
2 Bassoons
Clarinet in B-flat 1
Clarinet in B-flat 2
Clarinet in B-flat 3
Bass Clarinet
Contrabassoon or Contrabass Clarinet in BB-flat (opt.)
2 Alto Saxophones
Tenor Saxophone
Baritone Saxophone
3 Trumpets in B-flat
4 Horns in F
2 Trombones
Bass Trombone
Euphonium
Tubas
Contrabass (opt.)
Piano
Timpani (with Japanese sleighbells, Seed/Shell chimes, and China cymbal)
Percussion 1: Glockenspiel, Marimba (5 8ve), Sleighbells, River Stones
Percussion 2: Crotales (1 8va), Large Woodblock or Log Drum, Small and Medium Woodblocks, River Stones, Ribbon Crasher
Percussion 3: Vibraphone, Chimes, Xylophone, Tambourine, Guiro or Cabasa, Crash Cymbals, Suspended Cymbal, River Stones
Percussion 4: China Cymbal, Splash Cymbal, Suspended Cymbal, Sizzle Cymbal, Medium Triangle, Tamborim or Picc. Woodblock, Large Woodblock
Percussion 5: Medium Tam-Tam, Bass Drum, Small Triangle, Slapstick, Sleighbells, Crash Cymbals mounted on Bass Drum or Suspended Cymbal (opt.)
Duration: ca. 9 minutes
Special Instrumentation Notes:
River Stones: two flat rocks or stones that can be comfortably held and struck together to produce a bright and clear tapping sound.
Seed/Shell Chimes: wind chimes that utilize dried seeds and/or seashells to produce a sound similar to glass or ceramic wind chimes, but with less
definite pitch.
Tamborim: a high-pitched Brazilian drum used in samba, this instrument is intended to imitate the sound of the kakko ( 鞨 鼓 ), a double-headed
drum used in gagaku. If available, a genuine kakko may be used.
Japanese Sleighbells or Ankle Bells: if available, the Shinto sleighbells known as Suzu ( 鈴 ) may be used or substituted with high-pitched ankle bells or
Burmese sleighbells.
Program Notes:
Frank Lloyd Wright’s remarkable creation Fallingwater has been an icon of architecture and modern design since its completion in 1939. Located on
a small river in Western Pennsylvania, it is a harmonious blending of geometric forms with the pristine natural environment. Dramatic cantilevers
and stone columns rise boldly from the river, while the building’s interior is serene and steeped in the light and sounds of the forest. My composition,
like Wright’s design, attempts to merge the rhythms of nature with the bold ideas of American modernism. The work opens with the river, serene but
with a steady and evolving rhythm. As Wright was influenced by Japanese art and design principles, a lyrical melody based on the tuning of the
Japanese wind instrument called the shō ( 笙 ) emerges from the undulating texture. Utilized in the ceremonial court music known as gagaku ( 雅 楽 ),
the instrument can produce eleven different aitake ( 合 竹 ) – high tone clusters that interconnect to create an ever-shifting soundscape. These
harmonies bear strong similarities to the polychords and quintal stacks of Wright’s musical contemporaries Aaron Copland and William Schuman.
My work, divided into seven sections representing the seven cantilevers of Fallingwater, exploits each of the eleven aitake and culminates with a
hopefully seamless integration of both Japanese and American harmonies. Each section explores different rhythmic and harmonic variations on the
primary melody while referencing the rhythms and textures of gagaku. The work builds towards its climax as the turbulent rhythms of the river (heard
in rippling woodwinds) alongside the sharp horizontal and vertical planes of Fallingwater (heard in powerful brass and percussion and using the
polychords of Schuman’s George Washington Bridge) are bathed in the orange glow of sunset. As the light fades, so does the view of the house and
only the river’s steady rhythm remains. This work was commissioned by the North Hills High School Bands in Pittsburgh, Pennsylvania as part of
their remarkable commission series dating back to 1965. Special thanks to composer Chatori Shimizu and Stanford University for their extensive
documentation on the shō and gagaku orchestration.
Composer Biography:
Dr. James M. David (b. 1978) is an American composer and professor of music theory and composition at Colorado State University. His is particularly known for his works involving
winds and percussion. His works have been performed and recorded by many prominent ensembles including the U.S. Air Force Band, the U.S. Army Band “Pershing’s Own,” the
Des Moines Symphony Orchestra, the Showa Wind Symphony (Japan), the Osaka Shion Wind Orchestra, and the North Texas Wind Symphony. His music has been performed at
more than sixty national and international conferences including the Midwest Clinic, the College Band Directors National Association Biennial Conference, the American Bandmasters
Association Convention, and the World Association for Symphonic Bands and Ensembles Conference. Dr. David was the winner of the 2022 William D. Revelli Composition Contest,
a three-time finalist for the Sousa-ABA Ostwald Award, winner of an ASCAP Morton Gould Award, and won national contests sponsored by the Music Teachers National Association
and the National Association of Composers (USA). Commissions include projects for the National Band Association, the Atlantic Coast Conference Band Directors Association, Joseph
Alessi (New York Philharmonic), John Bruce Yeh (Chicago Symphony), James Markey (Boston Symphony), Zachary Shemon (Prism Quartet), and hundreds of university faculty and
ensembles. His works are represented on over twenty commercially released recordings on the Naxos, Summit, Mark, Albany, Parma, MSR Classics, Bravo Music, GIA Windworks,
and Luminescence labels and are published by Murphy Music Press, C. Alan Publications, Potenza Publishing, and Excelsia Music.
As a native of southern Georgia, Dr. David began his musical training under his father Joe A. David, III, a renowned high school band director and professor of music education in the
region. This lineage can be heard in his music through the strong influence of jazz and other Southern traditional music mixed with contemporary idioms. Dr. David received degrees
in music education and music composition from the University of Georgia and the Florida State University College of Music. He studied composition with Guggenheim recipient
Ladislav Kubik and Pulitzer recipient Ellen Taaffe Zwilich as well as jazz composition and arranging with Sammy Nestico. More information at www.jamesmdavid.com.

Transposed Score
With Subtle Motion ( q = 54 )
Piccolo
Flute 1
4
Canteliever I
Fallingwater at Twilight
5
4
James M. David (2023)
Flute 2
Oboe
Bassoon 1-2
Clarinet in B 1
Clarinet in B 2
4
3
3
3
3
3
5
4
3
Clarinet in B 3
Bass Clarinet
Contrabassoon or
Contrabass Clarinet
Alto Saxophone 1
Alto Saxophone 2
4
3
3
3
3
3
3
3
5
4
3
3
3
3
Tenor Saxophone
Baritone Saxophone
Trumpet in B 1
Trumpet in B 2
4
5
4
Trumpet in B 3
Horn in F 1/3
Horn in F 2/4
Trombone 1-2
Bass Trombone
Euphonium
Tuba
Contrabass
Piano
Timpani
Percussion 1
Percussion 2
Percussion 3
Percussion 4
Percussion 5
4
4
3
hold pedal down
Tam-Tam
scrape w/ tri. beater
1
Bass Dr.
w/ reg. mall.
Chimes
3 3
2
3 3
3
3 3
Lg. Woodblock
w/ med soft. mall.
5 3
5
4
5
4
4
© 2023, Oakdale Road Music/James M. David, ASCAP
3 3
River Stones
Tam-Tam
w/ reg. mall.
ad lib.
6 5 3
5
3 3
6
5

Picc.
Fl. 1
4
Jū (⼗)
cue, Ob.
3
4
Slightly faster ( q = 68 )
11
Canteliever II
n
Fl. 2
Ob.
Bsn. 1-2
B Cl. 1
B Cl. 2
3
4
3
div.
3
4
3
unis.
n
n
n
B Cl. 3
B. Cl.
3
3
3
Cbsn.
A. Sx. 1
A. Sx. 2
3
4
3
3
3
4
3
3
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
4
3
4
B Tpt. 3
Hn. 1/3
Hn. 2/4
Tbn. 1-2
St. Mute
3
3
B. Tbn.
Euph.
St. Mute
3
Tuba
Cb.
Pf.
Timp.
Perc. 1
3 3
4
4
3 3
3
3
4
3
4
n
3
Marimba
w/ med. soft mall.
3
3
3
3
3
3 3
3
3
3
3
3
3 3
Perc. 2
5 3
3
5 3 5
Perc. 3
Perc. 4
Perc. 5
7
8
n
9
Fallingwater at Twilight - p. 2
Sizzle Cym.
w/ soft mall.
10
Tam-Tam
strike w/ tri. beater
11
12
13
14

Picc.
Fl. 1
Gyō (⾏)
23
2
4
n
3
4
Fl. 2
Ob.
Bsn. 1-2
B Cl. 1
B Cl. 2
n
2
4
n
n
unis.
3
3
4
3 3
B Cl. 3
B. Cl.
Cbsn.
n
3
3
A. Sx. 1
A. Sx. 2
2
4
3
3
3
4
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
2
4
3
3
3
3
3
3
4
3
3
3
B Tpt. 3
3
Hn. 1/3
Hn. 2/4
Tbn. 1-2
3
3
3
3
3
3
B. Tbn.
Euph.
3
3
3
3
3
3
Tuba
Cb.
Pf.
Timp.
Perc. 1
3
3
3
3
3 3
3
3
3
3
3 3
3
3
3
3
3 3
3
3
3
3
3
3 3
2
4
2
4
3
3
4
3
4
3
3
3
3
3
Perc. 2
Perc. 3
Perc. 4
Sizzle Cym.
w/ soft mall.
Vibraphone
motor off
w/ med. hard mall.
3
hold pedal down
22
Perc. 5
3
15
16
17
18
19
20
Fallingwater at Twilight - p. 3
21
3
5
23
24

Picc.
Fl. 1
Fl. 2
Ku (⼯)
tutti
Ob.
Bsn. 1-2
B Cl. 1
B Cl. 2
3
3
3
two players
two players
3
3
3
3
3
3
3
3
3
3
tutti
3 3 3
B Cl. 3
3 3 3
3
3 3 3
3
3 3 3
3
3 3 3
3
3 3 3
B. Cl.
Cbsn.
A. Sx. 1
3
3
3
3
3
3
3
3
A. Sx. 2
T. Sx.
B. Sx.
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3 3
3
B Tpt. 1
3
3
3
B Tpt. 2
B Tpt. 3
Hn. 1/3
Hn. 2/4
Tbn. 1-2
3
3
3
3
3
3
3
3
3
3
open
B. Tbn.
Euph.
3
3
3
3
3
3
3
3
3
3
3
3
open
Tuba
Cb.
Pf.
Timp.
3 3
3
3
3 3
3
3
3 3 3
3
3
3
3
3
3
3
3
3
3 3
3
3
3 3 3
3 3 3
Perc. 1
3
3
3
3
3
3
3
3
3
3
3
3
Perc. 2
Perc. 3
3 3 3
3
3 3 3
3
3 3 3
3
3 3 3
3
3 3 3
3 3 3
Perc. 4
Med. Tri.
Perc. 5
25
26
27
28
29
30
Fallingwater at Twilight - p. 4
31
32
33
34

Picc.
Fl. 1
Fl. 2
Ob.
3
3
3
3
3
3
4
40
Canteliever III
Bsn. 1-2
B Cl. 1
B Cl. 2
B Cl. 3
B. Cl.
3 3 3
div.
3 3 3
unis.
3 3 3
3
4
Cbsn.
A. Sx. 1
A. Sx. 2
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
B Tpt. 3
Hn. 1/3
Hn. 2/4
Tbn. 1-2
3
3
3 3
3
3
3
3
3
3
4
4
3
3
3
3
3
3
3
3
3
3
B. Tbn.
Euph.
Tuba
Cb.
Pf.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
3 3 3
3 3 3
3 3 3
35
3 3 3
3
4
Glock.
w/ hard plastic mall.
3
Sus. Cym.
w/ soft mall.
36
3 3 3
3 3 3
37
Crotales
3
3
3
Sm. Tri.
38
4
Chimes
3
China Cym.
w/ soft mall.
39
Fallingwater at Twilight - p. 5
Bass Dr.
w/ reg. mall.
40
41
div.
42

Picc.
Fl. 1
5
4
Hi (⽐)
4
Fl. 2
Ob.
Bsn. 1-2
B Cl. 1
B Cl. 2
B Cl. 3
5
4
4
B. Cl.
Cbsn.
A. Sx. 1
A. Sx. 2
5
4
4
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
B Tpt. 3
Hn. 1/3
Hn. 2/4
Tbn. 1-2
B. Tbn.
5
4
St. Mute
St. Mute
St. Mute
St. Mute
St. Mute
mute
mute
4
Euph.
Tuba
Cb.
Pf.
5
4
pizz.
4
Timp.
Perc. 1
Perc. 2
5
4
Marimba
w/ hard mall.
River Stones
or Claves
3
3
4
Perc. 3
Perc. 4
Med. Tri.
Perc. 5
43
44
45
Fallingwater at Twilight - p. 6
46
47

Picc.
Fl. 1
Fl. 2
Ob.
Bsn. 1-2
B Cl. 1
B Cl. 2
4
4
3
4
3
4
Bō ( 凢 )
4
4
3
3
4
3
4
5
4
5
4
3
B Cl. 3
B. Cl.
Cbsn.
3
A. Sx. 1
A. Sx. 2
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
4
4
3
4
3
4
open
4
4
3
4
3
4
5
4
5
4
open
B Tpt. 3
Hn. 1/3
open
open
3
Hn. 2/4
Tbn. 1-2
B. Tbn.
Euph.
open
open
3
3
open
3
Tuba
Cb.
Pf.
Timp.
Perc. 1
4
4
3
4
3
4
4
4
3
4
3
4
5
4
5
4
Perc. 2
Perc. 3
Perc. 4
Perc. 5
48
49
50
Fallingwater at Twilight - p. 7
51
52

Picc.
Fl. 1
Fl. 2
54
4
Ob.
Bsn. 1-2
B Cl. 1
B Cl. 2
3
4
B Cl. 3
B. Cl.
Cbsn.
A. Sx. 1
A. Sx. 2
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
B Tpt. 3
Hn. 1/3
Hn. 2/4
Tbn. 1-2
B. Tbn.
Euph.
Tuba
Cb.
Pf.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
3
3
53
3
3
4
4
4
4
Guiro or Cabasa
Slapstick
54
Sizzle Cym.
w/ sticks
55
Fallingwater at Twilight - p. 8
56
Sus. Cym.
w/ sticks

Picc.
Fl. 1
2
4
12
16
Fl. 2
Ob.
3
Bsn. 1-2
B Cl. 1
B Cl. 2
2
4
12
16
B Cl. 3
B. Cl.
Cbsn.
A. Sx. 1
A. Sx. 2
3
2
4
12
16
3
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
3
2
4
12
16
3
B Tpt. 3
3
Hn. 1/3
3
Hn. 2/4
3
Tbn. 1-2
3
B. Tbn.
Euph.
Tuba
Cb.
Pf.
Timp.
Perc. 1
2
4
2
4
12
16
12
16
Perc. 2
Perc. 3
Perc. 4
Perc. 5
57
58
Fallingwater at Twilight - p. 9
59

Picc.
Fl. 1
Fl. 2
Ob.
Bsn. 1-2
B Cl. 1
B Cl. 2
B Cl. 3
12
16
12
16
61
4
( e. = q )
4
Pressing Forward ( q = ca. 92 )
3 3 3
3 3 3 3
3
3
3
3
3 3
3 3 3
3 3 3
3 3 3
3
3
3
3
5
4
5
4
3 3 3 3
3 3 3 3
3 3 3 3
B. Cl.
Cbsn.
A. Sx. 1
A. Sx. 2
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
B Tpt. 3
Hn. 1/3
Hn. 2/4
Tbn. 1-2
B. Tbn.
Euph.
12
16
12
16
4
4
3
3
3
3
3
3
3
3
3
3
3
3
3
3
5
4
5
4
Tuba
Cb.
Pf.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
12
16
12
16
Ribbon Crasher
w/ crotale mall.
Bongos
60
4
4
open
3
3 3
Glock.
Crotales
3
Crash Cym.'s
B.D. + Tam-Tam
61
3 3
3 3
3 3 3 3
3
3 6
62
Fallingwater at Twilight - p. 10
5
4
5
4
3
3 3 3 3 3
63
Sus. Cym.
w/ sticks
64

Picc.
Fl. 1
Fl. 2
Ob.
Bsn. 1-2
B Cl. 1
B Cl. 2
B Cl. 3
B. Cl.
Cbsn.
A. Sx. 1
A. Sx. 2
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
B Tpt. 3
Hn. 1/3
Hn. 2/4
Tbn. 1-2
B. Tbn.
Euph.
Tuba
Cb.
Pf.
3
3
3
3
3
3
3
3
3
3
3
3
3
4
3
4
3
4
3
4
3
4
Canteliever IV
71
Bi ( 美 )
cue, Ob.
cue, T. Sax.
Timp.
Perc. 1
3
3
4
Perc. 2
3
Sm. & Med. Woodblock
Perc. 3
Perc. 4
Perc. 5
65
66
Sus. Cym.
w/ soft mall.
67
Vibraphone
choke
68
Fallingwater at Twilight - p. 11
no pedal
B.D.
69
70
China Cym.
w/ soft mall.
choke
71
72

Picc.
Fl. 1
Fl. 2
Ob.
Bsn. 1-2
B Cl. 1
B Cl. 2
4
4
Ge ( 下 )
B Cl. 3
B. Cl.
Cbsn.
A. Sx. 1
A. Sx. 2
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
B Tpt. 3
4
4
cup mute
cup mute
cup mute
3
open
open
Hn. 1/3
Hn. 2/4
Tbn. 1-2
B. Tbn.
Euph.
cue, B. Sax.
mute
cup mute
mute
2., one player
1., one player
Tuba
Cb.
Pf.
Timp.
Perc. 1
4
4
pizz.
arco
Perc. 2
Perc. 3
Xylophone
Perc. 4
Perc. 5
73
74
75
76
77
Fallingwater at Twilight - p. 12
78
79
80
81

Picc.
Fl. 1
84
Fl. 2
Ob.
Bsn. 1-2
B Cl. 1
B Cl. 2
B Cl. 3
B. Cl.
Cbsn.
A. Sx. 1
A. Sx. 2
T. Sx.
B. Sx.
3
3
3
B Tpt. 1
3
B Tpt. 2
B Tpt. 3
open
3
3
Hn. 1/3
Hn. 2/4
Tbn. 1-2
B. Tbn.
Euph.
Tuba
Cb.
open
open
3
3
Pf.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
82
3
83
Marimba
Med. Tri.
84
85
86
Fallingwater at Twilight - p. 13
87
Chimes
Tam-Tam
w/ reg. mall.
88
89

Picc.
Fl. 1
molto rit.
93
Flexible, Expressive ( q = 60 )
Canteliever V
Kotsu ( 乞 )
solo
solo, cue picc.
3
4
3
3
Fl. 2
Ob.
Bsn. 1-2
B Cl. 1
B Cl. 2
B Cl. 3
B. Cl.
Cbsn.
A. Sx. 1
A. Sx. 2
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
B Tpt. 3
Hn. 1/3
Hn. 2/4
Tbn. 1-2
B. Tbn.
Euph.
Tuba
Cb.
Pf.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
90
Pedal A, opt.
Bass Dr.
w/ reg. mall.
91
92
open
Tam-Tam
w/ reg. mall.
93
two players
n
94
95
Fallingwater at Twilight - p. 14
two players
div.
div.
two players
div.
96
3
4
3
4
3
4
3
4
3
4
Med. Woodblock
w/ med soft. mall.
3 5
97
6 6
98
unis.
Sleighbells
Japanese Sleighbells
or Ankle Bells
Med. Tri.
99
Lg. Woodblock
w/ med soft. mall.

Picc.
Fl. 1
Fl. 2
breath accent lip bend
breath accent
lip bend
Ichi (⼀)
104
4
3
4
4
3
4
allarg.
4
Ob.
Bsn. 1-2
B Cl. 1
B Cl. 2
B Cl. 3
B. Cl.
Cbsn.
4
3
4
tutti
4
cresc. poco a poco
tutti
tutti
cresc. poco a poco
cresc. poco a poco
cresc. poco a poco
3
4
4
A. Sx. 1
A. Sx. 2
4
3
4
4
cresc. poco a poco
cresc. poco a poco
3
4
4
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
B Tpt. 3
4
St. Mute
St. Mute
St. Mute
3
4
cresc. poco a poco
cresc. poco a poco
4
3
4
4
Hn. 1/3
cresc. poco a poco
Hn. 2/4
Tbn. 1-2
B. Tbn.
Euph.
Tuba
Cb.
Pf.
Timp.
Perc. 1
4
4
3
4
3
4
cresc. poco a poco
cresc. poco a poco
cresc. poco a poco
cresc. poco a poco
cresc. poco a poco
4
cresc. poco a poco
4
3
4
3
4
Timp.
4
4
Perc. 2
Perc. 3
Perc. 4
Perc. 5
100
Vibraphone
3
101
hold pedal down
5
3
3
102
Crotales
103
Tam-Tam
strike w/ tri. beater
104
3 5
Sleighbells
105
106
107
Fallingwater at Twilight - p. 15
108
109
Bass Dr.
w/ reg. mall.
110
111
112

Picc.
Fl. 1
Fl. 2
Ob.
a tempo
Otsu (⼄)
118
Sō-jō-no-Jū ( 双 調 の⼗)
3
4
Bsn. 1-2
B Cl. 1
B Cl. 2
B Cl. 3
B. Cl.
Cbsn.
A. Sx. 1
A. Sx. 2
3
open
3
cresc. poco a poco
cresc. poco a poco
3
cresc. poco a poco
3
cresc. poco a poco
3
4
3
4
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
B Tpt. 3
open
open
open
cresc. 3 poco a poco
3
cresc. poco a poco
3
cresc. poco a poco
3
4
Hn. 1/3
Hn. 2/4
Tbn. 1-2
3
3
3
cresc. poco a poco
cresc. poco a poco
cresc. poco a poco
B. Tbn.
Euph.
Tuba
Cb.
Pf.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
hold pedal down
3 3 5
Shell/Seed Wind Chimes
3
cue, Cb. Cl.
cue, Cb. Cl.
Chimes
cresc. poco a poco
cresc. poco a poco
cresc. poco a poco
cresc. poco a poco
Glock.
3
4
3
4
Perc. 5
113
114
115
116
117
Fallingwater at Twilight - p. 16
118
119
120
121
122

Picc.
Fl. 1
Fl. 2
Ob.
Bsn. 1-2
B Cl. 1
B Cl. 2
B Cl. 3
B. Cl.
Cbsn.
A. Sx. 1
A. Sx. 2
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
B Tpt. 3
Hn. 1/3
Hn. 2/4
Tbn. 1-2
B. Tbn.
Euph.
Tuba
Cb.
Pf.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
3
4
3
4
3
4
3
4
3
4
3
4
molto allarg.
123
China Cym.
w/ timp. mall.
124
125
4
4
4
4
4
4
Canteliever VI
a tempo
Crash Cym.'s
Tamborim or
Picc. Woodblock
Sleighbells
use two sets of sleighbells
and/or ankle bells if available
125
6 5
3
3
3
3
q.
3
3
3
3
3
3
5 6
ad lib.
126
Fallingwater at Twilight - p. 17
127
5
Tam-Tam
strike w/ tri. beater
3
4
3
4
3
4
3
4
3
4
3
4
poco rall.
128
3
4
4
4
4
4
4
Chimes
Tam-Tam
scrape w/ tri. beater
129
cup mute
cup mute
cup mute
St. Mute
3
Med. Tri.
130

Picc.
Fl. 1
Fl. 2
Ob.
Bsn. 1-2
B Cl. 1
B Cl. 2
B Cl. 3
B. Cl.
Cbsn.
A. Sx. 1
A. Sx. 2
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
B Tpt. 3
Hn. 1/3
131 Light, Energetic ( q = 132 )
3
4
3
4
3
4
3
4
open
open
open
sost.
sost.
sost.
sost.
sost.
sost.
sost.
sost.
Hn. 2/4
Tbn. 1-2
B. Tbn.
Euph.
St. Mute
open
open
sost.
sost.
Tuba
Cb.
Pf.
3
4
Timp.
Perc. 1
Perc. 2
3
4
3
Perc. 3
Perc. 4
Sus. Cym.
w/ sticks
Perc. 5
131
132
133
134
135
136
137
Fallingwater at Twilight - p. 18
138
139
140

Picc.
Fl. 1
Fl. 2
Ob.
Bsn. 1-2
B Cl. 1
B Cl. 2
B Cl. 3
B. Cl.
Cbsn.
A. Sx. 1
A. Sx. 2
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
B Tpt. 3
Hn. 1/3
Hn. 2/4
Tbn. 1-2
3
3
3
3
3
3
3
3
3
3
148
B. Tbn.
Euph.
Tuba
Cb.
Pf.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
141
142
143
144
145
Fallingwater at Twilight - p. 19
China Cym.
choke
146
Sus. Cym.
on bell
3
147
B.D. + Tam-Tam
148

Picc.
Fl. 1
Fl. 2
Ob.
Bsn. 1-2
B Cl. 1
B Cl. 2
B Cl. 3
B. Cl.
Cbsn.
A. Sx. 1
A. Sx. 2
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
B Tpt. 3
Hn. 1/3
Hn. 2/4
Tbn. 1-2
B. Tbn.
Euph.
Tuba
Cb.
Pf.
Timp.
Perc. 1
Perc. 2
Perc. 3
Tambourine
Perc. 4
Perc. 5
149
150
151
152
153
Fallingwater at Twilight - p. 20
154
155
Slapstick
156

Picc.
159
Fl. 1
Fl. 2
Ob.
Bsn. 1-2
B Cl. 1
B Cl. 2
B Cl. 3
div.
unis.
B. Cl.
Cbsn.
A. Sx. 1
A. Sx. 2
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
B Tpt. 3
Hn. 1/3
Hn. 2/4
Tbn. 1-2
B. Tbn.
Euph.
Tuba
Cb.
Pf.
Timp.
Perc. 1
Perc. 2
Perc. 3
Sus. Cym.
on bell, w/ sticks
3
Perc. 4
Perc. 5
Sizzle Cym.
157
158
Sm. Tri.
159
160
Fallingwater at Twilight - p. 21
161
162
163

Picc.
Fl. 1
Fl. 2
Ob.
allarg.
4
Expansive ( q = 68 )
168 Canteliever VII
5
4
3
Bsn. 1-2
B Cl. 1
B Cl. 2
B Cl. 3
div.
unis.
div.
4
unis.
5
4
3
3
3
B. Cl.
Cbsn.
A. Sx. 1
A. Sx. 2
T. Sx.
4
5
4
3
3
3
B. Sx.
B Tpt. 1
B Tpt. 2
B Tpt. 3
Hn. 1/3
Hn. 2/4
Tbn. 1-2
4
5
4
3
3
3
3
3
B. Tbn.
Euph.
Tuba
Cb.
Pf.
Timp.
Perc. 1
Perc. 2
Perc. 3
3
4
4
5
4
5
4
Crotales
Sleighbells
3
3
Perc. 4
Perc. 5
164
165
Sus. Cym.
w/ soft mall.
166
Fallingwater at Twilight - p. 22
+ China Cym.
167
B.D. + Tam-Tam
168

Picc.
Fl. 1
Fl. 2
Ob.
Bsn. 1-2
B Cl. 1
B Cl. 2
3
3
3
4
4
3 3
3 3
3 3
( e = q )
3
4
3
4
Doppio Movimento ( q = 136 )
3
3
B Cl. 3
B. Cl.
Cbsn.
A. Sx. 1
A. Sx. 2
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
B Tpt. 3
Hn. 1/3
Hn. 2/4
Tbn. 1-2
B. Tbn.
Euph.
Tuba
Cb.
Pf.
Timp.
Perc. 1
3
3
3
3
3
3
3
3
3
3
4
4
4
4
3 3
3 3
3 3
3 3
3 3
3 3
3 3
3 3
3 3
3
4
3
4
3
4
3
4
3
3
3
3
3
3
3
3
3
3
3
3
3
3
Perc. 2
Perc. 3
Perc. 4
Crash Cym.'s
3
3 3
Splash + China Cym.
w/ sticks
3
Bongos
3 3 3
3 3
Ribbon Crasher
w/ crotale mall.
3
3 3 3
3
3 3 3
3
3 3 3
3 3
3
Perc. 5
169
170
B.D. + Tam-Tam
171
172
Fallingwater at Twilight - p. 23
173
174
175
176

Picc.
Fl. 1
Fl. 2
Ob.
Bsn. 1-2
B Cl. 1
B Cl. 2
B Cl. 3
3
3
179
3
3
3
3
3
3
B. Cl.
Cbsn.
A. Sx. 1
3
3
3
3
A. Sx. 2
T. Sx.
B. Sx.
B Tpt. 1
3
3
3
3
3
3
B Tpt. 2
3
3
3
B Tpt. 3
3
3
3
Hn. 1/3
Hn. 2/4
Tbn. 1-2
B. Tbn.
Euph.
Tuba
Cb.
Pf.
3
3
3
3
3
3
3
3 3 3
3
3
3
Bells Up!
Bells Up!
ossia 8vb
3
3
3
3 3 3
Timp.
Perc. 1
3
3
3 3
Glock.
3
3
3
3 3
3
3
3
Perc. 2
3
3
Crotales
Perc. 3
Perc. 4
Perc. 5
3 3 3
177
3 3 3
178
179
Fallingwater at Twilight - p. 24
180
Tambourine
3 3 3
181
3
182

Picc.
Fl. 1
Fl. 2
Ob.
Bsn. 1-2
B Cl. 1
B Cl. 2
B Cl. 3
B. Cl.
Cbsn.
A. Sx. 1
A. Sx. 2
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
B Tpt. 3
Hn. 1/3
Hn. 2/4
Tbn. 1-2
B. Tbn.
Euph.
Tuba
Cb.
Pf.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
3
3
3
3
3
3
3 3
3
3
3 3 3
183
3
3
3
3
molto rall.
3
3
3
184
3
3
3
3
3
3 3 3
3 3
3 3 3
Crash Cym.'s (mounted on B.D.)
or Sus. Cym. with hard mall.
185
Fallingwater at Twilight - p. 25
3
3
3
3
3
3
186
3
187
4
4
4
4
4
4
Tempo I ( q = 54 )
solo
Chimes, senza ped.
scrape across tubes
w/ very hard mall.
x
ord.
ord.
ord.
ord.
187
River Stones
3
hold pedal down
Shell/Seed Wind Chimes
Tamborim or
Picc. Woodblock
188

Picc.
Fl. 1
Fl. 2
Ob.
Bsn. 1-2
B Cl. 1
B Cl. 2
B Cl. 3
B. Cl.
Cbsn.
A. Sx. 1
A. Sx. 2
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
B Tpt. 3
Hn. 1/3
Hn. 2/4
Tbn. 1-2
B. Tbn.
Euph.
Tuba
Cb.
Pf.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
3
cresc. poco a poco
cresc. poco a poco
cresc. poco a poco
189
cresc. poco a poco
cresc. poco a poco
cresc. poco a poco
cresc. poco a poco
cresc. poco a poco
cresc. poco a poco
3
cresc. poco a poco
cresc. poco a poco
cresc. poco a poco
cresc. poco a poco
cresc. poco a poco
cresc. poco a poco
3 5
190
Timp.
3
3
3
3 3
3 3
3 3
cresc. poco a poco
3
3 3
cresc. poco a poco
3 3
cresc. poco a poco
cresc. poco a poco
cresc. poco a poco
3 3 3
cresc. poco a poco
5 3
5 6
191
Fallingwater at Twilight - p. 26
5
5
3
molto allarg.
U
U
Sm. Woodblock
Med. Tri.
Tam-Tam
192
Crash Cym.'s
choke
B.D.
dampen all!
193