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WHĀRANGI 4|NGĀ PŪKŌRERO OTEWIKI KI RAUKĀPUKA |TAITE, <strong>11</strong> HŌNGONGOI <strong>2024</strong><br />
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• CERTIFYING PLUMBER<br />
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PH 03 693 9625 |M027 4353657<br />
23 GEORGE ST GERALDINE<br />
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GERALDINE<br />
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Martine Baavinger in her new solo show Red Heavens. PHOTO: Supplied<br />
Martine Baanvinger returns<br />
to Geraldine with new solo show<br />
Arts on Tour show Red Heavens is coming to<br />
Geraldine on 19 <strong>July</strong>, hosted bythe Geraldine<br />
Community Arts Council. Thesoloplayiswritten,<br />
directed, andacted by MartineBaanvinger,who<br />
performed Solitude in Geraldinefiveyears ago.<br />
At the centre of Red Heavens is Angelina<br />
Moleta,anItalian immigrant. In 1906,aged16,<br />
shelefther crimson-skyvolcanicislandStromboli<br />
forD’Urville Island in theMarlborough Sounds<br />
with her husband Vincenzo, who was also her<br />
cousin.D’Urville’s scarletsunrises, hermarriage<br />
and the island’s wider social milieu, and the<br />
remoteness rhyme with the things of her<br />
Strombolianheritage.<br />
Martine, aGoldenBay resident andfounder<br />
of theatre company DramaLAB, learned of<br />
Angelina through Gerard Hindmarsh, fellow<br />
Bay resident and grandson of Angelina and<br />
Vincenzo. He wrote Red Heavens about his<br />
grandmother. “I read the book and was<br />
immediatelyintrigued,” Martinesays. “Isolation<br />
intrigues me. As an immigrant -Icame from<br />
Holland 20 years ago -New Zealand, nature,<br />
remoteness, and going out innature, intrigue<br />
me.”<br />
The“rollercoaster”production-“fromfunny<br />
to deep-sad,it’scontinual,” says Martine-sees<br />
theactor playingmanyroles,fromAngelinato<br />
Vincenzo and Angelina’s close friend Wetekia<br />
Ruruku Elkington. But, as for Solitude,and on<br />
song with her interest insolitude itself, she’s<br />
aloneonstage.It’sawayofworking sheenjoys.<br />
“It’seasier, in away,ifyou’realone.Idon’t<br />
have to cueonanyoneelse. Idon’t have to wait<br />
for others. It gives alot offreedom. There’s<br />
some improvisation,but most is scripted.Ifind<br />
it’s empowering.”<br />
Geraldine Community Arts Council chair<br />
Elaine Taylor says, “Martine always delivers<br />
powerful,dynamic,and passionatedrama,using<br />
her craft tobring stories tolife, mesmerising<br />
andmemorable.”<br />
RedHeavens is at 7.30pm on Friday,19<strong>July</strong><br />
at theLodge Theatre-tickets$25 from LOUK<br />
Clothing (cashsales only). JAN FINLAYSON<br />
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<strong>11</strong>7 TALBOT STREET,GERALDINE<br />
Skin &Bone are (from left) Anna Bowen (fiddle, mandolin and vocals), John Dodd (bass and<br />
vocals), Steve (Huddy) Hudson (drums and vocals), Emily Sterk (clarinet), and Mike Moroney<br />
(guitar and vocals). PHOTO: Supplied<br />
Skin &Bone bring swing atthe Academy<br />
Skin &Bone, afive-piece acoustic swing band<br />
fromŌtepoti,Dunedin,iscomingtothe Academy<br />
onFriday, 19 <strong>July</strong>.<br />
Formed relatively recently, the band is a<br />
product of some longstanding musical friendships.<br />
Difficult to pigeonhole,asubstantialportion of<br />
the band’s repertoire is 1930s-style swing.<br />
Popular in theirhometownasanenergetic dance<br />
band, they always pack the dance floor. In<br />
addition, Skin &Bone has written asizeable<br />
number of original tunes that tend toward<br />
acoustic rock andcontemporaryfolkmusic from<br />
Aotearoa.<br />
The band recently released its first album,<br />
Last BustoBrockville,featuring acollectionof<br />
these original tunes together with asampling<br />
of that old-style swing. The band also prides<br />
itself on close-harmony vocals from its three<br />
lead singers.<br />
Skin &Bone play the Academy onFriday,<br />
19 <strong>July</strong>.See ad on opposite page fordetails.<br />
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