Get Out! GAY Magazine – Issue 540

getoutmag.com week in pictures
ON TOP WITH ADAM LAMBERT @ LE BAIN
>> BY WILSONMODELS / wilsonmodels.blogspot.com
VOSS EVENTS DAY DREAM @ DREAM HOTEL PHD

getoutmag.com week in pictures
FEVER AFTER HOURS
>> BY WILSONMODELS / wilsonmodels.blogspot.com
MASTERBEAT PETER RAUHOFER TRIBUTE @ TERMINAL 5

getoutmag.com week in pictures
PRIDE SUNDAY @ EAGLE NYC
>> BY WILSONMODELS / wilsonmodels.blogspot.com
STONEWALL DAY @ HUDSON YARDS

BY EILEEN SHAPIRO
CELEBRITY CORRESPONDENT
Debbie Gibson
“Electric Youth” 35th Anniversary @ Town Hall NYC
The fiery icon, singer/
songwriter, producer, actress
and advocate Debbie Gibson
will be rocking Town Hall in
New York City on July 26, with
special guests John Lloyd
Young and Orfeh. Debbie
will be celebrating the 35th
anniversary of her Number
1 album “Electric Youth.” A
shining star never gets lost
in the darkness, and like the
luminous power and light of
a supernova, Debbie produces
as much energy in an instant
as our sun will produce in 10
billion years.
Still holding the world record
for being the youngest female
to ever write, produce and
perform a #1 hit song, “Foolish
Beat” (According to Guinness
World Records), Debbie is a
trail-blazing pop star anomaly.
With hits like “Only in My
Dreams”, “Shake Your Love”,
“Lost in Your Eyes” and a
marathon of others, Debbie is a
symbol of the heartbeat of the
world and proof that she thinks
beyond the obvious.
DEBBIE GIBSON - PHOTO COURTESY OF THE ARTIST
Her fans take refuge in the echoes of
the familiar and in the eloquence of her
enthusiasm.
In an in-depth conversation, Debbie spoke
about her upcoming New York appearance,
the highlights and enchanting moments
of her career, and the stuff that dreams are
made of…

INTERVIEW >>>
HELLO, DEBBIE. HOW DOES IT FEEL
TO HAVE THE ENTIRE MEET AND
GREET FOR THE NY CONCERT SELL
OUT IN LIKE THREE MINUTES?
The meet and greet is sold out, but there
are still tickets left….It’s getting there, but
it’s always great to have a wonderful New
York reception. The meet and greet sold
out immediately, and obviously doing my
hometown show is always a thrill.
WHAT ARE YOU MOST EXCITED
ABOUT IN DOING THIS TOUR?
I’ve been doing these Electric Youth
shows all year. I did some of them on the
80’s cruise, I did one in Hawaii, some
in Asia, and now I’m doing the East
Coast run, and it’s so much fun to kind
of marry the then and now because I do
the original set list. A lot of the original
costumes, a lot of the original singers,
dancers, band members on stage….
so, to kind of relive those moments in a
way, but also to be who we are now in
our modern lives in a modern world….
To kind of connect all those dots, it’s
amazing. Obviously, seeing the fans is
always the best. Then again, I can feel
the energy of a lot of people remembering
being at one of the original Electric Youth
shows. So, it’s a really special time. In
the particular show in New York Orfeh
[a Broadway performer] and John Lloyd
Young [Tony winner] are going to join
me. I had an amazing phone call with
John Lloyd Young yesterday. He’s in
Europe performing and we had a little
brainstorming session and I was at my
piano. We were coming up with a really
cool arrangement for a surprise that we
are going to do together that we’ve never
done together. So that kind of thing is
always amazing, especially since my
roots are in Broadway. So two of my
friends who are Broadway stars and close
friends joining me is something for this
one-off event. This is only for the New
York show. So that’s super, super exciting.
HOW COOL IS IT TO BE HONORED
FOR YOUR ACTIVISM AND SUPPORT
OF THE LGBTQ COMMUNITY? WHAT
ORIGINALLY DREW YOU IN TOWARDS
THE GAY COMMUNITY, WHERE YOU
VERY QUICKLY BECAME A GAY ICON?
That’s so sweet. It’s interesting because
I’m working on writing my book now, so
ultimately, I’m exploring a lot of themes
in my life because I’ve asked myself
that question all the time. I kind of know
internally why, but it’s hard to articulate
sometimes. In writing one of my early
childhood chapters, I was talking about
doing The Sound of Music. I wore my
”Lonely Goatherd” costume to school one
day. I looked like the Swiss Miss girl. I just
felt like, well, why shouldn’t I be able to be
my authentic, unique self? So if I see now
that a boy wants to wear a dress to school,
I think how fantastic is that? Somebody
knows who they are and we should all
celebrate everybody’s uniqueness in
general. Coming from the theater world
and then starting to do teen clubs, straight
clubs, and gay clubs to launch “Only in
My Dreams” starting in 1986, I really got
to know the gay community through those
shows. I always would say to my mom that
I can’t wait to get to the gay club, which
by the way, that show was always at like
anywhere between two and five in the
morning. I always felt like these are my
people. There is always a joy. It always
felt like the gay audience threw their
arms around me, and there was also like
a discernment. It was like the audience
said, “We love you and we’re rooting for
you, but we also have high standards”.
I always loved that. I always felt like I
wanted to be at my best. But I think it’s
about an openness, and I think in a way
coming from me being a young girl, and
I was the only female I knew producing
records, I wasn’t in everybody’s box. It was
kind of like this is a freaky, techie little girl,
who has a studio in her house. I always
felt a little different and I think I had to
forge my own path. I think I grew up with
an openness and my mom always instilled
in me …

I always hated the word accepting…..
accepting makes it sound like we’re like
accepting something bad… so no, we
are celebrating…I am always celebrating
who people are. I have people even in
my own family who were raised by nuns.
There is a lifelong belief imprinted in them
that they are never going to break out of,
‘cause they’re 90. I still like to have those
conversations, even with those people.
Everybody can always understand
everybody’s unique experience. But I
always say that I think it’s up to us as
human beings to refer to the person
whose experience it is and say, “Well,
you know best about you. You know what
you want in your life”, so I always support
everything anyone wants in their life. It’s
kind of weird to get a pat on the back for
being an ally because I have this crazy
idea that everyone should have the same
rights. We all should function that way in
the world. I am thrilled to be an ally and
the loyalty that comes from the LGBTQ
community, it’s lifelong. There are no
fair weather friends. Any chance I get to
stand up and raise my voice, I do…I got
to create the movie “Notes of Autumn”
for Hallmark last year. It was one of the
first big LGBTQ themed movies. I was so
proud. I remember the moment when they
had done the ad, and it was two brides
and there was a big uproar. Hallmark
was known as more leaning towards the
Christian side. I remember Jack Wagner
spoke up, I spoke up, and a few other
people spoke up. So to go from that
moment to actually being able to create
a movie with the storyline, which was a
heterosexual storyline, and a homosexual
storyline, that kind of paralleled each
other. My favorite moment was at the
end of the movie, when there was a split
screen and the boys are kissing and the
boy and the girl were kissing, it was the
left side of the screen and the right side of
the screen, and it was very Gone With the
Wind, and it was very symbolic of some
representation from Hallmark. And it was
really thrilling to get that to the screen.
PHOTO CREDIT: NICK SPANOS

DO YOU RECALL A MOMENT
THAT CHANGED THE WHOLE
TRAJECTORY OF YOUR LIFE?
Oh, wow, that’s a great question.
There is one I’m thinking of. When I
was 11, I auditioned for Annie. They
were dividing kids into groups. For
example, we are keeping these
hundred kids and we’re sending
these thousand kids home. They
were creating the groups for who
they were keeping and who they
were doing a callback with. They
sent me packing. My mom said to
me, “No, honey, they put you in the
wrong group.” She told me I belong
in that group over there and she
pointed to the group of a couple
of 100 kids that were staying. She
said I belonged over there. And so,
I decided to sneak into that group
and see what happens. Now, out
of that couple of hundred kids, I
made it down to the last 10. So I did
indeed belong in that group. That
was the biggest message, that it’s
up to you to know your own worth.
It’s up to you to know where you
stand in the world. It’s up to you to
know what your skills are and also
having the cojones to sneak into
that group because the world is not
going to take as good care of you as
you will take of yourself. That was a
really life altering moment for me. I
learned a lot of lessons in that one.
But then, I was too tall and I didn’t
get the role–that was another story.
I remember it vividly too. When we
were getting my records out, my
late mom and I always felt that if
we could get people to hear the
music, the audience is going to take
it and embrace it. But it’s getting
over those hurdles and getting past
the gatekeepers, so that was a big
lesson back then. Thirty seven years
into a career, we get a lot of yeses,
but we also get a lot of nos.
HAVE YOU HAD YOUR ULTIMATE STAGE
FANTASY?
One of them was so early on, when I
got to play and sing with Billy Joel at the
Garden. That’s a good one and that one’s
really hard to beat. I look at the women
like Shania Twain. She’s headlining arenas
and stadiums. A lot of women are having
a second act in their late 50s, early 60s,
and that’s really my goal in this chapter
that I’m in. I want to bring the music to as
many people as I can at the highest level
I can, and that’s my stage fantasy beyond
anything. “Electric Youth”, even though it
was a song that at the time was empowering
young people, really it’s an anti-ageism
song. It’s so much fun to do it now because
really, it’s saying you’re always useful,
you’re always vital, you’re always relevant
and you’re always empowered at any age.
And that’s how the message has gone now,
which is so much fun because again, there
are people who are embarking on a second
act. Where the people are still married for
the first time in their 50s or divorced and
they’re starting a new act in their life, they’re
solo and they’re on their adventure… a
lot of people, I think, in my generation are
experiencing kind of a rebirth. It’s a great
time for that. So the ageism thing was kind
of a thing, especially for women in pop music
not too long ago, but it’s really changed.
HEY LOOK AT DOLLY, LOOK AT CHER.
Look at Dolly, look at Cher…I saw Cher
recently at Clive Davis’s party. She was so
lovely. She did that little like surprise drop-in
at the Abbey in West Hollywood. She stays
connected and relevant and rooted in her
LGBTQ audience. It’s all inspirational. I
look at these women like Mariah Carey and
Belinda, and they look and sound better
than ever.
I WAS JUST AT A CLIVE DAVIS EVENT
RECENTLY TOO.
Well, he’s a real music guy. It’s funny that
you asked about stage fantasies. I sat with
Clive to honor my friend Richard Weitz. We
were at the Tennis Hall of Fame dinner at
Cipriani’s and I performed and Clive was
right there.

It was the first time in 35 years that I’ve
ever performed for Clive. To see him at
the table kind of bopping his head along.
He’s always rooting for everybody….
And I thought, “That’s one I can check
off the list”. That was really cool. I don’t
know how many people in the younger
generation would appreciate that, but
he’s one of the original music men. I have
such a respect for him and for that whole
time.
WELL, EVERYONE THAT KNOWS
YOU SAYS THAT YOU’RE ONE OF
THE COOLEST PEOPLE IN THE
ENTERTAINMENT BUSINESS…YOU
AND TONY ORLANDO.
Awwwwww…..that is so nice. I can say
that I always have a young and hungry
mentality. Nothing’s ever wasted on me,
I’m always grateful. Tony Orlando is one
of my dear friends. He’s awesome.
WHAT WAS IT LIKE FIRST HEARING
YOUR SONG PLAYED ON THE
RADIO?
I was young, but what was so cool for me
is that I was still in that fan of pop music
phase. I was a teenage girl winning
radio contests. I was winning tickets and
albums by calling in to WPLJ and being
the ninth caller. So, to segue from that
to having that lifelong dream of hearing
myself on the
radio realized
was incredible. I
was driving with
my dad in the car.
We were heading
back from the city
to Long Island. I
was coming from
a voice lesson,
and I could hear
the opening
beats. We knew
it was going to be
played at some
point, but we
didn’t know when.
It was like, “Oh,
my God”, it was pretty awesome.
ANY NEW MUSIC COMING OUR WAY?
Yeah…. I’m still kind of in the era of
the two albums that I did, but yes, I’m
writing new stuff. I released “The Body
Remembers” and that was three years
ago… and that was a double album.
Then I released “Winterlicious” right
away a year later, and that was a pretty
aggressive time for me for releasing
music. Which I love because I’m still kind
of promoting those two records. But I’m
constantly writing, constantly, constantly,
so I can hardly keep up with my own
thoughts, which is a happy problem.
There are some new songs that I’m very,
very excited about that are a little more in
the singer/songwriter piano kind or realm.
“The Body Remembers” was a little bit
more of an aggressive pop-rock, dance
vibe… and that’s really because it was
born in the pandemic. The pandemic saw
a lot of people trying to figure out how
to get out of the angsty state they were
in. Music for me. It was that music. But
now, I’ve been spending a lot of time in
Malibu at the beach, so music is a little
more reflective, so I’m very excited about
it. There are a lot of announcements
coming up for the year about more live
shows I’ll be doing and then next, you’ll
probably see me recording.
PHOTO CREDIT: PATRICK LASANAS

BY JIM SILVESTRI
PHOTO CREDIT: WILSONMODELS
Scream “OH! [MARY]”
for Broadway Star & Nightlife Legend BIANCA LEIGH
A star of New York nightlife, as well as the stage and screen since the
‘90s, Bianca Leigh is currently wowing audiences nightly in the hilarious
Broadway hit OH, MARY!

Jim Silvestri: Hello
Bianca! Congrats on
the success of OH,
MARY!, the wonderfully
twisted take on Mary
Todd Lincoln, care of
playwright and star Cole
Escola and a great cast
that includes you as the
Chaperone! Does it feel
very different being on
that Lyceum Theatre
stage on Broadway,
as opposed to where
it originated at the
Lucille Lortel in the West
Village?
Bianca Leigh: Thank you!
Yes, it is exciting. The first
production at the Lortel
was magical; the space is
intimate and there’s not
a bad seat in the house
– perfect for this type of
comedy. After a while,
though, the move became
necessary in order to
accommodate the number
of people who wanted
tickets. A luxury problem,
I know! I’m really psyched
to do Mary at the Lyceum;
it’s a gorgeous theater that
specializes in smaller casts
and does lots of cutting
edge queer content. It’s
perfect. And I saw my dear
friends L Morgan Lee and
Jason Veasey play there in
A Strange Loop, so it has a
special place in my heart.
JS: OH, MARY! is so
different than what most
folks might experience
on Broadway. What is
it about the show that
is engaging people so
much, in your opinion?
BL: It’s not so different. I
mean, Mae West did a play
called” Sex” on Broadway
in 1927! There has
always been cutting edge
comedy for grown folks on
Broadway. Theatergoers are
a pretty savvy lot. They’re
going to love it. Many
people told me that “Oh,
Mary!” made them laugh
until their face hurt. I’d
never heard that about a
show before, and I heard
it dozens of times at the
Lortel. New York is READY
for this show. Cole is at the
top of their game and it’s
a beautiful thing to watch.
It’s a very strong ensemble,
too, if I may say so myself.
JS: Do you have a
favorite moment in the
show?
BL: I love doing my first
scene. Almost all of us
are in it and it’s just good
old fashioned comic
pandemonium. But the
play is more than just a
farce. Cole has written a
lot of seemingly random,
delightful silliness, but
when the heart of the play
emerges, it will hit you over
the head. Just gorgeous
writing.
JS: How did you come
across this role? Were
you friends with Cole?
BL: I had never met Cole,
but they are an absolute
sweetheart and one of the
best scene partners I have
ever had. Sharing the stage
with them is exhilarating.
It was actually Cole who
suggested me for the
role; they’d seen me in
Transamerica when they
were 18. I was…just north
of 29…
JS: You are a woman of
many roles and talents:
actress, writer, singer,
drag performer…Can you
tell us a bit about where
you’re from and how you
began as a performer?
BL: My first show was a
production of Gypsy when
I was five; our production
should have been subtitled
“A Ham is Born.” I did a ton
of local and high school
theater, earned a BFA at
Rutgers and came to New
York.
Being Trans, mainstream
commercial theater
— as well as film and
television — was pretty
much inaccessible to me.
Thank goodness I was
able to find work in that
small slice of theater that
is funded and free from
commercial pressure. I
worked with wonderful
auteurs like Taylor Mac and
legendary companies like
the Talking Band. I also did
some amazing productions
with Absolute Theatre and
Theatre Askew. I made
a nice chunk of change
singing in nightclubs.
I loved it, but I missed
acting… so when more
opportunities opened up
for Trans actors, I was very
happy.

PHOTO CREDIT: WILSONMODELS
JS: How did you come to
find yourself as a part of
New York nightlife…and
what was the scene like in
those early days?
BL: You mean the
Pleistocene? When I hit
the clubs, drag queens had
already begun shifting away
from celebrity impersonation
and were creating their own
personas. I saw Lady Bunny
and Linda Simpson at the
Pyramid and I was blown
away. They were tearing each
other to shreds, but it was
hilarious. I couldn’t get over a
drag queen wearing a simple
brunette wig and naming
herself Linda Simpson,
instead of something showbiz
like Lana Lagoon. I thought
it was absolute genius. Not
enough credit goes to the 90s
drag queens. The creativity
was jaw-dropping.
JS: What was your drag like
then?
BL: We didn’t really consider
what I was doing “drag” at
the time, per se. I was just
a Trans showgirl on the
bill. Jeannie Sol is
a woman who has
performed for years
with drag queens,
and it works! Jeannie
and I couldn’t schlepp
it, though; we had
to paint up and wear
sequined everything
or we’d disappear next
to the girls. It took
me a while to learn. I
was Plain Jane in the
beginning: CoverGirl
pastel eye shadow
— not even a lash.
Jesse Volt took me
aside and said, “Black
eyeshadow — Carbon
by M.A.C. — go buy
some immediately.
And get some lashes!” I didn’t
even know they made black
eyeshadow.
My favorite gig in those
days was Bar d’O. I was a
guest–but a frequent one,
like Carol Lawrence on The
Carol Burnett Show. I had my
own show at Stonewall for a
few years and sang in Cherry
Grove for over a decade.
JS: As a Trans
woman, did you
feel that there was
a big difference
between yourself
and the cisidentifying
drag
queens in the
earlier days of your
nightlife career?
There is much more
of an emphasis
on the difference
between Trans and
cis drag performers
these days, I think.
BL: I personally think
of us as one big sissy
sisterhood… but
that’s just how I see
it. There are some
differences, of course, but so
what? We all throw on a lash
and shake a tail feather. Back
in the day, I was not part of
the downtown scene…I hate
that I missed the genius and
camaraderie of Boy Bar, etc.
As a femme queen, I did
shows in midtown and
above, for the most part.
Lips, hips, and fingertips.
Things changed a lot when
downtown stars like Codie
and Candis Transitioned.
That’s around the time I
started singing in downtown
venues.
JS: I know Peppermint is
your girl! How long have
you known her?
BL: I have known Pep for
many years — I won’t specify
a number. Peppermint’s
another amazing human: a
fierce talent and a beautiful
personality. I learned a
lot about positivity from
Peppermint. She’s also up for
a good goss and a giggle. My
kind of gal.

She’s also up for a good goss
and a giggle. My kind of gal.
JS: Are you a fan of
RuPaul’s Drag Race and
how that show portrays
drag today?
BL: Yes! I Love to watch RPDR
with my friend Pickles and
some of our nearest and
dearest. Drag may not be
a contact sport, but it is a
spectator sport. I could watch
Ru all day: “I’m sorry my
dear, BUT…”
JS: You were cast
in Duncan Tucker’s
groundbreaking film
Transamerica back in
2005; that was one of
the first modern Trans
stories in cinema. Felicity
Huffman was Oscar
nominated for playing the
main character, a Trans
woman. In a key sequence,
your character led a
group of people played
by real Trans actors who
welcomed her and her
son (the super cute Kevin
Zegers) into their group’s
party. Did you realize
immediately what an
important film this was?
BL: Transamerica was a
huge opportunity for me. I
loved working with Duncan,
Felicity, Kevin, and all the
gals in the party scene.
Felicity was very generous,
and between takes showed
me how to work better with
the camera. She said that
Kelsey Grammer had helped
her when she was on Frasier,
so she was passing it on. She
also insisted that we do two
setups for a particular scene.
“No. There are two people in
this scene. We have to see
Bianca’s face, not
just the back of
her head.” Prior to
Transamerica, I was
usually treated like
some kind of exotic
animal act on set.
JS: In this
current, more
representational
era of
filmmaking, do
you think only
Trans actors
should be playing
Trans roles?
BL: I said this back
in 2015, and I’ll
repeat it: Until
Trans actors are cast
in non-Trans roles
on a regular basis,
the lion’s share of Trans roles
should go to Trans actors.
We need the work! There are
always exceptions, though,
such as Vanessa Redgrave
in Second Serve. And most
Trans actors want to play all
kinds of roles, so I never say
never. Since 2015, the pool
of Trans talent has gotten
much wider and deeper. I
think many producers would
be happy to be involved with
a project starring one of the
many successful Trans actors
of today. I started to list them
all, but the list got very long,
which is a good sign!
JS: Another (arguably)
just-as-important, Oscarworthy
film you’ve been a
part of: Hurricane Bianca,
starring that other Bianca
[del Rio], lol! This is a
comedy classic! You were
so great in it as Karma,
Other Bianca’s wise drag
mother of sorts. I bet all
the baby gays recognize
you from that!
BL: Sometimes I am
recognized as Karma. Usually
it’s, “Wait, don’t I know
you… from somewhere…?”
Karma was a labor of love.
She brought a bit of gravitas
to the fun, which is always a
good thing. Matt Kugelman
knew what he was doing
with that script, and he’s a
fabulous director. I had a ball
doing scenes with Bianca; I
absolutely adore her.
She’s the hardest working
gal in show business. During
filming, Bianca was in and
out of wigs and makeup
constantly (during summer
in Texas), but she always
knew her lines, and hit
her mark. Other than that,
she was a real bitch, lol!
Something people may not
know: Bianca del Rio is also
one of the most generous
gals in show business. She’s
truly an angel under all
that…that… exterior!

I was in holding all day with
Shangela, Alyssa Edwards,
Joslyn Fox, and Willam.
That was a Gay old time!
While we waited, Alyssa kept
saying, “Ask me a pageant
question! Ask me a pageant
question!” Someone would
throw one at her, and
she’d slowly approach an
imaginary microphone and
answer the question with
deadly seriousness. It always
involved world peace. We
howled!
JS: You also created
and starred in an
autobiographical show
at the Laurie Beechman
Theatre called Busted
about a decade ago. How
cathartic was it to write and
perform in that show…
and might we see a revival
or even a sequel someday?
BL: I’m dusting off the
Busted script as we speak!
I took a couple of writing
classes with the fabulous
comic and actress Kate Rigg,
and I’m using everything
I learned (good writing is
good cutting) and creating
a leaner, meaner
script. The experience
of writing BUSTED
was empowering and
freeing, as well as
cathartic. I love writing
my own material.
JS: We are in strange
times, as queer folks
continue to break
ground in various
roles and become
more visible and
accepted throughout
society… but
pushback is on the
rise, as we see with
a growing number of
hate crimes and proposed
anti-queer legislation. Do
you feel either optimistic
or pessimistic about how
things are going for our
community?
BL: Both! I am horrified at
the huge wave of anti-LGBT
legislation–these people
don’t just want us back in the
closet, they want us under a
rock–but I truly believe most
it of it will be struck down by
the courts.
JS: Are there any grand
dames of comedy or music
or fashion, etc. that you’ve
idolized?
BL: Oh, absolutely. I watched
I Love Lucy religiously as a
kid and I saw every Carole
Lombard movie on the
late show. I’m also a huge
fan of Barbara Stanwyck,
who could do drama and
screwball equally well.
Fashion? Pat Cleveland and
Marisa Berenson. I saw Ms.
Berenson coming out of the
elevator in Bergdorf’s once,
and I almost fainted. Regal.
Music? Oh, all the divas, but
Patti LaBelle holds a very
special place in my heart.
JS: When you’re not super
busy, do you still like to
bar hop in the city at all?
And, is nightlife in NYC still
fun?
BL: That is a tough question.
I’m not much of a club girl
these days; I’ve spent so
many years performing in
bars and nightclubs; it’s kind
of a busman’s holiday for
me. I’m more of a restaurant
gal these days. If I had a
lot of dough, I’d open up a
gay pub: no televisions, no
pumping bassline… just a
place to let down your hair,
have a pint, and kiki with
your good Judys. The closest
I have found to that is Julius:
a convivial atmosphere and
the best cheeseburgers and
fries in New York.
JS: What else is coming up
for you this summer and
beyond?
BL: Well, it will be all about
“Mary!“ for a while, and
I couldn’t be happier. I
recently auditioned for a
cable pilot, and did a reading
of a new musical based
upon one of my favorite
books as a kid. I’m also
going to do my cabaret show,
“Transvestigation”, again
once we’ve been up and
running for a while.
JS: Finally…What’s your
go-to song to perform
when you’re on stage
these days?
BL: “Blues in the Night” is
always a winner, as well as
“Sister” from A Color Purple,
which I sang many times
over the years with Raven
and Sade at Bar d’O.

ISSUE #540
COVER:
BIANCA
LEIGH
PHOTO: WILSONMODELS
PUBLISHER MICHAEL TODD
MIKE@GETOUTMAG.COM
DESIGN AGOTA CORREA
AGOTA@GETOUTMAG.COM
CELEBRITY INTERVIEWER EILEEN SHAPIRO
@EILEENSHAPIRO3
NYC’S NIGHTLIFE AWARD WINNING BLOGGER/
WRITER & INTERVIEWER JIM SILVESTRI
NIGHTLIFE PHOTOGRAPHER WILSONMODELS
JEASO86@HOTMAIL.COM
The publications of MJT/GOOTH ENTERTAINMENT, getoutmag.com or any
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quotations or articles should not be construed to be an indication of the sexual
orientation of anyone portrayed therein.
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