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DON’T<br />

MISS<br />

OUT!<br />

Going on Now!<br />

<strong>DIS</strong>COVER! | JULY 6, 2024<br />

Playbill | 7<br />

MYRNA WAGNER | STAFF WRITER<br />

British detective duo on stage at OST<br />

Play based on famous tale ‘The Hound of the Baskervilles’<br />

A<br />

dark brown brick wall and<br />

empty gold picture frames create<br />

a bit of mood and mystery<br />

from the opening curtain for the play<br />

“Ken Ludwig’s Baskerville: A Sherlock<br />

Holmes Mystery” that takes to the<br />

stage for the second week of Okoboji<br />

Summer Theatre’s 66th season.<br />

A cast of just six actors bring to<br />

life a wide variety of characters in<br />

this classic story starring the most<br />

famous British detective, Sherlock<br />

Holmes, played by one of the OST’s<br />

most famous actors, Rob Doyen.<br />

Another OST favorite guest actor,<br />

Chad Fess, plays the role of the nearly<br />

inseparable partner, Dr. Watson.<br />

Set on the moors of Devonshire<br />

surrounding the Baskerville estate<br />

outside of London, the play is a<br />

somewhat humorous adaptation by<br />

playwright Ken Ludwig of Sir Arthur<br />

Conan Doyle’s book “The Hound<br />

of the Baskervilles.” Heirs to the<br />

Baskerville family estate are being<br />

murdered, and Holmes and Watson<br />

are tasked with solving the mystery.<br />

“There are layers upon layers and<br />

nothing adds up” Holmes says to<br />

Watson in the early moments of Act<br />

II.<br />

That is as it should be for a mystery<br />

that has everyone wondering until<br />

the final moments.<br />

Though the theme of the play is<br />

serious, there is comedy and humor<br />

laced throughout, seen in the physicality<br />

of the acting and the exaggerated<br />

stereotypes of characters.<br />

In addition to Holmes and Watson,<br />

four actors play all the other characters,<br />

relying primarily on costume<br />

changes, spoken accents and physical<br />

movements to convey the many<br />

roles.<br />

The mastermind behind all the intricate<br />

details of the show is director<br />

Stephen Brotebeck. Timing is critical<br />

to the success of a mystery like this<br />

and Brotebeck is mindful of every<br />

detail. Lights, sounds, blocking and<br />

props all change in rapid succession<br />

enabling a small cast to carry out the<br />

vast number of roles.<br />

As an audience member you don’t<br />

first realize you’re seeing the same actors<br />

on repeat. Once the realization<br />

hits it is impressive to watch for the<br />

changes and nuances, all executed by<br />

Stephens College students.<br />

The small cast is also able to execute<br />

many roles through the genius<br />

of the script and design of the set. As<br />

Sherlock Holmes and Dr. Watson<br />

think aloud and form theories, they<br />

are able to introduce characters. A<br />

small stage in the background of the<br />

larger stage also allows these scenes<br />

to come to life while the characters<br />

are talking.<br />

The genius of set designer Brandon<br />

PT Davis works perfectly for the<br />

telling of stories within stories. Paint<br />

charge for his design is Katie Cohen.<br />

Actor Quinten Loveland’s primary<br />

character is Sir Henry, a hearty man<br />

with a drawl who has recruited the<br />

help of Holmes and Watson. He<br />

also plays the town constable, and<br />

switches seamlessly from his drawl<br />

to an Irish brogue. Particularly<br />

impressive is Loveland’s execution<br />

when both of these characters are<br />

on stage at the same time and he<br />

is able to fill both parts simply by<br />

holding up the hat and using both<br />

of his voices.<br />

Joseph Alan Murphy is equally<br />

impressive in his ability to switch<br />

roles. Primarily Jack Stapleton, he is<br />

also Dr. Mortimer, John Barrymore<br />

and more. He executes physical<br />

disabilities remarkably well and<br />

handles dozens of costume changes<br />

in minimal time.<br />

Arden Ogilvie and Nylah Strong<br />

are the female cast members,<br />

also filling many roles with accents,<br />

unique mannerisms and costume<br />

changes. Impressive that these actors<br />

do not show the stress of speedy costume<br />

changes.<br />

The talent on stage is matched by<br />

the talents making things happen<br />

behind the scenes.<br />

Makenzie Schutter handles the<br />

challenge of costume design for the<br />

show, with assistance from Sydney<br />

Johnson. Props go hand-in-hand<br />

with costumes in this production,<br />

Getting there:<br />

WHAT: “Ken Ludwig’s Baskerville:<br />

A Sherlock Holmes Mystery”<br />

WHEN: Through Sunday, July 7<br />

(no Thursday performances this<br />

season)<br />

WHERE: Okoboji Summer Theatre,<br />

2001 Highway 71, Okoboji<br />

TICKETS: $24<br />

RESERVATIONS: Call the box<br />

office at 712-332-7773 or visit<br />

the website eventbrite.com and<br />

search by title.<br />

UP NEXT: “Freaky Friday,” a musical,<br />

playing July 9-14<br />

handled by prop supervisor Fae<br />

Riemann-Royer.<br />

Ashley Russell is stage manager, assisted<br />

by Paige “Blue” True.<br />

Kayla Sliger is sound designer with<br />

Savannah Bell serving as lighting<br />

designer.<br />

Dramatic music and dramatic<br />

lighting are perfectly paired with<br />

sound effects. Listen for the wind,<br />

thunder, train whistle, typewriter,<br />

growling dog, creaking door and<br />

wind. Fog is particularly effective too,<br />

both at the train station and when<br />

the action moves into the moors and<br />

heavy fog rolls in.<br />

When the music is soft and romantic,<br />

the lights are as well. When<br />

the music shifts to the dramatic,<br />

lights on the scrim shift from purple<br />

and fuchsia to red and orange. Drab<br />

nearly colorless greenish taupe light<br />

is appropriate for the melancholy<br />

moments. A final spotlight on the<br />

two genius detectives is a dramatic<br />

and fitting way to end.<br />

Though there is much unknown<br />

during the telling of the tale, all is<br />

neatly wrapped up and explained<br />

in the end, with a bit of philosophy<br />

shared for theatregoers.<br />

“That part of our souls that is dark<br />

and troubling — the hound is in all<br />

of us.” F<br />

Okoboji | Iowa

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