Pittwater Life July 2024 Issue
GOVT’S BUDGET SNUB CONCERN NARRABEEN LAND IS ‘FALLING INTO LAGOON’ AVALON’S RUSKIN ‘ROW’ OVER TREES / PUBLIC ALCOHOL BAN THE WAY WE WERE / ARTISTS TRAIL / SEEN... HEARD... ABSURD...
GOVT’S BUDGET SNUB
CONCERN NARRABEEN LAND IS ‘FALLING INTO LAGOON’
AVALON’S RUSKIN ‘ROW’ OVER TREES / PUBLIC ALCOHOL BAN
THE WAY WE WERE / ARTISTS TRAIL / SEEN... HEARD... ABSURD...
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plete with a red carpet entry<br />
and a packed three floors of<br />
the Art Gallery for the Archie<br />
Party. “I was just constantly<br />
pinching myself the whole<br />
night!” she said.<br />
Galloway Brown moved to<br />
the steep heights of Alexander<br />
Street, Collaroy in 1991<br />
and fell in love with the<br />
Northern Beaches.<br />
“This is home, because I had<br />
travelled all around the world<br />
at this stage and I just had this<br />
definite, strong feeling when<br />
I got to here on the Northern<br />
Beaches, that this was home,”<br />
she remembers.<br />
“I think I just loved the sort<br />
of aloofness about it, it was<br />
leafy and quiet and it just had<br />
a little artistic quality about<br />
it. A real community.”<br />
A rainforest pocket in<br />
North Narrabeen, bookended<br />
by waterfalls, has now been<br />
home for more than 20 years.<br />
The love of art started in<br />
Galloway Brown’s schooldays<br />
and has sustained her<br />
throughout her career as a<br />
graphic designer and illustrator<br />
(remember the Yellow<br />
Pages!), when working for a<br />
portrait photographer and as<br />
an art teacher. She exhibits<br />
her works locally in the annual<br />
<strong>Pittwater</strong> Artists Trail<br />
and is also a talented mail<br />
sorter at Avalon Post Office<br />
(<strong>Pittwater</strong> <strong>Life</strong> March 2023<br />
edition).<br />
She sketches Church Point<br />
and Palm Beach scenes and<br />
carries them around as paintings<br />
in her head before they<br />
become colourful canvases<br />
evoking memories of special<br />
<strong>Pittwater</strong> places. “The paintings<br />
often go to people that<br />
have a connection to that<br />
place in some way,” Galloway<br />
Brown says.<br />
Even as an Archibald Prize<br />
Finalist, she remains focused<br />
on increasing her versatility<br />
and taking on new challenges.<br />
Galloway Brown admits to<br />
still learning her craft. “I’m<br />
learning to listen to the painting<br />
more – where the painting<br />
says ‘Stop!’. The painting<br />
kind of tells you, ‘You’re not<br />
to do any more… enough is<br />
enough!’.”<br />
*Stephanie will throw<br />
open her sketch books at<br />
her home studio during the<br />
<strong>Pittwater</strong> Artists Trail on<br />
27-28 <strong>July</strong>. More info<br />
pittwaterartiststrail.com<br />
CLOCKWISE FROM<br />
OPPOSITE:<br />
Stephanie in her<br />
studio; a drawing<br />
of an old local<br />
icon, the Palm<br />
Beach Boathouse;<br />
her Archibald<br />
Prize portrait of<br />
Kathrin Longhurst<br />
hanging in the<br />
Art Gallery of<br />
NSW; the early<br />
artist sketching<br />
at home, aged 21;<br />
pushing the tour<br />
bus (she’s second<br />
from left) while<br />
on her European<br />
holiday in the late<br />
1980s; a place of<br />
solace, painting<br />
in her North<br />
Narrabeen studio.<br />
<strong>Life</strong> Stories<br />
The Local Voice Since 1991<br />
JULY <strong>2024</strong> 43