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Numbulwar - Exhibition Booklet

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Yir (Dilly Bags)<br />

<strong>Numbulwar</strong>'s Numburindi artists shape ghost nets<br />

into intricate Yir (dilly bags)<br />

6 June to 20 July 2024<br />

Godinymayin Yijard Rivers Arts & Culture Centre


Abandoned fishing lines,<br />

known as ghost nets, that<br />

wash up on <strong>Numbulwar</strong>’s<br />

shores are re-created into<br />

bold, bright & fibre art.<br />

Ghost nets account for<br />

about 40% of all ocean<br />

plastic. <strong>Numbulwar</strong><br />

weavers divert this plastic<br />

away from the oceans and<br />

vulnerable sea life.


About<br />

<strong>Numbulwar</strong> and their<br />

exhibition Yir (Dilly Bag)<br />

Yulki Nunggumajbarr remembers the days<br />

before the mission was established at<br />

<strong>Numbulwar</strong> in 1952. People used to go<br />

hunting for dugong, turtle, fish, crab, lily root<br />

and so on, and everything was collected up in<br />

a string bag laboriously hand made from bark.<br />

The bark was pounded into fibres, twisted into<br />

long strands, dyed with local flora, and<br />

expertly manipulated into sturdy, functional<br />

and exceptionally beautiful bags. The yir also<br />

have spiritual significance to Nunggayinbala<br />

people, as be totemic objects associated with<br />

particular sites in the landscape and<br />

containers of knowledge.<br />

The yir being produced at <strong>Numbulwar</strong> today<br />

from abandoned fishing nets echoe those<br />

string bags from the old days. The gentle<br />

repetition of loops and knots draws an<br />

immediate comparison to traditional iterations.<br />

The yir are bound together using equally<br />

compelling found materials - brightly coloured<br />

bits of wool, thin copper wire, nylon, and<br />

sometimes the laborious, ancestral<br />

handmade bark string - an amalgam that hints<br />

at contemporary life in this remote part of<br />

South East Arnhem Land. Although natural<br />

dye is replaced with brightly coloured acrylic<br />

paint, culturally significant colours and<br />

designs remain<br />

The impact of ghost nets is felt along the<br />

entire coastline of the Gulf of Carpentaria,<br />

from Nhulunbuy to Weipa. Ranger groups<br />

and shipping vessels frequently haul in<br />

‘monster’ nets, sometimes up to six<br />

kilometres long. Oceanic currents continue to<br />

bring nets thousands of kilometres into the<br />

Gulf, where they harm reefs and sea life such<br />

as dugongs and turtles. Retrieving the ghost<br />

nets and other found materials from land and<br />

sea is hard work, one of many acts of caring<br />

for Country by Nunggayinbala people.


Numburindi artists were celebrated for their<br />

work using ghost nets at Melbourne Design<br />

Week 2023. In 2021, the yir made their<br />

runway debut at Country to Couture, where<br />

some of the traditional ways of carrying yir<br />

were demonstrated, with the string across the<br />

forehead and the bag draped down the back,<br />

or the string around the neck and the bag<br />

down the chest to keep the hands free while<br />

foraging for food.<br />

<strong>Numbulwar</strong>’s yir fit as naturally in traditional<br />

applications as they do in contemporary,<br />

urban environments. Demonstrating the<br />

unbroken resourcefulness and expert<br />

manipulation of locally available materials by<br />

Numburindi people, they also speak to stories<br />

from the here and now. Some of the works in<br />

this exhibition respond to the Black Summer<br />

bushfires, a tragedy that was felt even in the<br />

most remote corners of Australia. The artists<br />

employ interesting textures, stitching, shapes,<br />

mixed media and figurative details to narrate<br />

and depict life at <strong>Numbulwar</strong>, including much<br />

of the traditional way of life that continues into<br />

the present day, such as hunting and<br />

ceremonial rituals. Playful proportions, an<br />

openness to new materials and techniques,<br />

and confident execution are the signature<br />

trademarks of Numburindi artists.


— Virginia Wilfred — Megan Wilfred<br />

— Lillian Joshua<br />

— Rose Wilfred — Jocelyn Wilfred — Joy Wilfred<br />

Bundoola<br />

— Marcia Wilfred — Carisham Wilfred<br />

The artists of<br />

<strong>Numbulwar</strong> Numburindi<br />

Arts tell the story of<br />

their art centre.


Gallery Pieces – <strong>Numbulwar</strong> Numburindi Arts<br />

Marcia Wilfred / Yir (Dilly Bag) / #425-20<br />

Carisham Wilfred / Yir (Dilly Bag) / #366-19<br />

Lillian Joshua / Yir (Dilly Bag) / #278-19<br />

Rose Wilfred / Yir (Dilly Bag) / #291-19<br />

Rose Wilfred / Yir (Dilly Bag) / #294-19<br />

Rose Wilfred / Yir (Dilly Bag) / #232-21<br />

Rose Wilfred / Yir (Dilly Bag) / #67-22<br />

Rose Wilfred / Yir (Dilly Bag) / #363-22<br />

Rose Wilfred / Yir (Dilly Bag) / #484-22<br />

Jocelyn Wilfred / Yir (Dilly Bag) / #24-21<br />

Jocelyn Wilfred / Yir (Dilly Bag) / #71-23<br />

Joy Wilfred Bundoola / Yir (Dilly Bag) / #526-19<br />

Joy Wilfred Bundoola / Yir (Dilly Bag) / #303-21<br />

Joy Wilfred Bundoola / Yir (Dilly Bag) / #396-22<br />

Joy Wilfred Bundoola / Yir (Dilly Bag) / #449-22<br />

Joy Wilfred Bundoola / Yir (Dilly Bag) / #52-23<br />

Joy Wilfred Bundoola / #56-23<br />

Joy Wilfred Bundoola / #465-23<br />

Virginia Wilfred / Yir (Dilly Bag) / #590-19<br />

Virginia Wilfred / Yir (Dilly Bag) / #361-22<br />

Megan Wilfred / Yir (Dilly Bag) / #392-19<br />

Megan Wilfred / Yir (Dilly Bag) / #297-22<br />

Megan Wilfred / #337-22<br />

Megan Wilfred / Yir (Dilly Bag) / #382-22<br />

$77<br />

$65<br />

$95<br />

$167<br />

$137<br />

$116<br />

$190<br />

$245<br />

$618<br />

$485<br />

$485<br />

$125<br />

$141<br />

$145<br />

$465<br />

$435<br />

$165<br />

$235<br />

$89<br />

$215<br />

$77<br />

$695<br />

$165<br />

$137


We gratefully acknowledge<br />

our principle sponsors

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