SB-issue59_digital
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“I guess that is why I see<br />
myself nowadays as a<br />
surfboard designer more<br />
than a shaper. I can hand<br />
shape, but I wouldn’t call<br />
myself a hand shaper<br />
by any stretch of the<br />
imagination — certainly not<br />
like some of the surfboard<br />
craftsmen out there.”<br />
gear<br />
“Ado was just such tough love. He was gnarly. My<br />
ego got smashed over and over and over again, but<br />
ultimately he was the biggest influence in helping me<br />
in my shaping career.”<br />
When the work at Rusty became a little sporadic,<br />
Dan began to concentrate more on his own stuff.<br />
When Jay Phillips and Dane Hamilton started their<br />
business called Spot X Productions up on the Gold<br />
Coast, they got in touch with Dan, so that’s where all<br />
of his boards are built today.<br />
“It’s been a bit of a ride. Those guys have been<br />
absolutely fantastic though, and it’s been worth every<br />
cent that I spend on freight.<br />
“I’ve just gelled so well with the factory manager and<br />
the owners there. Banjo is the factory manager, and<br />
then you’ve got Hammo from Hammo Surfboards<br />
and Jay Phillips. They’re the three big guys there.<br />
They’ve got a bunch of glassers and sanders who<br />
work at the factory too. It’s just really light, tight,<br />
bright, and white. That’s how they run things.<br />
“They work equally as well with PU (polyurethane) as<br />
they do with epoxy and carbon. They also tint spray.<br />
They really cover all the bases, whereas factories in<br />
the past would maybe be amazing epoxy glassers,<br />
but they weren’t up to scratch with PU, or they could<br />
do really nice tints, but they couldn’t do airbrushes.<br />
“To be honest, it’s a godsend now that I can send<br />
all my stuff to one factory. I’m one of those super<br />
annoying shapers — I’m so OCD it’s crazy. Those<br />
guys are always open to feedback and it’s really<br />
refreshing. It’s really nice to work with them.<br />
“So, they are all the guys who have played a part in<br />
my development. So many important people have<br />
given me a hand in becoming a surfboard designer.”<br />
Speaking of design, I asked Dan about the focus of<br />
his shapes nowadays.<br />
An excerpt from Dan’s Mana Surfboards website<br />
provides some insight into his inspiration — “From<br />
the tiny wedge-filled beach of his home Frazer Park,<br />
to the heavy water reefs and beach breaks, the<br />
waves of his local region have formed Dan into a<br />
well-rounded and versatile surfer from an era that<br />
prided itself on performing from 2ft to 20ft. Dan has<br />
placed this background directly into his boards,<br />
with his model range covering the entire spectrum<br />
of performance and big wave capabilities.” Dan<br />
elaborated on this perspective.<br />
“Given my upbringing, I am very much focused<br />
on the performance side of things. From the getgo<br />
I wanted to branch out and market myself as<br />
a real 50/50 split designer. I wanted to be known<br />
as someone who can give you the fastest, funnest<br />
performance twin-fin ever, but can then back<br />
it up with a hyper refined, balanced, beautiful,<br />
contemporary shortboard.<br />
“I see a lot of shapers who go into various camps<br />
(different surfboard designs — performance, retro,<br />
funboards) and it sort of doesn’t look all that natural.<br />
“I just want to focus on what I know I’m good at —<br />
performance surfboards from everyday shortboards<br />
to grovellers (performance surfboards with added<br />
volume when the conditions are poor), step-ups, and<br />
guns (big wave surfboards).<br />
“I wanted to always ensure they were on lock,<br />
and that the numbers, foils, thicknesses, curves,<br />
concaves, and everything just made sense. From<br />
there, I based all my alternate equipment on those<br />
performance surfboards, if that makes sense.”<br />
# 59 // smorgasboarder //<br />
85