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“I guess that is why I see<br />

myself nowadays as a<br />

surfboard designer more<br />

than a shaper. I can hand<br />

shape, but I wouldn’t call<br />

myself a hand shaper<br />

by any stretch of the<br />

imagination — certainly not<br />

like some of the surfboard<br />

craftsmen out there.”<br />

gear<br />

“Ado was just such tough love. He was gnarly. My<br />

ego got smashed over and over and over again, but<br />

ultimately he was the biggest influence in helping me<br />

in my shaping career.”<br />

When the work at Rusty became a little sporadic,<br />

Dan began to concentrate more on his own stuff.<br />

When Jay Phillips and Dane Hamilton started their<br />

business called Spot X Productions up on the Gold<br />

Coast, they got in touch with Dan, so that’s where all<br />

of his boards are built today.<br />

“It’s been a bit of a ride. Those guys have been<br />

absolutely fantastic though, and it’s been worth every<br />

cent that I spend on freight.<br />

“I’ve just gelled so well with the factory manager and<br />

the owners there. Banjo is the factory manager, and<br />

then you’ve got Hammo from Hammo Surfboards<br />

and Jay Phillips. They’re the three big guys there.<br />

They’ve got a bunch of glassers and sanders who<br />

work at the factory too. It’s just really light, tight,<br />

bright, and white. That’s how they run things.<br />

“They work equally as well with PU (polyurethane) as<br />

they do with epoxy and carbon. They also tint spray.<br />

They really cover all the bases, whereas factories in<br />

the past would maybe be amazing epoxy glassers,<br />

but they weren’t up to scratch with PU, or they could<br />

do really nice tints, but they couldn’t do airbrushes.<br />

“To be honest, it’s a godsend now that I can send<br />

all my stuff to one factory. I’m one of those super<br />

annoying shapers — I’m so OCD it’s crazy. Those<br />

guys are always open to feedback and it’s really<br />

refreshing. It’s really nice to work with them.<br />

“So, they are all the guys who have played a part in<br />

my development. So many important people have<br />

given me a hand in becoming a surfboard designer.”<br />

Speaking of design, I asked Dan about the focus of<br />

his shapes nowadays.<br />

An excerpt from Dan’s Mana Surfboards website<br />

provides some insight into his inspiration — “From<br />

the tiny wedge-filled beach of his home Frazer Park,<br />

to the heavy water reefs and beach breaks, the<br />

waves of his local region have formed Dan into a<br />

well-rounded and versatile surfer from an era that<br />

prided itself on performing from 2ft to 20ft. Dan has<br />

placed this background directly into his boards,<br />

with his model range covering the entire spectrum<br />

of performance and big wave capabilities.” Dan<br />

elaborated on this perspective.<br />

“Given my upbringing, I am very much focused<br />

on the performance side of things. From the getgo<br />

I wanted to branch out and market myself as<br />

a real 50/50 split designer. I wanted to be known<br />

as someone who can give you the fastest, funnest<br />

performance twin-fin ever, but can then back<br />

it up with a hyper refined, balanced, beautiful,<br />

contemporary shortboard.<br />

“I see a lot of shapers who go into various camps<br />

(different surfboard designs — performance, retro,<br />

funboards) and it sort of doesn’t look all that natural.<br />

“I just want to focus on what I know I’m good at —<br />

performance surfboards from everyday shortboards<br />

to grovellers (performance surfboards with added<br />

volume when the conditions are poor), step-ups, and<br />

guns (big wave surfboards).<br />

“I wanted to always ensure they were on lock,<br />

and that the numbers, foils, thicknesses, curves,<br />

concaves, and everything just made sense. From<br />

there, I based all my alternate equipment on those<br />

performance surfboards, if that makes sense.”<br />

# 59 // smorgasboarder //<br />

85

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