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GEZ VARLEY, Pulzar, MAKING MUSIC ON A BUDGET P2, Moshic, Oldskool Vinyl You Must Have PT2, SAMMY DEAN, DJ CHARTS, Jimster, Music Reviews, SKIRRA, Pascal Kleiman, TECH / SOFTWARE REVIEWS, Robert Haagsma

GEZ VARLEY, Pulzar, MAKING MUSIC ON A BUDGET P2, Moshic, Oldskool Vinyl You Must Have PT2, SAMMY DEAN, DJ CHARTS, Jimster, Music Reviews, SKIRRA, Pascal Kleiman, TECH / SOFTWARE REVIEWS, Robert Haagsma

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Software Hardware and Tech<br />

Albums - Dance<br />

// LOUK<br />

Hello all. My name is Louk and I am a DJ / Producer from England. I have produced / written /co-produced / co-written /<br />

engineered / remixed and ghost produced over 300 productions that have been released since 2003 of varying genres. After a four<br />

year hiatus since my last reviews and articles in <strong>Zone</strong> as my youngest was born, and I scaled back lots of musical activity, I have<br />

decided to return to the world of Journalism, covering all things music Software, hardware and tech (as well as giving advice). This<br />

month I cover two VST instruments, a hardware synth and a sample pack!<br />

10<br />

9.5<br />

9<br />

PotenzaDSP Amigo (£59.90) - https://potenzadsp.com/amigo/<br />

This was a welcome throwback and an instant addition to my studio! I started music production on an Amiga 500<br />

using Octamed in my teens. I also tried the tracker ProTracker as well which this VST is based on the sample editor<br />

of. If it wasn't for the Amiga and Octamed, I highly doubt I would be writing this now and having had the musical<br />

history I've had so as soon as this was announced I was all over it. Imagine having an Amiga and add to that the<br />

quintessential time stretch of the 90s from the Akai S950 and the results are magnificent. You can instantly be<br />

recreating the effects of Goldie's 'Terminator' or timestretching vocals like on Double 99's Rip Groove in minutes. I<br />

am not kidding when I say that ther there are some absolutely fucking mental VST instruments out there at the<br />

moment and I seriously cannot believe that this is only a tenner. One thing I've always liked about trackers is the<br />

ability to get ideas down very quickly and the possibilities on a budget are endless. Taking me straight back to the<br />

old days with setable trigger points, instant reverse and groovy timestretch and lots of instantaneous playability, this<br />

is fantastic. It is literally like having an Amiga 500 and an Akai S950 all linked up with full sample manipulation<br />

techniques available in Cubase. No wonder the likes of Eats Everything, Pete Cannon, Groovin' In G, Bizzy B,<br />

Stranjah and many more are all raving about it. I am not keen on giving 10/10 for most studio items but this fully<br />

deserves it. Best £10 you will have spent in ages on anything musical.<br />

Oszillos Megascope (£69) - https://schulz.audio/products/oszillos-mega-scope/<br />

If you thought the fun ended there with the Amigo, you are very much mistaken. If you are very quick, you can get<br />

this one for the discounted price of £69, and I mean this with the utmost shock as when I first saw the plugin when<br />

Robin Tabor (Champion / Sleazy Deep / New State) shared a picture to his facebook, but Holy fuck! This literally is a<br />

mindblowing bit of kit that I wish I discovered earlier as it would have solved many problems over the years of relying<br />

solely on my ears for mixes. First, let's get into the logistics, this is a very powerful oscilloscope, but the added<br />

advantage is you can place it on individual channels and group tracks and colour code them, and you can see in real<br />

time waveforms of each coloured channel on screen. I was absolutely lost for words when I saw it and it definitely<br />

caters for a much needed niche for any producer struggling to get their mixes on point. I showed this to my good<br />

friend producer/DJ wizard Tim French who lives down the road when we had a studio jam together and we got it set<br />

up on his Mac, and within minutes and a few colour codings, it highlighted some volume issues on why his latest track<br />

wasn't kicking in with enough power. A few minutes later and levelling did a world of difference and his track<br />

certainly has a lot more power. What more needs to be said than that? The proof is certainly in the pudding. An<br />

absolutely vital bit of kit that will literally transform your mixes for the better. Seriously well done guys!<br />

The Usual Suspects (DSP56300) Vavra - https://dsp56300.wordpress.com/vavra/<br />

I've got to begin by saying fair play to the DSP56300/The Usual Suspects collective. I have been beta testing their<br />

synths for quite a while and they have succesfully managed to emulate the Motorola DSP56300 chips with pin point<br />

accuracy, enabling you to be able to have a VST version of hardware synths running on their firmware on your PC/<br />

Mac/Linux devices. This has shocked many of the producers I know because if you were to say to any of us a few<br />

years ago 'Yeah give it a few years and you'll be able to have a pretty much identical clone of your Access Virus C/<br />

Virus TI or Waldorf XT & Micro Q on your computer, running off the same technology as the processors inside it', none<br />

of us would have believed you. However, here we are in 2024 and they have not only managed this but have pretty<br />

much made the hardware versions of all four synths totally redundant. I own an Access Virus Snow and end up using<br />

the plug in more. The recording down and total recall are simply phenomenal, and although the hardware does sound<br />

great and is hands on, the software versions are sublime. On the Vavra, you can instantly load any of the sounds of<br />

the Micro Q and the late nineties charm is there in full force, with some wonderful synth leads, basses, pads and loads<br />

of charisma. With only a slight little bit of effort getting the VST3 version to work compared to usual, and at the rock<br />

bottom price of absolutely zilch, this (and their other synths) are welcome additions to any studio!<br />

Stoneface & Terminal - Between Techno & Trance Vol 1 & 2 (From £5.95 - £34.95)<br />

8<br />

https://stoneface-terminal-fancy.sellfy.store/p/stoneface-and-terminal-between-techno-and-trance-vol12/<br />

A bit of a double whammy this month, and rightly so, as both packs were recently released and on offer as a bundle<br />

at the time of purchase. Stoneface & Terminal, the German duo of Henry Nix & Matthias Gierth, have been releasing<br />

anthems for over twenty years. As well as being two absolutely awesome producers and DJs, with a very talented ear<br />

for A&R (their FSOE Clandestine label is second to none), they are also a couple of very sound gentlemen as well.<br />

Boasting a production history on some of the most notable labels in the trance world such as Perfecto, Skullduggery,<br />

Euphonic, Monster Tunes, A State Of Trance, Flashover, Pure Trance and more as well as their releases as Gundamea<br />

and Terminal East. The packs boast 200 sounds and bunch of presets for Xfer's Serum as well, and what you are<br />

provided with is a very strong mixture of one shots, loops and presets ready to drop into your latest productions to<br />

help give them a much more fuller sound. In particular the kicks and the drumloops are what stand out here and you<br />

can hear the influence from the duo's love of techno and trance. Whilst I've not had chance to test the Serum presets<br />

out yet, the samples alone are of a very decent standard and for the price of both packs it is an absolute bargain.<br />

These are instantaneous samples and ready to give your tracks that extra shine and much needed inspiration.<br />

58 <strong>Zone</strong>-magazine.eu

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