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<strong>Rheingau</strong> <strong>Musik</strong> <strong>Festival</strong> <strong>2012</strong><br />
Press Kit<br />
<strong>Rheingau</strong> <strong>Musik</strong> <strong>Festival</strong> Konzertgesellschaft mbH<br />
Press & Public Relations: Sabine Siemon M.A.<br />
Rheinallee 1 – 65375 Oestrich-Winkel<br />
Phone: 0 67 23 / 91 77 15 – Fax: 0 67 23 / 91 77 19<br />
Mail: siemon@rheingau-musik-festival.de
<strong>Rheingau</strong> <strong>Musik</strong> <strong>Festival</strong> <strong>2012</strong><br />
– Table of Contents –<br />
<strong>Rheingau</strong> <strong>Musik</strong> <strong>Festival</strong> <strong>2012</strong><br />
Data, Facts and Figures<br />
<strong>Rheingau</strong> <strong>Musik</strong> <strong>Festival</strong> 1988 – <strong>2012</strong><br />
<strong>Rheingau</strong> <strong>Musik</strong> <strong>Festival</strong> <strong>2012</strong><br />
25 th <strong>Festival</strong> Summer Programming Highlights<br />
Main Programming Themes<br />
Festmusiken – Wegbegleiter – Geigenreigen – Orgeldimensionen – Junge Virtuosen<br />
(Festive Music – Companions along the way – Violin Circle – Organ Dimensions – Young Virtuosi)<br />
Composer Portrait <strong>2012</strong><br />
Composer Peter Eötvös at <strong>Rheingau</strong> <strong>Musik</strong> <strong>Festival</strong><br />
Events celebrating Silver Jubilee<br />
Akademie für junge <strong>Festival</strong>manager – RMF auf Reisen – <strong>Festival</strong>countdown –<br />
Jubiläumsausstellung – Jubiläumsgebäck<br />
(Academy for Young <strong>Festival</strong> Managers – RMF On Tour – <strong>Festival</strong> Countdown –<br />
Jubilee Exhibition – Jubilee Cakes and Pastries<br />
LOTTO-Hessen renewing sponsorship until 2014<br />
Fourth LOTTO Sponsorship Award for performing artist<br />
E-Postbrief accompanying „A Summer Full of Music“<br />
Co-Sponsors from the region have been loyal stalwarts of the<br />
<strong>Rheingau</strong> <strong>Musik</strong> <strong>Festival</strong> for more than 20 years<br />
Fürst von Metternich Sektkellerei, Landesbank Hessen-Thüringen (Helaba) with<br />
the „Sparkassen-Kulturstiftung Hessen-Thüringen“, Adam Opel AG<br />
Premium Project Partners at <strong>Rheingau</strong> <strong>Musik</strong> <strong>Festival</strong><br />
Accenture, Coface Deutschland AG, Deutsche Leasing Gruppe,<br />
UBS Deutschland AG<br />
„Carmina burana“ at Kloster Eberbach and a Jazz Matinée<br />
hr-Sinfonieorchester and hr-Bigband at the <strong>Rheingau</strong> <strong>Musik</strong> <strong>Festival</strong><br />
Radio stations „Deutschlandfunk“ and „Deutschlandradio Kultur“<br />
broadcasting <strong>Rheingau</strong> <strong>Musik</strong> <strong>Festival</strong> <strong>2012</strong> concerts.<br />
Press Office Information
<strong>Rheingau</strong> <strong>Musik</strong> <strong>Festival</strong> <strong>2012</strong><br />
Data, Facts and Figures<br />
The 25 th <strong>Rheingau</strong> <strong>Musik</strong> <strong>Festival</strong> will run from June 23 to September 1, <strong>2012</strong>.<br />
Apart from the main programming themes „Festmusiken“ (Festive Music), „Wegbegleiter“<br />
(Companions along the way), „Geigenreigen“ (Violin Circle), „Orgeldimensionen“<br />
(Organ Dimensions) and „Junge Virtuosen“ (Young Virtuosi), the composer<br />
portrait with Peter Eötvös will be a special highlight.<br />
157 concerts at 41 venues throughout the <strong>Rheingau</strong> and its neighbouring regions<br />
have been scheduled. The principal venues are Kloster Eberbach (Eberbach Monastery),<br />
Schloß Johannisberg (Johannisberg Palace) and the „Kurhaus Wiesbaden“<br />
(Assembly Rooms). Numerous castles, churches and wine estates are among the<br />
attractive venues with a specific regional character, such as the Seebühne of<br />
Schloss Vollrads (a stage in a pond) and the Steinberg vineyard below Kloster<br />
Eberbach, or the event ship „MS RheinEnergie“. New venues will be the New<br />
Synagogue in Mainz, the inner court of the Hessian State Chancellery in Wiesbaden,<br />
the „Haus der Begegnung“ (House of Encounters) in Königstein, the<br />
Steinberg Winery, and the „Kurpark“ (Spa Gardens) in Bad Homburg.<br />
123 000 tickets are available for the 157 concerts. Total budget: 7.5 million €. Financing<br />
of the <strong>Rheingau</strong> <strong>Musik</strong> <strong>Festival</strong> is secured by long-term sponsorship<br />
agreements, concert and product sponsoring, contributions and donations from our<br />
patrons, plus a subsidy of 25 000 € from the state government.<br />
LOTTO Hessen and Deutsche Post are this season's main sponsors of the <strong>Rheingau</strong><br />
<strong>Musik</strong> <strong>Festival</strong>. Co-Sponsor support for the <strong>Rheingau</strong> <strong>Musik</strong> <strong>Festival</strong> comes<br />
from Fürst von Metternich Sektkellerei, Helaba with the Sparkassen-Kulturstiftung<br />
Hessen-Thüringen, and Adam Opel AG. Lufthansa is the RMF's official airline,<br />
while its media partners are Hessischer Rundfunk (Hessian Broadcasting Corporation)<br />
and Deutschlandradio (Germany's nationwide broadcasting service). The<br />
<strong>Rheingau</strong> <strong>Musik</strong> <strong>Festival</strong>’s Premium Project Partners are Accenture GMBH, Coface<br />
Deutschland AG, Deutsche Leasing Gruppe and UBS Deutschland AG.<br />
This summer's guest artists include such eminent soloists and ensembles as<br />
Christoph Eschenbach and Tzimon Barto, Waltraud Meier, Albrecht Mayer, Håkan<br />
Hardenberger, Cameron Carpenter, Khatia Buniatishvili, Alfredo Perl, Martin Stadtfeld,<br />
Corinna Harfouch, Jutta Speidel, Martin Grubinger, Tine Thing Helseth,<br />
Jacques Loussier, Windsbach Boys Choir, Lautten Compagney Berlin, the Arcanto<br />
Quartet, the Hagen Quartet, the Augsburger Puppenkiste (literally, the Augsburg<br />
Puppet Box – the famous marionette theatre), the City of Birmingham Symphony<br />
Orchestra with Andris Nelsons, the London Symphony Orchestra with Michael Tilson<br />
Thomas, the London Philharmonic Orchestra with Kirill Karabits, the WDR Sinfonieorchester<br />
Köln (WDR Symphony Orchestra Cologne) with Jukka-Pekka Saraste,<br />
the Helsinki Philharmonic Orchestra, the Deutsches Symphonie-Orchester<br />
Berlin (German Symphony Orchestra Berlin), the Orquestra Sinfônica do Estado de
São Paulo (Sao Paulo Symphony Orchestra) with Marin Alsop, the hr-<br />
Sinfonieorchester (Frankfurt Radio Symphony Orchestra) with Paavo Järvi, or the<br />
Rundfunk-Sinfonieorchester Berlin (Berlin Radio Symphony Orchestra) with Marek<br />
Janowski.<br />
Ticket Office and Program Information:<br />
<strong>Rheingau</strong> <strong>Musik</strong> <strong>Festival</strong> Servicegesellschaft mbH & Co. KG;<br />
Postfach 1125; D-65367 Oestrich-Winkel, Germany<br />
www.rheingau-musik-festival.de<br />
Ticket information phone: +49 (0) 6723 / 60 21 70<br />
Telephone booking opens on March 26, <strong>2012</strong>
<strong>Rheingau</strong> <strong>Musik</strong> <strong>Festival</strong> 1988 – <strong>2012</strong><br />
––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––<br />
1988 1997 2007 2011 <strong>2012</strong><br />
1 st RMF 10 th RMF 20 th RMF 25 th RMF<br />
––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––<br />
Tickets on sale 12.000 112.000 130.000 122.500 123.000<br />
Attendance 105.000 123.300 111.500<br />
Utilisation 94 % 94.8 % 91 %<br />
Number of concerts 19 144 149 153 157<br />
Venues 5 38 41 43 41<br />
Sponsors and patrons 130 170 175<br />
Budget in Euros 7.8 m DM 6.7 m € 7.0 m € 7.5 m €<br />
Sponsors' contribution 40 % 47 % 49 %<br />
Public funding 1 % 0.4 % 0.36 %<br />
Self-financing ratio 99 % 99.6 % 99.64 %<br />
––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––<br />
Issued: 26-Jan-<strong>2012</strong>
<strong>Rheingau</strong> <strong>Musik</strong> <strong>Festival</strong> <strong>2012</strong><br />
Programming Highlights of the 25 th <strong>Festival</strong> Summer<br />
From June 23 to September 1 this year, for the 25 th time, the region extending from<br />
Wiesbaden to Lorch will be turned into one giant concert stage, on which musicians<br />
of national and international renown will appear in frequent succession. Artists of<br />
international renown and artists perhaps well worth checking out, as well as the main<br />
programming themes account for the festival's musical and artistic magic. This<br />
summer, 157 concerts will be performed at 41 venues – concert halls, castles and<br />
palaces, charming old churches, monasteries and basilicas, traditional wine estates<br />
– and even in the open air and on the Rhine. Once again, the <strong>Rheingau</strong> <strong>Musik</strong> <strong>Festival</strong><br />
will be presenting extraordinary concert events ranging from serious music to<br />
sophisticated entertainment and extending over well-nigh all eras, categories and<br />
genres.<br />
Opening and Closing Concerts<br />
The 25 th <strong>Rheingau</strong> <strong>Musik</strong> <strong>Festival</strong> opens on June 23 and 24, traditionally in the basilica<br />
of Eberbach Monastery, with the „hr-Sinfonieorchester“ (Frankfurt Radio Symphony<br />
Orchestra) performing Carl Orff's „Carmina Burana“ under the leadership of its<br />
chief conductor Paavo Järvi, also featuring the Czech Philharmonic Choir Brno and<br />
the „Limburger Domsingknaben“ (Limburg Cathedral Boys' Choir). „hr2-kultur“ radio<br />
station will be broadcasting the concert live on June 23. The TV channel „hrfernsehen“<br />
will be showing a recording of the concert on June 24 at 8:15 pm, and the<br />
tv channel „3sat“ will air it at a later date. The festival ends on September 1 with<br />
Giuseppe Verdi's „Messa da Requiem“, featuring a quartet of soloists, the „Chorgemeinschaft<br />
Neubeuern“ and the „Orchester der KlangVerwaltung München“ under<br />
the leadership of Enoch zu Guttenberg.<br />
Main Programming Themes<br />
„Festmusiken“ (Festive Music), „Wegbegleiter“ (Companions along the way), „Geigenreigen“<br />
(Violin Circle), „Orgeldimensionen“ (Organ Dimensions), and „Junge Virtuosen“<br />
(Young Virtuosi) will be entertaining audiences throughout the summer of<br />
<strong>2012</strong>. This season's composer portrait is dedicated to the Hungarian conductor and<br />
composer Peter Eötvös.<br />
Orchestral and Soloist Concerts<br />
This summer, a new cycle begins with the WDR Sinfonieorchester Köln (WDR Symphony<br />
Orchestra Cologne) and its new chief conductor Jukka-Pekka Saraste: „The<br />
Symphonic Works: Sibelius“. This year's concert program features Jean Sibelius’s<br />
Symphony No. 1 and Tchaikovsky's Violin Concert interpreted by Vilde Frang<br />
(08/31). The „Orquestra Sinfônica do Estado de São Paulo“ (Sao Paulo Symphony<br />
Orchestra) comes with its designated chief conductor Marin Alsop. To honour the
<strong>Rheingau</strong> <strong>Musik</strong> <strong>Festival</strong>, the orchestra performs Camargo Guarnieri's „Abertura<br />
Festiva“ and accompanies the Brasilian pianist Nelson Freire in Heitor Villa-Lobos's<br />
„Mômoprécoce“ for piano and orchestra (08/18). The London Symphony Orchestra,<br />
under the baton of Michael Tilson Thomas, performs the Academic <strong>Festival</strong> Ouverture<br />
by Johannes Brahms. Emanuel Ax will be playing Brahms's Piano Concerto No.<br />
1 (08/30). The pianist Khatia Buniatishvili performs Schumann's piano concerto with<br />
the hr-Sinfonieorchester (Frankfurt Radio Symphony Orchestra) led by its chief conductor<br />
Paavo Järvi. This concert also features the premiere of a composition by Peter<br />
Ruzicka, commissioned by the hr-Sinfonieorchester (08/23).<br />
Further top-notch soloists and orchestras are Lars Vogt with the San Francisco<br />
Symphony Youth Orchestra (06/27), Waltraud Meier with the Rundfunk-<br />
Sinfonieorchester Berlin (Berlin Radio Symphony Orchestra) under the direction of<br />
Marek Janowski (07/01), Martin Stadtfeld with the Academy of St Martin in the Fields<br />
under the baton of Sir Neville Marriner (07/19), Daniel Müller-Schott with the London<br />
Philharmonic Orchestra led by the young conductor Kirill Karabits (07/20), the Helsinki<br />
Philharmonic Orchestra with John Storgårds (08/24), or Lisa Batiashvilli (violin),<br />
Truls Mørk (violoncello) with the Deutsches Symphonie-Orchester Berlin (German<br />
Symphony Orchestra Berlin) under Tugan Sokhiev. (06/28) Albrecht Mayer comes<br />
with his program „Bonjour Paris“, accompanied by the Münchner Symphoniker (Munich<br />
Symphony Orchestra) and Ari Rasilainen (08/01), the countertenor Bejun Mehta<br />
with the Freiburger Barockorchester led by Petra Müllejans (08/02). The trumpeter<br />
Håkan Hardenberger is accompanied by the Münchener Kammerorchester (Munich<br />
Chamber Orchestra) and Alexander Liebreich (08/03). This year, the young Spanish<br />
mezzosoprano Maite Beaumont returns to the festival in a guest performance, accompanied<br />
by her Iberian colleagues from the Orquestra de Cadaqués under the<br />
leadership of Jaime Martin (08/02). On August 15, the young organist Cameron Carpenter<br />
will be performing at the Kurhaus Wiesbaden (Assembly Rooms). As always,<br />
he does not announce the evening's repertoire in advance, preferring to present it<br />
spontaneously. Two years ago, Tine Thing Helseth and her Ensemble tenThing were<br />
guest performers in the cloister garden of Eberbach Monastery. This summer, she<br />
returns as a soloist of the Bergen Philharmonic Orchestra conducted by Andrew Litton<br />
for an interpretation of trumpet concerts by André Jolivet and Henri Tomasi<br />
(08/28).<br />
Choral Works / Early Music<br />
This summer's festival program features again some oratorios. René Jacobs performs<br />
Johann Sebastian Bach's „St. Matthew Passion“ with the RIAS Kammerchor<br />
(RIAS Chamber Choir) and the „Akademie für Alte <strong>Musik</strong> Berlin“ (Berlin Academy for<br />
Ancient Music / 08/29). Helmuth Rilling comes to the <strong>Rheingau</strong> with Mendelssohn's<br />
„Paulus“ (08/30). Gustav Mahler's „Resurrection Symphony“ will be performed by the<br />
CBSO Chorus and the City of Birmingham Symphony Orchestra conducted by An-
dris Nelsons (08/31). Handel's „Alexander's Feast or The Power of Musick“ is on the<br />
program of the „Kölner Kammerchor“ (Cologne Chamber Choir), with the „Collegium<br />
Cartusianum“ under the direction of Peter Neumann (08/17), Handel's „Dettinger Te<br />
Deum“ will be interpreted by the „Bachchor Siegen“ (Siegen Bach Choir), the „Kölner<br />
Kammerorchester“ (Cologne Chamber Orchestra) and Ulrich Stötzel (08/16). In<br />
homage to the Eberbach monk and composer Joseph Schmitt, Arno Paduch's „Johann<br />
Rosenmüller Ensemble“ will perform his „Missa solemnis“, which can be heard<br />
in the basilica for the first time again since the monastery's dissolution in 1803<br />
(08/10). The „Windsbacher Knabenchor“ (Windsbach Boys Choir) and its new artistic<br />
director, Martin Lehman, will be performing works by Johann Sebastian Bach, Anton<br />
Bruckner, Felix Mendelssohn and Heinrich Schütz to mark the 150 th anniversary of<br />
the Marktkirche in Wiesbaden (07/26). „Eine Nacht voller Seligkeit“ (A Night Full of<br />
Happiness) is the motto of the operetta gala with the „Staatstheater am Gärtnerplatz“.<br />
The German actress Jutta Speidel will be the M.C. of the evening (07/21). In<br />
the field of Early Music, the „Lautten Compagney“ will be tracing the footsteps of<br />
Marco Polo. Songs and instrumental pieces of European Baroque composers are<br />
complemented by Chinese Traditional Music from the 17 th century (08/22).<br />
Chamber Music<br />
This year and the next, in a total of five concerts, the renowned Hagen Quartet will<br />
be shedding light on the cosmos of Ludwig van Beethoven's string quartets (08/08<br />
and 09). Erik Schumann, Anna Vinnitskaya and Nicolas Altstaedt will be the reigning<br />
triumvirate at Schloss Johannisberg (Johannisberg Palace) on July 25. Paul Meyer,<br />
François Leleux and Emmanuel Pahud are „Les Vents Français“, bringing fresh<br />
winds from France on August 16.<br />
In the field of Piano Music, the <strong>Rheingau</strong> <strong>Musik</strong> <strong>Festival</strong> offers this season again<br />
some special highlights: An experience of assuredly rare quality: Summit Meeting in<br />
Wiesbaden – Christoph Eschenbach and Tzimon Barto, who have been close friends<br />
and musical partners for a long time, have finally found time again to team up as a<br />
piano duo despite their many other international commitments (08/16). Further piano<br />
recitals include David Fray (06/26), Alfredo Perl (08/25), Paul Lewis (07/07), Bernd<br />
Glemser (07/26) and Christopher Park (08/17). The eighth part of the Bach Cycle<br />
with Konstantin Lifschitz features the „Italian Concerto“ and the „French Overture“ as<br />
program highlights (08/03). Martin Stadtfeld and the young Artevio Quartet will be<br />
interpreting Robert Schumann's Piano Quintet in E flat major op. 44.(07/22). The<br />
exceptional cellist Alban Gerhardt returns to the <strong>Rheingau</strong> with cello sonatas by<br />
Brahms, Britten and Schnittke in his baggage (07/06).<br />
This summer's program features again some Musical-Literary Evenings: Roger<br />
Willemsen invites you to a musical-literary journey around the globe featuring his<br />
own texts and music by Sergei Rachmaninoff, Philip Glass and Robert Schumann<br />
(07/13). For the first time, a <strong>Rheingau</strong> <strong>Musik</strong> <strong>Festival</strong> event is hosted at the New Sy-
Synagogue in Mainz. Corinna Harfouch traces the life of Alma Rosé, Gustav<br />
Mahler's niece (07/15). In another new venue, the „Haus der Begegnung“ (House of<br />
Encounters) in Königstein, Walter Sittler plays Erich Kästner in a splendidly staged<br />
monologue. (08/17). The following evening, Walter Sittler continues Erich Kästner's<br />
life story in his show „Vom Kleinmaleins des Seins“ (08/18).<br />
Promotion of Young Musical Talents<br />
The <strong>Rheingau</strong> <strong>Musik</strong> <strong>Festival</strong> has always attached high priority to providing a plat-<br />
form for talented young musicians. For many years, the opportunities for young<br />
musicians, „Klassik-Marathon“ (Classical Music Marathon - 08/18) and „Treffpunkt<br />
Jugend“ (Youth Meeting Point 08/19), have been highly successful, but this year<br />
they take on a new format. The soloists will no longer be accompanied by one single<br />
chamber orchestra, but different chamber music ensembles will be performing. Additionally,<br />
six concerts are scheduled for „Young Virtuosos“ with, among others, Quatuor<br />
Modigliani and the pianist Jean Frédéric Neuburger (07/12), the „Hannah Köpf<br />
Band“ (08/04), the „Tim Allhoff Trio“ (08/12), and Hanna Herfurtner (soprano), Benjamin<br />
Appl (baritone) and Jonathan Ware (piano) (08/30).<br />
Children’s Concerts<br />
This season, we have invited the Augsburger Puppenkiste (literally, the Augsburg<br />
Puppet Box – the famous marionette theatre) for our „future audiences“ (06/24). The<br />
„Taschenoper Lübeck“ (Pocket Opera of Lübeck) will be performing the children's<br />
opera „Die Entführung aus dem Serail“ (The Abduction from the Seraglio) (08/26). In<br />
the „Kurhaus Wiesbaden“ (Assembly Rooms) Rufus Beck will be reading from Saint-<br />
Saens’s „The Carnival of the Animals“ to the musical accompaniment of the piano<br />
duo Anthony & Joseph Paratore, and the „Dresdner Kapellsolisten“ conducted by<br />
Helmut Branny (07/08). There will also be a premiere for children and families in this<br />
Jubilee season: A fest for the whole family with music from around the world, „Rund<br />
um den Globus“ (Around the Globe), in the court and garden of Schloss Vollrads<br />
(Vollrads Palace - 08/12).<br />
Jazz and World Music<br />
A couple of years ago, we introduced the Ladies’ Night on the Seebühne (a stage in<br />
a pond) at Schloss Vollrads (Vollrads Palace). This Jubilee season, the Ladies’ Night<br />
with the singers Irma and China Moses will find its contrast in the „Night of the Gentlemen“<br />
featuring Charles Pasi and Ola Onabule (07/17). Paco de Lucía and his<br />
band will come to „Friday Night in J’berg“ (06/29). Till Brönner plays with his band on<br />
June 28 in the Cuvéehof of Johannisberg Palace. Jacques Loussier, known as the<br />
grand seigneur of „Crossover“, will be performing with his trio in the „Kurhaus Wiesbaden“<br />
(Assembly Rooms – 07/25), he will be meeting Katharina Eickhoff in a „Rendezvous“,<br />
too (07/24). Patti Austin will be paying tribute to the legends Ella Fitzgerald<br />
and George Gershwin in the „Kurpark“ (Spa Gardens – 08/04).
Main Programming Themes<br />
Festmusiken (Festive Music)<br />
Opening fanfares are blaring, the court orchestra is intoning a minuet to the slow,<br />
noble, ceremonious and graceful steps of the opening dance, the court harpsichordist<br />
is playing improvisations as accompaniment to the meal, the festivities reach its<br />
climax with the premiere of a magnificently produced opera, and, finally, God is<br />
praised and thanked for the fabulous course and order of the festive events – naturally<br />
by playing a homage specifically composed for the occasion. This could have<br />
been the typical program of court entertainments in the Renaissance. Besides meat<br />
and drink, music has always been the most important ingredient of perfect festivities<br />
– at festivals for the common people, or at festivities of the nobility and clergy. It captures<br />
the attention of assembled guests while, at the same time, livening up the<br />
course and order of the festivities, it allows for joint activities like dancing or singing,<br />
but, above all, it is the best means to communicate the festive character of any special<br />
event – with kettledrums and trumpets, for instance! The <strong>Rheingau</strong> <strong>Musik</strong> <strong>Festival</strong><br />
makes use of this phenomenon in its Jubilee season, the 25 th Summer Full of<br />
Music, and treats itself to a programming theme of its own »Festive Music« of all<br />
kinds!<br />
Concerts<br />
07/12 Handel: „Feuerwerksmusik“ (Music for the Royal Fireworks) / Zefiro Baroque Orchestra<br />
– Alfredo Bernardini<br />
08/16 Handel: „Dettinger Te Deum“ / Bachchor Siegen (Siegen Bach Choir) – Kölner Kammerorchester<br />
(Cologne Chamber Orchestra) – Ulrich Stötzel conducting<br />
08/17 Handel: „Das Alexander-Fest“ (Alexander's Feast) / Kölner Kammerchor (Cologne<br />
Chamber Choir)– Collegium Cartusianum – Peter Neumann conducting<br />
08/18 Nelson Freire, piano – Orquestra Sinfônica do Estado de São Paulo (Sao Paulo<br />
Symphony Orchestra)– Marin Alsop conducting<br />
08/29 Festliche Barockmusik (Festive Baroque Music) / Ramón Ortega Quero, oboe – Luise<br />
Buchberger, violoncello – Peter Kofler, harpsichord<br />
08/30 Emanuel Ax, piano – London Symphony Orchestra – Michael Tilson Thomas
Wegbegleiter (Companions along the way)<br />
Michael Hermann has maintained longstanding relations and collaboration with many<br />
musicians, with some of whom he has developed a close friendship. It is quite natural<br />
that several of his artist friends will make a stop in the <strong>Rheingau</strong> during this Jubilee<br />
season. Before Michael Herrmann founded the <strong>Rheingau</strong> <strong>Musik</strong> <strong>Festival</strong> e.V. (a<br />
registered association) in 1987, and thus launched the <strong>Rheingau</strong> <strong>Musik</strong> <strong>Festival</strong>, he<br />
had been working on Gran Canaria for a few years where, in the spring of 1973, he<br />
made the acquaintance of Justus Frantz and Christoph Eschenbach. After his return<br />
to Germany he worked for various artists' management companies in Munich. His<br />
first contacts with the piano duo Anthony and Joseph Paratore as well as with the<br />
pianists Gerhard Oppitz, Oleg Maisenberg and Ewa Kupiec date back to that time.<br />
Some time later, Michael Herrmann founded his own agency and started promoting<br />
concerts – amongst others with artists from the then still existing GDR, who had already<br />
been successfully performing in the Federal Republic of Germany. Among<br />
those artists were the trumpeter Ludwig Güttler and the double-bass player Helmut<br />
Branny. With Walter Renneisen, Michael Hermann has the Hessian dialect in common,<br />
and his wonderful friendship with the Baron Enoch zu Guttenberg began after<br />
attending a concert in the Herkulessaal at Munich. A very special honour is due to<br />
Frieder Bernius and his Chamber Choir, for it was Frieder Bernius who performed<br />
the very first concert of the <strong>Rheingau</strong> <strong>Musik</strong> <strong>Festival</strong> on June 23, 1988.<br />
Concerts<br />
06/27 Virtuosi Saxoniae – Ludwig Güttler, trumpet and conductor<br />
07/6 Kammerchor Stuttgart (Stuttgart Chamber Choir) – Klassische Philharmonie Stuttgart<br />
(Stuttgart Classical Philharmonic Orchestra) – Frieder Bernius, conducting<br />
07/8 Anthony & Joseph Paratore, piano duo – Dresdner Kapellsolisten – Helmut<br />
Branny conducting<br />
26.7. Windsbacher Knabenchor (Windsbach Boys Choir), Martin Lehmann conducting<br />
07/27 Babette Haag, Percussion & Ensemble Pandora<br />
07/29 Ewa Kupiec, piano<br />
08/7 Gerhard Oppitz, piano<br />
08/9 Denis Matsuev, piano – Philharmonie der Nationen (Philharmonia of Nations)–<br />
Justus Frantz conducting<br />
08/14 „Von der Pampelmuse geküsst“ (literally: „Kissed by the Muse of the Pomelo“, which<br />
is a pun in German) / Walter Renneisen<br />
08/15 „Von der Pampelmuse geküsst“ / Walter Renneisen<br />
08/16 Tzimon Barto & Christoph Eschenbach, piano<br />
08/29 Oleg Maisenberg, piano<br />
08/30 Gächinger Kantorei – Bach-Collegium Stuttgart – Helmuth Rilling conducting<br />
09/1 Chorgemeinschaft Neubeuern – Orchester der KlangVerwaltung München –<br />
Enoch zu Guttenberg conducting
Geigenreigen (Violin Circle)<br />
At all times, the violin has been fascinating people. With a history of approx. 500<br />
years, it can truly be described as the highest developed instrument of the Occident.<br />
As early as in the 16 th century, it was considered to be the goddess of string instruments<br />
because of its expressive qualities and heavenly high tones. To this day,<br />
names like Stradivari, Paganini or Tartini's »Devil's Trill« still fire the imagination of<br />
audiences. The violin has often been thought of as intensifying our emotions, although<br />
initially it was more associated with the lower ranks in society. At the beginning<br />
of the 17 th century, however, the instrument began gaining prestige because of<br />
its use in operas, for instance in Claudio Monteverdi's »Orfeo«. This trend continued<br />
throughout the Baroque era owing to the works of many well-respected composers,<br />
who were also grand virtuosos on this instrument – among them Arcangelo Corelli,<br />
Antonio Vivaldi, Giuseppe Tartini, Georg Philipp Telemann or Johann Sebastian<br />
Bach. By the middle of the 18 th century, the violin had become the most widely used<br />
solo and orchestral instrument in the music of Europe. This season, the <strong>Rheingau</strong><br />
<strong>Musik</strong> <strong>Festival</strong> has invited violinists from all over the world, who will bring along the<br />
most interesting solo compositions for violin and orchestra, or for violin and piano,<br />
some of them originating in their native countries.<br />
Concerts<br />
06/28 Lisa Batiashvili, violin – Truls Mørk, violoncello – Deutsches Symphonie-<br />
Orchester Berlin (German Symphony Orchestra Berlin) – Tugan Sokhiev conducting<br />
06/29 Dmitry Sitkovetsky, violin – <strong>Festival</strong> Strings Lucerne – Achim Fiedler conducting<br />
07/18 Mozarts große Nachtmusiken (Mozart's Grand Serenades): Leticia Moreno, violin –<br />
Nils Mönkemeyer, viola Kammerphilharmonie Amadé – Frieder Obstfeld conducting<br />
07/19 Scandinavian Melodies: kammerorchesterbasel (Basel Chamber Orchestra) –<br />
Henning Kraggerud, violin<br />
07/27 Renaud Capuçon, violin – La Chambre Philharmonique – Emmanuel Krivine<br />
08/24 Veronika Eberle, violin – Helsinki Philharmonic Orchestra – John Storgårds<br />
08/31 Isabelle Faust, violin – Alexander Melnikov, piano<br />
08/31 Vilde Frang, violin – WDR Sinfonieorchester Köln (WDR Symphony Orchestra<br />
Cologne) – Jukka-Pekka Saraste
Orgeldimensionen (Organ Dimensions)<br />
»The congregation was mightily astonished when the organ suddenly roared during<br />
Gloria, demonstrating with jubilant fingerwork how Christians should be rejoicing at<br />
that day.«<br />
(Translated from Robert Schneider's »Schlafes Bruder« ( Brother of Sleep)<br />
„Solemn, festive, magnificent, thunderous, roaring, divine“ are likely adjectives to<br />
describe the pipe organ. The <strong>Rheingau</strong> <strong>Musik</strong> <strong>Festival</strong> demonstrates with its programming<br />
theme »Orgeldimensionen« (Dimensions of the Organ) that the King of<br />
Instruments is by far no longer limited exclusively to sacred spaces. Three organists<br />
will be presenting their instrument in so different ways that a conventional churchgoer<br />
could hardly believe it: The cantor of the Marktkirche (Market Church), Thomas<br />
J. Frank, will start off the series at his familiar pipe organ with a program full of unusual<br />
soundtrack transcriptions from musicals and films. The young glamour organist<br />
Cameron Carpenter will reveal completely new dimensions with his eccentric virtuoso<br />
playing – from Bach to Carpenter is the title of his program, still leaving a lot of<br />
room for surprises. The finale will be left to the organist of Stuttgart's Stiftskirche,<br />
Kay Johannsen, who will be leading the audience back to the roots of the art of organ<br />
playing.<br />
Concerts<br />
08/9 Thomas J. Frank<br />
08/15 Cameron Carpenter<br />
08/26 Kay Johannsen
Junge Virtuosen (Young Virtuosi)<br />
Tomorrow's stars are today's young virtuosi. This truth has long been known at the<br />
<strong>Rheingau</strong> <strong>Musik</strong> <strong>Festival</strong>: Since 2001, the Young Virtuosi series has been presenting<br />
up-and-coming talents at the beginning of their careers. Their faces are fresh, their<br />
names not yet familiar, but their musicianship is quite exceptional and often breathtaking.<br />
Looking back in the history of the festival, the promotion of young talents has<br />
been playing an important role, almost from the very beginning. The first „Treffpunkt<br />
Jugend“ (Youth Meeting Point), for example, took to the stage in 1991 during the<br />
fourth festival summer – among the guest artists was a piano duo with the sisters<br />
Ferhan and Ferzan Önder! Since then, the Meeting Point has become a fixed date in<br />
the festival calendar. In 1996, the „Klassik-Marathon“ (Classical Music Marathon)<br />
was added, then in cooperation with the "Deutsche Stiftung <strong>Musik</strong>leben“ (German<br />
Foundation Musical Life) and the „ Festspielen Mecklenburg-Vorpommern“ (<strong>Festival</strong><br />
of Mecklenburg-West Pomerania), and every year since 2002 the „Junge Meisterpianisten<br />
der russischen Schule“ (Young Russian School Virtuosi) have been drawing<br />
piano music fans to Johannisberg Palace. Reading the complete roster of artists who<br />
presented themselves as „Young Virtuosi“ at the <strong>Rheingau</strong> <strong>Musik</strong> <strong>Festival</strong> proves<br />
that the prophecies have been fulfilled: In 2001 Julia Fischer was our guest, in 2002<br />
Fazil Say, followed by Renaud Capuçon, Baiba Skride, Yundi Li, Anna Vinnitskaya,<br />
the „Quatuor Ebène“ and many others who today, without any doubt, belong to the<br />
who-is-who of the international music scene.<br />
This year, eight concerts can be found on the festival's program under the programming<br />
theme „Junge Virtuosen“. Amongst them the „Hannah Köpf Band“, the „Gismo<br />
Graf Trio“, the „Tim Allhoff Trio“and Jean Frédéric Neuburger, artists who may be<br />
known to some of you from earlier performances at the „Concert & Brunch“ series.<br />
A novelty this year is the presentation of two vocalists who are just beginning to<br />
make a name for themselves in the German opera scene: Hanna Herfurtner and<br />
Benjamin Appl! A special touch of (tone) color in the spectrum of young virtuosi!<br />
Concerts<br />
07/12 Quatuor Modigliani – Jean Frédéric Neuburger, piano<br />
07/15 Junge Meisterpianisten der russischen Schule (Young Russian School Virtuosos)<br />
08/4 Hannah Köpf Band<br />
08/5 Gismo Graf Trio<br />
08/12 Tim Allhoff Trio<br />
08/18 Klassik Marathon (Classical Music Marathon)<br />
08/19 Treffpunkt Jugend (Youth Meeting Point)<br />
08/30 Hanna Herfurtner, soprano – Benjamin Appl, baritone – Jonathan Ware, piano
Komponistenporträt <strong>2012</strong> (Composer’s Portrait)<br />
<strong>Rheingau</strong> <strong>Musik</strong> <strong>Festival</strong> presents Peter Eötvös<br />
There are not many contemporary composers<br />
who have successfully established<br />
themselves in the current theatre and concert<br />
scene. Peter Eötvös is one of the few who<br />
have succeeded. His compositions are<br />
performed around the world with great<br />
success, and a total of 7 operas can be<br />
counted among the works of this Hungarian<br />
composer, who was born in Transsylvania in<br />
1944. At the early age of 14, Peter Eötvös<br />
became a student of Zoltán Kodály at the<br />
Music Academy in Budapest, and at the age<br />
of 16 his reputation as a theatre musician<br />
enabled him to finance his studies by<br />
composing music for films and children's<br />
musicals. At the age of 21, he was granted a<br />
scholarship at the „<strong>Musik</strong>hochschule“<br />
(College of Music) in Cologne, was employed as a sound engineer in the<br />
electronic studio of the WDR (West German Radio) in Cologne, and soon afterwards<br />
began a collaboration with Karlheinz Stockhausen. Constantly searching<br />
for the „ideal mix of music and theater“, Eötvös continued to further develop the<br />
musical language in his works. His opus comprises orchestral works, chamber<br />
music, operas, multi-media performances, incidental music and film sound tracks.<br />
His compositional style has been called „spherical“, „otherwordly“– and yet, at the<br />
same time, „pragmatic“. „Oscillating music for meditation“, yet „to the point“ and<br />
melodic, and without using any serial elements.<br />
Concerts<br />
07/4 Peter Eötvös in conversation:<br />
Ines Reinhardt, soprano – Eva Böcker, violoncello – Norbert Ommer, sound<br />
director – Ensemble Modern – Peter Eötvös conducting – Max Nyffeler,<br />
moderator<br />
07/5 Sebastian Manz and Dirk Altmann, clarinets – GrauSchumacher Piano Duo –<br />
Radio-Sinfonieorchester Stuttgart (SWR Radio Symphony Orchestra) –<br />
Peter Eötvös conducting
Events to Celebrate the 25 th Anniversary<br />
Academy for young festival managers<br />
This is an opportunity, offered by the „Akademie für junge <strong>Festival</strong>manager“<br />
and the <strong>Rheingau</strong> <strong>Musik</strong> <strong>Festival</strong> to senior-year pupils of secondary schools, to<br />
manage the planning, organisation, financing and marketing for a festival program<br />
concert. The group of trainees was selected from the combined „Leistungskurs<br />
<strong>Musik</strong>“(intensive or advanced course in music) of the „<strong>Rheingau</strong>schule“ and<br />
the „St. Ursula Schule“ at Geisenheim under the tutelage of Silke Trzcinski. The<br />
concert planned by the young festival managers will be performed by the Moz-<br />
ART group at Schloss Johannisberg on August 19.<br />
RMF on tour<br />
In its anniversary season, the RMF goes on tour. In cooperation with the travel<br />
agency „Tour mit Schanz“, the <strong>Rheingau</strong> <strong>Musik</strong> <strong>Festival</strong> goes on tour for a first<br />
time, between June and September <strong>2012</strong>, permitting to attend concerts in best<br />
festival quality: Be a guest at the „Festspiele Mecklenburg-Vorpommern“ (<strong>Festival</strong><br />
of Mecklenburg-West Pomerania), or at the Jerusalem Chamber Music <strong>Festival</strong>,<br />
or follow the traces of Chopin across Mallorca.<br />
<strong>Festival</strong> Countdown<br />
In anticipation of a „Summer full of music“ we have come up with a special service<br />
for our audiences: a 25-part countdown filled with images, stories and music<br />
about the festival. Every Monday you will find a new entry on our web site and on<br />
Facebook as well! As part of this countdown we have launched a creative contest.<br />
Our creative agency Q has discovered some „everyday motives“ behind<br />
which the festival's bunch-of-grapes logo is hidden. What do the members of our<br />
audiences associate with the RMF colors, and with the RMF logo? Perhaps they<br />
have occasionally spotted objects that remind them of the festival's bunch of grapes?<br />
„Then take a picture, draw, paint, paste, or craft them for us, and send them<br />
in by the end of March. The most imaginative and beautiful entries received will<br />
be honored by publication both in our festival magazine „Divertimento“ and as a<br />
postcard series“.<br />
Jubilee Exhibition<br />
We have planned a Jubilee Exhibition for the duration of the festival season at<br />
the main venues. „25 Jahre <strong>Rheingau</strong> <strong>Musik</strong> <strong>Festival</strong>“ (25 Years of <strong>Rheingau</strong><br />
<strong>Musik</strong> <strong>Festival</strong>).<br />
Anniversary Cakes and Pastries<br />
For a few years now, there has been a cooperation between the RMF and the<br />
<strong>Rheingau</strong> bakery Dries. For this summer, our creative bakers have conceived<br />
some special cakes and pastries which will be on sale at some of the festival's<br />
concerts and in the local Dries shops during the festival season.<br />
20 th <strong>Rheingau</strong> Literature <strong>Festival</strong><br />
This year, the <strong>Rheingau</strong> Literature <strong>Festival</strong> celebrates a Jubilee, too. Between<br />
September 20 and 30, the 20 th „grape-and-literature harvest“ has been scheduled.
Pressemitteilung<br />
26.01.<strong>2012</strong><br />
<strong>Rheingau</strong> <strong>Musik</strong> <strong>Festival</strong> <strong>2012</strong><br />
LOTTO Hessen extends its support as main sponsor until 2014<br />
Fourth LOTTO-Sponsorship Award for performing artist<br />
Wiesbaden, <strong>2012</strong>/01/26. LOTTO has been a partner since 1996, and a main<br />
sponsor since 2005. This proves again the uninterrupted commitment<br />
of the Lotterie-Treuhandgesellschaft mbH Hessen (LOTTO Hessen),<br />
Wiesbaden, at the start of the <strong>Rheingau</strong> <strong>Musik</strong> <strong>Festival</strong>'s coming season.<br />
On the occasion of the festival's opening press conference <strong>2012</strong>,<br />
Lotto Hessen has announced to continue its main sponsorship.<br />
LOTTO Hessen will continue as a main sponsor of the <strong>Rheingau</strong> <strong>Musik</strong> <strong>Festival</strong><br />
until the year 2014. This was announced by the Managing Director of<br />
LOTTO Hessen, Dr. Heinz-Georg Sundermann, at the festival's press conference<br />
at Oestrich-Winkel on January 26.<br />
Both elements of the previous sponsorship will be continued. On the one<br />
hand, LOTTO Hessen's financial support makes it possible again, during the<br />
next two festival seasons, to provide a quota of 5 % of discounted tickets out<br />
of the total number of tickets on sale. Against proof of entitlement, students,<br />
trainees and apprentices, and unemployed persons may benefit from<br />
this arrangement, which was started in 2009, and they can save up to 50 %<br />
off the original ticket price. On the other hand, LOTTO Hessen continues to<br />
fund the LOTTO-Sponsorship Award until 2014. Every season now since<br />
2009, the award has been given to a performer selected from the series<br />
„Junge Virtuosen“ (Young Virtuosos) or „Klassik-Marathon/Treffpunkt Jugend“<br />
(Classical Music Marathon / Youth Meeting Point). The prize money<br />
amounts to 15,000 Euros and, last year, was awarded to the pianist Denis<br />
Kozhukhin.<br />
Promotion is an important task for LOTTO Hessen in addition to its commitment<br />
to the <strong>Rheingau</strong> <strong>Musik</strong> <strong>Festival</strong>. In the past year, LOTTO proceeds<br />
amounting to approximately 220 million Euros were transferred to the State<br />
and to the statutory beneficiaries in sports, social charities, and to organisations<br />
for the preservation of historical monuments. On top of that, LOTTO<br />
Hessen supports its own social, sports related or cultural projects, among<br />
them the <strong>Rheingau</strong> <strong>Musik</strong> <strong>Festival</strong>.<br />
Contact:<br />
Dorothee Hoffmann, LOTTO Hessen, Unternehmenskommunikation,<br />
Phone: +49 (0)611/3612-170, E-Mail: dorothee.hoffmann@lotto-hessen.de<br />
Lotterie-Treuhandgesellschaft mbH<br />
Hessen<br />
Rosenstraße 5-9<br />
D-65189 Wiesbaden<br />
Postal address:<br />
P.O. Box 4007<br />
D-65030 Wiesbaden<br />
Managing Director:<br />
Dr. jur. Heinz-Georg Sundermann<br />
Issued by: Unternehmenskommunikation<br />
LOTTO Hessen<br />
Responsible:<br />
Dorothee Hoffmann<br />
Dorothee.Hoffmann@lotto-hessen.de<br />
Phone: +49 (0) 611 3612 – 170<br />
Fax: +49 (0) 611 3612 – 116<br />
www.lotto-hessen.de
Deutsche Deutsche Post Post DHL<br />
DHL<br />
The Mail & Logistics Group<br />
Pressemitteilung<br />
E-Postbrief is the companion of a „Summer Full of Music“<br />
– Deutsche Post is a cooperation partner of the <strong>Rheingau</strong> <strong>Musik</strong><br />
<strong>Festival</strong><br />
– Order your tickets conveniently using an E-Postbrief<br />
Bonn, <strong>2012</strong>/01/26: After its successful debut last year, the Deutsche Post (German<br />
Mail/Post Office) is again a partner and one of the main sponsors of the <strong>Rheingau</strong> <strong>Musik</strong><br />
<strong>Festival</strong> in <strong>2012</strong>. A major role will be played by an electronic letter service called<br />
the E-Postbrief: All fans of the cultural events can use it to order their concert tickets<br />
conveniently and securely. What’s more, there are some rather attractive discounts and<br />
special conditions on offer – so there should be no more obstacles in the way to special<br />
musical treats.<br />
In <strong>2012</strong>, the <strong>Rheingau</strong> <strong>Musik</strong> <strong>Festival</strong> celebrates its 25 th anniversary: Still more events<br />
have been planned for the season between June 23 and September 1, <strong>2012</strong> – 157 con-<br />
certs will turn the region between Wiesbaden and Lorch into one giant concert stage.<br />
Something for every taste can be found on the program of a „summer full of music“ –<br />
from classical music to jazz. Musical-culinary wine tastings and varied „smaller scale<br />
performing arts events“ round off an interesting cultural offer.<br />
„The <strong>Rheingau</strong> <strong>Musik</strong> <strong>Festival</strong> is one of Germany’s top-ranking cultural events“, says<br />
Harald Lemke, Special Advisor for e-government at the German Post Office. „Therefore,<br />
we are delighted to be a sponsor this year again and to help the fans with our E-<br />
Postbrief in obtaining tickets in a most convenient way." All orders that are received by<br />
E-POSTBRIEF (karten@rheingau-musik-festival.epost.de), will be given preferential<br />
treatment.<br />
With the E-Postbrief, private individuals, companies and government agencies can<br />
communicate with each other securely and reliably in the electronic world as well. E-<br />
Postbriefs are automatically encrypted and cannot be viewed or altered by unauthorised<br />
Hausadresse<br />
Charles-de-Gaulle-Str. 20<br />
53113 Bonn<br />
Telefon +49 (0)228 182-99 44<br />
Telefax +49 (0)228 182-98 80<br />
E-Mail pressestelle@deutschepost.de<br />
www.deutschepost.de
Deutsche Deutsche Post Post DHL<br />
DHL<br />
The Mail & Logistics Group<br />
third parties. Users can choose with a mouse click whether their letter will be directly<br />
delivered electronically to another E-Postbrief account or automatically printed out by the<br />
German Post Office, put in an envelope, and delivered in the traditional way by a post-<br />
man. All users have to identify themselves once at a post office using a “postident” pro-<br />
cedure with their ID card or passport. Only then will your E-Postbrief account be en-<br />
abled. This means that anonymous messages are not possible, and spam and viruses<br />
are prevented.<br />
Over a million people have already secured a personal E-Postbrief address at<br />
www.epost.de, and the number is still rising. Thousands of companies and institutions<br />
and the civil service are making use of this option for secure electronic communication.<br />
Contact for journalists’ questions:<br />
Deutsche Post DHL<br />
Media Relations<br />
Alexander Edenhofer<br />
Tel.: +49 (0)228 182-9944<br />
E-Mail: pressestelle@deutschepost.de<br />
E-Postbrief: pressestelle.konzern@dpdhl.epost.de<br />
Internet: www.dp-dhl.de/presse<br />
Follow us on: twitter.com/DeutschePostDHL<br />
Deutsche Post – The Postal Service for Germany<br />
The German Post Office is Europe’s biggest mail service provider, the market leader on<br />
Germany’s letter and parcel market, and one of the major players in international mail<br />
traffic. With its strong “Deutsche Post” brand, the company is further enhancing its status<br />
as “The Postal Service for Germany”. Its portfolio ranges from standardised products to<br />
customized solutions for private and business clients in the fields of letter communication,<br />
dialogue marketing and parcel transport. The German Post Office is determined to advance<br />
the combination of physical and electronic communication, and thus upgrade its<br />
position as an allround service provider for secure, simple and reliable communication.<br />
The German Post Office is part of the Deutsche Post DHL group. In 2010, the group achieved<br />
a turnover of more than 51 billion Euros.<br />
Further information under www.dp-dhl.de
Johanna Lomp-Knetsch<br />
Adam Opel AG<br />
65423 Rüsselsheim<br />
Tel: 06142 / 778325<br />
Fax: 06142 / 778409<br />
johanna.lompknetsch@de.opel.com<br />
Margit Hartmann<br />
Helaba<br />
Bonifaciusstr. 16<br />
99084 Erfurt<br />
Tel: 0361 / 21 77-308<br />
Fax: 0361 / 21 77-167<br />
Margit.Hartmann@helaba.de<br />
Jan Rock<br />
Fürst von Metternich<br />
Sektkellerei GmbH<br />
Biebricher Allee 142<br />
65187 Wiesbaden<br />
Tel: 0611 / 63-205<br />
Fax: 0611 / 63-71205<br />
Jan.Rock@Henkell-<br />
Sektkellerei.de<br />
Press Information<br />
Co-Sponsors from the region have been faithfully<br />
supporting the <strong>Rheingau</strong> <strong>Musik</strong> <strong>Festival</strong> for more<br />
than twenty years<br />
Fürst von Metternich Sektkellerei, Helaba Bank (Landesbank Hessen-<br />
Thüringen) in association with the foundation „Sparkassen-<br />
Kulturstiftung Hessen-Thüringen“, and the Adam Opel AG are supporting<br />
the <strong>Rheingau</strong> <strong>Musik</strong> <strong>Festival</strong> as co-sponsors.<br />
Oestrich-Winkel, <strong>2012</strong>-01-26 – The combination of musical highlights performed<br />
by international virtuosos and the incomparable charm of the <strong>Rheingau</strong> create<br />
the distinctive profile of the <strong>Rheingau</strong> <strong>Musik</strong> <strong>Festival</strong>, which meanwhile ranks<br />
among Europe’s biggest classical music festivals. Organising 157 top-notch events<br />
at 41 venues would be inconceivable without the active support of the<br />
sponsors. This year, too, companies from the region are commited to sponsoring<br />
the cultural highlight of the year.<br />
Since the festival's inception in 1987, the sparkling wine producer Sektkellerei<br />
Fürst von Metternich from Johannisberg in the <strong>Rheingau</strong> has maintained close<br />
ties with the <strong>Rheingau</strong> <strong>Musik</strong> <strong>Festival</strong>. Both share primarily a fondness for sophisticated<br />
pleasures and the finer things in life. Can you imagine anything better<br />
than inspiring music and an exhilarating glass of Riesling Sekt – enjoyed against<br />
the backdrop of the <strong>Rheingau</strong>, the cradle of the finest wines and, since 1816, the<br />
residence of the Princes of Metternich.The „Sektkellerei Fürst von Metternich“ is<br />
glad to have been hosting for the past 25 years one of Europe's best-known and<br />
most prestigious music festivals, and to take an active part, once again, in helping<br />
to enable high-level cultural events in the <strong>Rheingau</strong>. Almost a third of the<br />
concerts will be performed at Schloss Johannisberg, the former residence of the<br />
long-serving Head of the Board of Trustees and co-founder of the festival, Tatiana<br />
Princess of Metternich-Winneburg, who died in 2006. Once again this year,
year, crowds of visitors will be enjoying the Sommerfest (Summer Party), one of<br />
the festival's highlights, set against the picturesque backdrop of the palace. Let<br />
us all look forward to the <strong>2012</strong> festival season.<br />
Nurturing arts and culture has a long tradition at the Helaba Bank (Landesbank<br />
Hessen-Thüringen), which it has been cultivating for more than 20 years by<br />
supporting the <strong>Rheingau</strong> <strong>Musik</strong> <strong>Festival</strong> as a co-sponsor. 25 years of <strong>Rheingau</strong><br />
<strong>Musik</strong> <strong>Festival</strong> offer a good reason in <strong>2012</strong> to be proud of this tradition and of<br />
having helped to increase the cultural offer, and therefore the attraction of the<br />
Rhein-Main-Area for both citizens and commerce.<br />
A good reason, too, to be grateful to Michael Herrmann, the inventer, Artistic and<br />
Managing Director of the <strong>Rheingau</strong> <strong>Musik</strong> <strong>Festival</strong>, for having developed his musical<br />
dream, for having pursued his goal inspite of obstacles, and, finally, for having<br />
realized it so successfully.<br />
Every year, the <strong>Rheingau</strong> becomes the meeting point of artists from the region<br />
and from all over the world. Artists who were companions of the festival from its<br />
beginnings, and helped molding it, will be honored by this season's programming<br />
theme Wegbegleiter (Companions). In the past years, Ludwig Güttler, Ewa Kupiec<br />
and Justus Frantz, for instance, have enraptured many of the bank's guests<br />
with their musical mastery. In the current season, the Helaba Bank sponsors the<br />
Wegbegleiter concert with Ewa Kupiec on July 29 at Schloss Johannisberg,<br />
which is one oft the musical highlights of this festival with interpretations of works<br />
by Schubert, Liszt, Mendelssohn and Chopin. The same is true for the second<br />
concert sponsored by the Helaba Bank on August 24 in the Kurhaus Wiesbaden<br />
(Assembly Hall) with the violinist Veronika Eberle and the Helsinki Philharmonic<br />
Orchestra under the direction of John Storgårds.<br />
Whether at Schloss Johannisberg, in the Kurhaus Wiesbaden or at Eberbach<br />
Monastery, to name but a few of the many festival venues, the performances of<br />
world class artists will make them the focus of discerning international audiences.<br />
The architecture, the nature and variety of the musical and culinary enjoyments<br />
of the Rhein-Main-Area will be communicated by these audiences well beyond<br />
the borders of our country. Getting the world to come to the <strong>Rheingau</strong> and opening<br />
the <strong>Rheingau</strong> to the world – for 25 years this has been the highly successful<br />
work of Michael Herrman based on his never ending ideas, his courage and his<br />
skill. We wish him and his team a splendid Jubilee Summer with music, appropriate<br />
weather and enthusiastic audiences. The Helaba Bank will be glad to be among<br />
them.<br />
This year, once again, the Sparkassen-Kulturstiftung Hessen-Thüringen (a<br />
foundation of the savings bank of Hesse and Thuringia) is one of the <strong>Rheingau</strong><br />
<strong>Musik</strong> <strong>Festival</strong>'s partners. In the spirit of its founders – the savings banks (Sparkassen)<br />
of Hesse and Thuringia – the foundation aims to support regional activi-
ties of outstanding quality and make them accessible to a broad public, while<br />
helping to provide cultural enhancement for the Rhine-Main area.<br />
This year again, the Adam Opel AG is reaffirming its partnership with the <strong>Rheingau</strong><br />
<strong>Musik</strong> <strong>Festival</strong>. As in previous years, Opel is the festival's official vehicle<br />
sponsor. Cultural involvement has a long tradition at Opel – not least in the surrounding<br />
region. Adam Opel founded his company in Rüsselsheim in 1862. This<br />
year marks the 150 th anniversary of the Adam Opel AG.<br />
Opel is one of the biggest European automobile manufacturer and was founded<br />
in Rüsselsheim, Germany, in 1862. The company, with its headquarters in Rüsselsheim,<br />
and its British sister brand Vauxhall are selling and exporting cars to<br />
more than 40 countries. The company owns plants and R&D centers in seven<br />
European countries and currently employs 40,000 people (as of December<br />
2011). In 2011, Opel sold more than 1.2 million cars and light-duty commercial<br />
vehicles, achieving a market share of 6.1 percent. When launching the electric<br />
vehicle Ampera, Opel introduced a new segment into the European car market<br />
and underlined its role as a leading trend setter for forward-looking mobility solutions.<br />
We would like to wish the <strong>Rheingau</strong> <strong>Musik</strong> <strong>Festival</strong> a highly successful<br />
<strong>2012</strong> season.
UBS Deutschland AG<br />
Susanne Grupp<br />
Corporate Communications<br />
OpernTurm,<br />
Bockenheimer Landstr. 2-4<br />
60306 Frankfurt<br />
Tel. +49-69-2179 21 45<br />
Fax +49-69-2179 86 20<br />
susanne.grupp@ubs.com<br />
Press Information<br />
Accenture GmbH<br />
Jens Derksen<br />
Media Relations<br />
Campus Kronberg 1<br />
61476 Kronberg i. Ts.<br />
Tel. +49-6173 94 61393<br />
Fax +49-6173 94 41393<br />
jens.derksen@accenture.com<br />
Deutsche Leasing AG<br />
Kati Eggert<br />
Pressesprecherin<br />
Frölingstr. 15-31<br />
61352 Bad Homburg<br />
Tel. +49 6172 88-1170<br />
Fax +49 6172 88-1178<br />
presse@<br />
deutsche-leasing.com<br />
Premium Project Partners at the<br />
<strong>Rheingau</strong> <strong>Musik</strong> <strong>Festival</strong><br />
Coface Deutschland AG<br />
Unternehmenskommunikation<br />
Dr. Annette Peitz<br />
Isaac-Fulda-Allee 1<br />
55124 Mainz<br />
Tel.: +49 6131 / 323 - 542<br />
Fax: +49 6131 / 323 – 70675<br />
annette.peitz@coface.de<br />
Accenture, Coface Deutschland AG, Deutsche Leasing<br />
Gruppe, and UBS Deutschland AG support the <strong>Rheingau</strong><br />
<strong>Musik</strong> <strong>Festival</strong> as Premium Project Partners during the Jubilee<br />
year.<br />
All companies are long-standing sponsors of the festival’s programme, and<br />
have now decided to extend their contractual ties with the festival for several<br />
more years, with the same level of financial support.<br />
„UBS Deutschland AG“ supports the <strong>Rheingau</strong> <strong>Musik</strong> <strong>Festival</strong> in<br />
<strong>2012</strong> for the second time as Premium Project Partner<br />
„I can answer the question what makes the <strong>Rheingau</strong>-<strong>Musik</strong> <strong>Festival</strong> so<br />
unique for us in one single sentence: The outstanding artistic quality combined<br />
with the picturesque backdrop of the venues make performances and<br />
concerts an unforgettable experience“, is the enthusiastic answer from Axel<br />
Hörger, Chairman of the Board and CEO Wealth Management of UBS<br />
Deutschland AG. „Therefore, we are very glad, indeed, to support the „cult<br />
brand“ <strong>Rheingau</strong>-<strong>Musik</strong>-<strong>Festival</strong> as a Premium Partner for the second year<br />
running along the lines of our long-term partnership, and ,as always, we<br />
can't wait to hear about this year’s festival programme.“<br />
www.ubs.com<br />
Accenture has been supporting the <strong>Rheingau</strong> <strong>Musik</strong> <strong>Festival</strong><br />
since 1997 – this year for the second time as Premium Project<br />
Partner<br />
„The festival is a cultural institution that enthralls people far beyond the region's<br />
boundaries, and for 15 years it has been a fixed part of Accenture's<br />
commitment in the Rhein-Main area. We would like to give something back<br />
to the region and help maintaining the quality of life for both individuals and<br />
companies. I personally look forward this year to some more magic moments<br />
in classical music“, says Frank Riemensperger, Managing Director<br />
Germany at Accenture.<br />
www.accenture.de
Deutsche Leasing Gruppe affirms cultural partnership with a<br />
„Summer Full of Music“ in its 50 th year of existence<br />
For many years, the Deutsche Leasing and its subsidiary, DAL Deutsche<br />
Anlagen-Leasing in Wiesbaden, have belonged to the regular sponsors of<br />
exclusive concerts of the <strong>Rheingau</strong> <strong>Musik</strong> <strong>Festival</strong>. Thus, the Bad Homburg<br />
based company manifests its social responsibility by supporting cultural<br />
novelties in the region. „By sponsoring the <strong>Rheingau</strong> Music <strong>Festival</strong> we do<br />
not only give our clients and business partners an understanding of culture<br />
and of the region, but we are giving something back to this region, too“,<br />
explains Kai Ostermann, Chairman of the Board, Deutsche Leasing.<br />
www.deutsche-leasing.com<br />
Long-standing partnership: Coface Deutschland AG supports<br />
again the <strong>Rheingau</strong> <strong>Musik</strong> <strong>Festival</strong><br />
„With the <strong>Rheingau</strong> <strong>Musik</strong> <strong>Festival</strong>, our region has top-class cultural events<br />
on offer in addition to the premium wines“, emphasizes Franz. J. Michel,<br />
Chairman of the Board, Coface Deutschland AG. The internationally positioned<br />
credit insurance provider, with its main office at Mainz, shows its<br />
close ties with the region in its long-term commitment: „As a company located<br />
in this region, we are willing to assume social responsibility. As the<br />
sponsor of the soccer temple at Mainz, the Coface Arena, this Premium<br />
Partnership proves that not only sports is very important to us, but that the<br />
promotion of cultural events in the <strong>Rheingau</strong> and in Rheinhessen is just as<br />
important.“<br />
www.coface.de
Press Release<br />
January 26, <strong>2012</strong><br />
009hr<br />
„Carmina Burana“ at Eberbach Monastery and a Jazz Matinée<br />
hr-Sinfonieorchester (Frankfurt Radio Symphony Orchestra) and hr Big Band at<br />
the <strong>Rheingau</strong> <strong>Musik</strong> <strong>Festival</strong><br />
The Hessian Broadcasting Service's (hr) two orchestras, the hr-<br />
Sinfonieorchester and the hr Big Band, will be performing four concerts during<br />
the 25 th <strong>Rheingau</strong> <strong>Musik</strong> <strong>Festival</strong>. The program of the two opening concerts,<br />
performed by the hr-Sinfonieorchester under its chief conductor Paavo Järvi,<br />
promises to become a special musical treat: Carl Orff's „Carmina Burana“<br />
will be performed in the medieval atmosphere of Eberbach Monastery<br />
with, among others, the Czech Philharmonic Choir Brno and the<br />
“Limburger Domsingknaben” (Limburg Cathedral Boys' Choir). Paavo Järvi<br />
will be conducting the orchestra in another concert in the Kurhaus<br />
Wiesbaden (Assembly Rooms) in August. The young Georgian pianist,<br />
Khatia Buniatishvili, will be playing Robert Schumann's piano concerto. The<br />
program also features a new composition by Peter Ruzicka and Gustav<br />
Mahler's Symphony No. 1. The hr Big Band and vocalist Jane Monheit will be<br />
inviting to a Jazz Matinée in July.<br />
„Carmina Burana“ is perhaps the most popular choral work of the 20 th century<br />
and has held audiences spellbound all over the world since it premiered<br />
in Frankfurt in 1937. Orff's work appears to us both modern and archaic all at<br />
once, especially in the aura of the monastery's sound-space.<br />
For the hr Big Band, its performances at the <strong>Rheingau</strong> <strong>Musik</strong> <strong>Festival</strong> count<br />
among its own seasonal highlights. The band was able to engage the charismatic<br />
vocalist Jane Monheit for its Jazz Matinée in the Cuvéehof of Schloss<br />
Johannisberg on July 1. Her song interpretations have made this exceptionally<br />
gifted jazz vocalist a celebrity in both the jazz and cabaret worlds. Her first album,<br />
„Never Never Land“, was voted top debut recording by the Jazz Journalist’s Association<br />
and stayed on the Billboard Jazz chart for over a year. For her performance<br />
with the hr Big Band, the artist from Long Island, who was twice nominated<br />
for a Grammy, brings along a selection of songs from the „Great American Song<br />
Book“ and presents some of her own songs.<br />
The Hessian Broadcasting Service (hr) has been a companion of the <strong>Rheingau</strong><br />
<strong>Musik</strong> <strong>Festival</strong> since its beginnings 25 years ago. It is the festival's senior media partner<br />
and has had a major share in the success of the festival due to its many radio<br />
and tv transmissions and orchestra performances. The tv station „hr-fernsehen“ will<br />
be broadcasting the opening concert live, and the radio station „hr2-kultur“<br />
transmits live broadcasts and recordings of concerts on a regular basis. In addition,<br />
the concerts can be heard world-wide through the service of the European<br />
Broadcasting Union (EBU).<br />
Hessischer Rundfunk<br />
Anstalt des öffentlichen<br />
Rechts<br />
Pressestelle<br />
Postfach<br />
60222 Frankfurt am Main<br />
Bertramstraße 8<br />
60320 Frankfurt am Main<br />
Telefon (069) 1 55-4549<br />
Fax (069) 1 55-30 05<br />
pressestelle@hr-online.de<br />
www.presse.hr-online.de<br />
Das hr-Sinfonieorchester<br />
eröffnet das <strong>Rheingau</strong><br />
<strong>Musik</strong> <strong>Festival</strong> im Kloster<br />
Eberbach<br />
Foto: hr/ Ansgar Klostermann<br />
honorarfrei
Press Release<br />
Concert overview:<br />
Opening Concerts:<br />
Saturday, June 23, and Sunday, June 24, 8:00 pm, Basilica of Eberbach Monastery<br />
hr-Sinfonieorchester; Paavo Järvi conducting; soloists, Czech Philharmonic Choir<br />
Brno, “Limburger Domsingknaben” (Limburg Cathedral Boys' Choir)<br />
Carl Orff: Carmina Burana<br />
Sunday, July 1, 11:00 am, Schloss Johannisberg, Cuvéehof<br />
hr Big Band with jazz vocalist Jane Monheit<br />
Thursday, August 23, 8:00 pm, Kurhaus Wiesbaden (Assembly Rooms)<br />
hr-Sinfonieorchester; Paavo Järvi conducting; Khatia Buniatishvili, piano<br />
Peter Ruzicka: Premiere of a new composition (commissioned by the hr)<br />
Robert Schumann: piano concerto<br />
Gustav Mahler: Symphony No. 1<br />
Tickets: +49 (0) 6723 / 60 21 70<br />
Hessischer Rundfunk<br />
Press Office
Press Release<br />
Successful media partnership<br />
continued this festival season<br />
Deutschlandfunk and Deutschlandradio Kultur broadcast<br />
concerts from the <strong>Rheingau</strong> <strong>Musik</strong> <strong>Festival</strong> <strong>2012</strong><br />
01/26/<strong>2012</strong>/<br />
P006/bz<br />
The national broadcasting service with its two channels „Deutschlandfunk“<br />
and „Deutschlandradio Kultur“ is again media partner of the <strong>Rheingau</strong> <strong>Musik</strong><br />
<strong>Festival</strong> for the concert season <strong>2012</strong>. As in previous years, concert recordings<br />
are scheduled for nationwide broadcast on both channels. On<br />
Thursdays, from 21:05 to 22:50 h, Deutschlandfunk will document a selection<br />
of concerts in its series „Festspielpanorama“ (a panorama of festivals), complemented<br />
by informative background reports on composers and performers.<br />
Some additional concerts will be broadcast on „Deutschlandradio Kultur“ in<br />
its concert series at 20:03 h.<br />
Around the clock, „Deutschlandfunk“ and „Deutschlandradio Kultur“ offer a<br />
multitude of programs of classical music covering all genres of music and<br />
periods ranging from Early Music to contemporary music. Fixed program<br />
items are the daily „Konzert“ on „Deutschlandradio Kultur“, the „Konzertdokument<br />
der Woche“ (This Week's Concert Document) on „Deutschlandfunk“,<br />
as well as the series „Festspielpanorama“ with current recordings of great<br />
orchestras and soloists, as well as operas, choral and chamber music.<br />
Detailed information at www.dradio.de<br />
Kommunikation<br />
presse@dradio.de<br />
deutschlandradio.de<br />
Deutschlandfunk<br />
Raderberggürtel 40<br />
50968 Köln<br />
Tel 0221.345-2160<br />
Fax 0221.345-4803<br />
Deutschlandradio Kultur<br />
Hans-Rosenthal-Platz<br />
10825 Berlin<br />
Tel 030.8503-6161<br />
Fax 030.8503-6168
Press information<br />
– In <strong>2012</strong>, the <strong>Rheingau</strong> <strong>Musik</strong> <strong>Festival</strong> Konzertgesellschaft mbH provides again<br />
accreditation to all media representatives commissioned by their editors to review<br />
festival performances. Please send your written requests as early as possible to<br />
the festival's Press Office.<br />
– The Press Office will make every effort to meet your ticket requests and to provide<br />
tickets in the upper price categories. However, please bear in mind that there<br />
is only a limited quota of tickets available for the press and that we cannot<br />
always provide two tickets per event for the accredited press representative.<br />
– Please name the wine estate of your choice on your ticket order for press seats<br />
at the two events „Fahrende <strong>Musik</strong>er in Weingütern“ (Travelling Musicians in<br />
Wineries).<br />
– The order form for press tickets is attached. Please return the form to the Press<br />
Office until April 15, <strong>2012</strong>.<br />
– The press photographer passes do not entitle to a seat.<br />
– Please send a copy of your review to the Press Office of the <strong>Rheingau</strong> <strong>Musik</strong><br />
<strong>Festival</strong>.<br />
For further information please contact:<br />
Sabine Siemon M.A.<br />
Head of Press Office and Public Relations<br />
Phone: +49 (0) 6723 / 91 77 – 15<br />
Fax: +49 (0) 6723 / 91 77 – 19<br />
E-Mail: siemon@rheingau-musik-festival.de<br />
Sandy Kappey M.A.<br />
Assistant Press Office and Public Relations / Dramaturgy<br />
Phone: +49 (0) 6723 / 91 77 – 21<br />
Fax: +49 (0) 6723 / 91 77 – 19<br />
E-Mail: kappey@rheingau-musik-festival.de
RHEINGAU MUSIK FESTIVAL<br />
Konzertgesellschaft mbH<br />
Presse- und Öffentlichkeitsarbeit<br />
Sabine Siemon<br />
Rheinallee 1<br />
65375 Oestrich-Winkel<br />
Newspaper / Magazine / Radio : ______________________<br />
Adress: __________________________________________<br />
Order form for press tickets<br />
We herewith delegate Mrs. / Mr.<br />
_____________________________________________<br />
to review performances at the <strong>Rheingau</strong> <strong>Musik</strong> <strong>Festival</strong> <strong>2012</strong> and we request<br />
accreditation for the concerts listed below:<br />
Date Title of Concert Date Title of Concert<br />
.......................................................................................................................<br />
Place, Date Stamp / Signature<br />
Please make your own copies of this form for further use!