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Huron-Perth Boomers Summer 2024

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y Elizabeth Bundy-Cooper<br />

SPOTLIGHT<br />

and help the ailing economy. Laura said many<br />

people dismissed it despite the CNR railroad repair<br />

shops recently announcing it was shutting down. In<br />

January 1952, while writing for Maclean’s, Patterson<br />

received a small loan from city council – $125 – to<br />

go to New York City to talk to Sir Lawrence Olivier<br />

to help bring his idea of a Shakespearean theatre<br />

to fruition. Unfortunately, he failed to connect with<br />

Olivier. Canadian theatre pioneer Dora Mavor<br />

Moore subsequently put him in touch with legendary<br />

British director Tyrone Guthrie. Intrigued, Guthrie<br />

flew from England to Stratford to see if Patterson’s<br />

idea might be viable. He ended up becoming its<br />

first Artistic Director. Guthrie then persuaded Alec<br />

Guinness and Irene Worth to take the lead roles in<br />

Richard III. They both agreed.<br />

“Guthrie didn’t want an open-air theatre however,<br />

he wanted it under a tent,” Laura said. “But he<br />

wanted it surrounded with beautiful gardens so<br />

people wouldn’t think it was circus!”<br />

When Patterson’s idea of a Shakespeare summer<br />

festival became a reality, the tickets to the performances<br />

sold out. He didn’t know where all the tourists would<br />

stay. There were only two small hotels in the city at the<br />

time, The Queens and The Windsor.<br />

“Tom approached my parents in a panic, asking if<br />

they would allow tourists and artists into our home,<br />

just for the festival. My mother, reluctant at first, as<br />

she had four children at home at the time, responded<br />

by offering rooms,” Laura said. “Then she phoned<br />

all her bridge friends and asked them to do the same.<br />

I was quickly put to work to help out. I guess that’s<br />

how the hospitality industry in Stratford began!”<br />

The Festival soon changed lives, outlooks and<br />

opened new doors. Laura recalled Guthrie standing<br />

in the front hallway of their home and telling her<br />

mother never to refer to people who come here as<br />

tourists, but rather as theatre guests. “And I have<br />

never forgotten that,” she said.<br />

Not long after the Smiths started taking in guests,<br />

they began offering breakfasts too. Haidee would<br />

see people struggling to find a place to eat breakfast<br />

because the city didn’t have a lot of restaurants at the<br />

time and going out for breakfast wasn’t common in<br />

the 1950s. She said her mom soon began by putting<br />

on a pot of coffee and serving cereal topped with<br />

raspberries from their garden.<br />

Laura’s eyes danced as she reminisced about that<br />

first opening night, on July 13, 1953.<br />

“My brothers were ushers and it was sold out of course,<br />

so they lifted the tent flap and let me in. I sat on the<br />

steps of Aisle 6 and watched Alec Guinness come out<br />

on stage as Richard the Third. At 10 years of age, I<br />

did not understand the play, but I did remember the<br />

uproar of the audience at the end. I knew something<br />

very special had happened in Stratford.”<br />

The next year, the season was expanded to eight<br />

weeks and the number of plays presented grew to<br />

three. Early on, the refreshments available to theatre<br />

patrons were juice and ice cream. Laura worked<br />

on the juice cart and had to stay up late for the<br />

SUMMER <strong>2024</strong> • 11

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