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STEPHANIE:<br />
WILLIAM:<br />
STEPHANIE:<br />
WILLIAM:<br />
STEPHANIE:<br />
WILLIAM:<br />
STEPHANIE:<br />
You were viciously murdered too?<br />
Well no, but like, I was in Connolly, yeah? And there was this pigeon.<br />
Real proud looking fucker, picking at bread crumbs and doing pigeon<br />
things. And I thought to myself, I thought: "Why does the pigeon get<br />
to be so happy, when nobody knows him. When nobody ever knows<br />
him, and all he does is live off the scraps," Well then I got angry, so I<br />
chased him, yknow, to knock him off his high horse, to spook him a<br />
little. And well, wasn't it just my luck that I fell off the track as soon as<br />
the train decided to come along.<br />
Jesus.<br />
I wrote a rap about it. (Turns to the audience) who wants to hear it?<br />
NO! Sorry, I mean, how old were you when it happened?<br />
Seventeen. You?<br />
Twenty two.<br />
A shared look of newfound understanding passes between them<br />
WILLIAM:<br />
STEPHANIE:<br />
WILLIAM:<br />
STEPHANIE:<br />
WILLIAM:<br />
STEPHANIE:<br />
WILLIAM:<br />
You know, seeing as how we're only have, what? Like, five minutes of<br />
consciousness left? And this may be our last chance to know, live<br />
again. So, why don't we ...<br />
Are you serious?<br />
What?<br />
Are you seriously hitting on a murder victim in a crowded room of<br />
witnesses?<br />
I was just thinking, maybe we could ...<br />
Stop, just // stop<br />
... hold hands?<br />
MARY smiles despite herself. She outreaches her hand.<br />
As soon as contact is made we<br />
SNAP TO BLACK:<br />
SNAP UP TO FULL LIGHT<br />
The possession has ended. Return to initial position. The fourth was has been rebuilt.<br />
MARY and JOHN are completely oblivious to the effects of their "spell".